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Ordinary Workers, Vichy and the Holocaust
A major new study on the role of French railwaymen in resistance and genocide during the Second World War.
Fellow Travellers
Fellow Travellers considers the origins and development of the Communist presence among French railway workers, how Communist activists adapted to the particular environment of railway industrial relations, and examines the foundations of what was to become one of the most powerful and enduring constituencies of Communist support in modern France.
Ordinary Workers, Vichy and the Holocaust
"Should French railwaymen during the Second World War be viewed as great resisters or collaborators in genocide? Ludivine Broch revisits histories of resistance, collaboration and deportation in Vichy France through the prism of the French railwaymen - the cheminots. De-sanctifying the idea of railwaymen as heroic saboteurs, Broch reveals the daily life of these workers who accommodated with the Vichy regime, cohabitated with the Germans and stole from their employer. Moreover, by intertwining the history of the working classes with Holocaust history, she highlights unexpected histories under Vichy and sensitive memories of the post-war period. Ultimately, this book bursts the myths of cheminot resistance and collaboration in the Holocaust, and reveals that there is more to their story than this. The cheminots fed both the French nation and the German military apparatus, exemplifying the complexities of personal, professional and political life under occupation"--
Ego-histories of France and the Second World War
This volume presents the intellectual autobiographies of fourteen leading scholars in the fields of history, literature, film and cultural studies who have dedicated a considerable part of their career to researching the history and memories of France during the Second World War. Basedin five different countries, Margaret Atack, Marc Dambre, Laurent Douzou, Hilary Footitt, Robert Gildea, Richard J. Golsan, Bertram M. Gordon, Christopher Lloyd, Colin Nettelbeck, Denis Peschanski, Renée Poznanski, Henry Rousso, Peter Tame, and Susan Rubin Suleiman have playeda crucial role in shaping and reshaping what has become a thought-provoking field of research. This volume, which also includes an interview with historian Robert O. Paxton, clarifies the rationales and driving forces behind their work and thus behind our current understanding of one of the darkest and most vividly remembered pages of history in contemporary France.
Fighters in the Shadows
Robert Gildea’s penetrating history of France during World War II sweeps aside the French Resistance of a thousand clichés. Gaining a true understanding of the Resistance means recognizing how its image has been carefully curated through a combination of French politics and pride, ever since jubilant crowds celebrated Paris’s liberation in 1944.
States of Separation
Origins -- The refugee regime -- The transfer solution -- The partition solution -- Diasporas and homelands
Resistance and Liberation
New history of la France libre, Vichy collaboration, and the resistance from the campaigns in Tunisia and Italy to Liberation.
Last Train to Auschwitz
During World War II, the French National Railways Corporation (SNCF) deported 75,000 people to Nazi death camps. Last Train to Auschwitz delves into the many roles of the French railways during the Holocaust. Poignant stories of survivors mixed with contemporary legal debates illuminate a company's amends for human rights violations.
Portraits of Remembrance
Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public’s appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: f...
House of Glass
"Hadley Freeman knew her grandmother Sara had lived in France just as Hitler started to gain power in Europe, but rarely did anyone in her family talk about it--until long after her grandmother's death, she found a shoebox tucked in a closet. In it was a photograph of her grandmother with a mysterious stranger; a cryptic telegram from the Red Cross; and a drawing signed by Picasso. This discovery sent Freeman on a decade-long journey, as she tried to uncover the significance of these keepsakes. Her search took her from the Picasso archives in Paris to a secret room in a farmhouse in the Auvergne, from Long Island to Auschwitz. Here, Freeman pieces together the puzzle of her family's past"--
