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Beyond Boundaries
Despite the recent growth in university courses on European Studies and Cultural Studies, and notwithstanding increasing public concern about questions of national identity within Europe, there is currently little material available which explores the diversity of European identities specifically within the context of European literary and filmic culture. In tackling ten novels, six plays, four films, three short stories, three books of travel writing and one diary, covering fifteen nationalities in all, the authors of this volume are seeking to fill this gap. The twelve essays contain detailed textual analysis embedded within a framework of cultural theory whose most celebrated reference points include Freud, Edward Said, Benedict Anderson and Homi Bhabha. This volume is aimed not only at specialists in identity studies and those concerned with the artistic landscape of a wider Europe - including Russia, the Balkans, Finland and Turkey. It will also interest those preoccupied with building an imaginative and imagined identity for Europe, an identity which might help to sustain it as a political entity and lend it greater popular legitimacy than it enjoys at present.
Balkan Departures
In writings about travel, the Balkans appear most often as a place travelled to. Western accounts of the Balkans revel in the different and the exotic, the violent and the primitive − traits that serve (according to many commentators) as a foil to self-congratulatory definitions of the West as modern, progressive and rational. However, the Balkans have also long been travelled from. The region's writers have given accounts of their travels in the West and elsewhere, saying something in the process about themselves and their place in the world. The analyses presented here, ranging from those of 16th-century Greek humanists to 19th-century Romanian reformers to 20th-century writers, socialists and 'men-of-the-world', suggest that travellers from the region have also created their own identities through their encounters with Europe. Consequently, this book challenges assumptions of Western discursive hegemony, while at the same time exploring Balkan 'Occidentalisms'.
Hidden Texts, Hidden Nation
This book offers a fresh and timely 'European' perspective on Wales and Welshness. Uncovering rare travel texts in French and German from 1780 to now it provides a valuable case-study of a culture that is often minoritized, and demonstrates the value of multilingual research and a transnational approach.
Philology and Global English Studies
This book retraces the formation of modern English Studies by departing from philological scholarship along two lines: in terms of institutional histories and in terms of the separation of literary criticism and linguistics.
The Conformists
"The complexities and paradoxes of the Bulgarian film industry during the era of Communist rule (1945-1989) are explored.... This influential industry was mobilized for the needs of the state. During its creation and development, cultural institutions and those involved in film production operated within a relatively closed system, based on rewards and punishments imposed by the Communist bureaucratic apparatus. Sub-textual content in films produced in Bulgaria during this period highlights the attitude of the elite towards the regime. Understanding this multifaceted relationship helps explain why so many intellectuals found the film industry to be an attractive field in which to work, and decided to remain loyal to the regime instead of leaving or openly rebelling against it. This work challenges the historiographical perception that the arts in the Eastern Bloc during the Cold War were largely unsuccessful vehicles of propaganda and dissent. By using a comparative methodological approach, the cinema arts in the East and West are shown following similar paths despite the Iron Curtain."--Provided by publisher.
Post/modern Dracula
“Post/modern Dracula” explores the postmodern in Bram Stoker’s Victorian novel and the Victorian in Francis Ford Coppola’s postmodern film to demonstrate how the century that separates the two artists binds them more than it divides them. What are the postmodern elements of Stoker’s novel? Where are the Victorian traits in Coppola’s film? Is there a postmodern gloss on those Victorian traits? And can there be a Victorian directive behind postmodernism in general? The nine essays compiled in this collection address these and other relevant questions per the novel and the film at three distinct periods: (post)modern Victorianism, post/modernism, and finally postmodernism. Part I on...
Interpersonal Encounters in Contemporary Travel Writing
This critical study examines the theme of interpersonal encounter in a range of late twentieth- and early twenty-first-century travel writing written in French and Italian. Structured typologically, each chapter focuses on a typical activity that brings traveller-protagonists into contact with other people. Drawing on literary critical studies of travel writing, sociological and anthropological approaches to tourism, as well as research in French and Italian area studies, ‘Interpersonal Encounters in Contemporary Travel Writing’ locates the concept of encounter within the context of modern tourism.
Orientations
"This anthology introduces readers to the rich body of travel writing from eastern Europe. It presents a selection of accounts written over the past 450 years, chosen from many different types of author - from the well-known to the obscure - and representing many different genres of travel writing, from personal letters to self-consciously literary exercises. The extracts illustrate the variety of ways in which east Europeans have written about Europe, and their place in relation to it."--Publisher's description.
Continental Tourism, Travel Writing, and the Consumption of Culture, 1814–1900
This book explores the boundaries of British continental travel and tourism in the nineteenth century, stretching from Norway to Bulgaria, from visitors’ albums to missionary efforts, from juvenilia to joint authorship. The essay topics invoke new aesthetics of travel as consumption, travel as satire, and of the developing culture of tourism. Chronologically arranged, the book charts the growth and permutations of this new consumerist ideology of travel driven by the desires of both men and women: the insatiable appetite for new accounts of old routes as well as appropriation of the new; interart reproductions of description and illustration; and wider cultural manifestations of tourism within popular entertainment and domestic settings. Continental tourism provides multiple perspectives with wide-ranging coverage of cultural phenomena increasingly incorporated into and affected by the nineteenth-century continental tour. The essays suggest the coextension of travel alongside experiential boundaries and reveal the emergence of a consumerist attitude toward travel that persists in the present day.
