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The Sugar Syndrome
I like the internet. I like that way of talking to people. It's honest. It's a place where people are free to say anything they like. And most of what they say is about sex. Dani's on a mission. She's just seventeen, hates her parents, skives college and prefers life in the chatrooms on-line. What she's looking for is someone who is honest and direct. Instead she finds a man twice her age, who thinks she is eleven and a boy.
The Effect
A Student Edition of Lucy Prebble's acclaimed 2012 play, which looks at two people on a clinical drugs trial and investigates questions around sanity, neurology, physical attraction and the possibilities of medicine. The edition includes commentary and notes by Paulette Marty, which look at the context around depression and anti-depressant medication; as well as delving into major questions posed by the play, such as "is love real?" and "what is chemistry when applied to human beings?". Her commentary also looks at the play in production, the implications of the playwright having written the roles for particular actors, and the opportunities that arise from the playwright encouraging future actors to "mould the text around themselves".
Enron
"The political theatre of the 21st century has arrived, in some style." The Times The most infamous scandal in corporate history. The most vilified figures in the financial world. The most audacious (and destructive) display of greed history has ever seen. Charting the notorious rise and fall of the eponymous company and its founding partners Ken Lay and Jeffrey Skilling, Lucy Prebble's Enron is a pulse-racing and rage-inducing parable, exploring the limits of greed... or lack thereof. Mixing classical tragedy with savage comedy, Enron is published in Methuen Drama's Modern Classics series, featuring a new introduction by Natasha Tripney.
Lucy Prebble Plays 1
Lucy Prebble is one of Britain's foremost writers for the stage and screen. This eagerly anticipated play collection brings together her landmark plays for the first time, showcasing her work from 2003 to 2019. Beginning with her George Devine Award-winning play The Sugar Syndrome it continues through her explosive look at the biggest financial scandal in history, concluding with her pointed dramatization of the one of the most shocking news stories of the 2010s. The Sugar Syndrome (2003) Dani is on a mission. She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who...
The Effect
Nominated for Best Revival at the Olivier Awards 2024 Who I am Is not A side effect. Hearts and minds racing, Connie and Tristan are falling for each other fast. But is their sudden and intoxicating chemistry real, or a side effect of a new antidepressant? As two young volunteers in a clinical drug trial, their illicit romance poses startling dilemmas for the supervising doctors. Lucy Prebble's funny and intimate examination of love and ethics originally premiered in 2012, becoming an instant modern classic. This edition revised and updated edition is published to coincide with the production at the National Theatre, in August 2023.
A Very Expensive Poison
A shocking assassination in the heart of London. In a bizarre mix of high-stakes global politics and radioactive villainy, a man pays with his life. At this time of global crises and a looming new Cold War, A Very Expensive Poison sends us careering through the shadowy world of international espionage from Moscow to Mayfair. Lucy Prebble (Enron, The Effect) brings a shocking story to the stage, adapted from the book by Luke Harding, with an astute mix of real events, vaudeville and thriller. This edition was published to coincide with the World Premiere at the Old Vic Theatre, London, in 2019.
Affects in 21st-Century British Theatre
This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Adebayo, Mike Bartlett, Alice Birch, Caryl Churchill, Tim Crouch and Andy Smith, Rachel De-lahay, Reginald Edmund, James Fritz, David Greig, Idris Goodwin, Zinnie Harris, Kieran Hurley, Lucy Kirkwood, Anders Lustgarten, Yolanda Mercy, Anthony Neilson, Lucy Prebble, Sh!t Theatre, Penelope Skinner, Stef Smith, Kae Tempest and debbie tucker green. The interpretations identify significant areas of tension as they relate affects to the fields of cognition, politics and hope. In this, the chapters uncover interrelations of thought, intention and empathy; they reveal the nexus between identities, institutions and ideology; and, finally, they explore how theatre can accomplish the transition from a sense of crisis to utopian visions.
A Very Expensive Poison
A shocking assassination in the heart of London. In a bizarre mix of high-stakes global politics and radioactive villainy, a man pays with his life. At this time of global crises and a looming new Cold War, A Very Expensive Poison sends us careering through the shadowy world of international espionage from Moscow to Mayfair. Lucy Prebble (Enron, The Effect) brings a shocking story to the stage, adapted from the book by Luke Harding, with an astute mix of real events, vaudeville and thriller. This edition was published to coincide with the World Premiere at the Old Vic Theatre, London, in 2019.
Madness in Contemporary British Theatre
This book considers the representation of madness in contemporary British theatre, examining the rich relationship between performance and mental health, and questioning how theatre can potentially challenge dominant understandings of mental health. Carefully, it suggests what it means to represent madness in theatre, and the avenues through which such representations can become radical, whereby theatre can act as a site of resistance. Engaging with the heterogeneity of madness, each chapter covers different attributes and logics, including: the constitution and institutional structures of the contemporary asylum; the cultural idioms behind hallucination; the means by which suicide is apprehended and approached; how testimony of the mad person is interpreted and encountered. As a study that interrogates a wide range of British theatre across the past 30 years, and includes a theoretical interrogation of the politics of madness, this is a crucial work for any student or researcher, across disciplines, considering the politics of madness and its relationship to performance.
The Methuen Drama Book of Royal Court Plays 2000-2010
An essential anthology of five plays originally staged by what the New York Times described as "the most important theater in Europe"—The Royal Court.
