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In Western countries conscientious objection is usually accommodated in various ways, at least in certain areas (military conscription, medicine) and to some extent. It appears to be regarded as fundamentally different from other kinds of objection. But why? This study argues that conscientious objection cannot be understood as long as conscience is misunderstood. The author provides a new interpretation of the historical development of expressions of conscience and thought on the subject, and offers a new approach to conscientious objection rooted in the symbol-approach to conscience.
What was German Naturalism? What were its achievements? How does it compare with its counterparts in other European countries? These are some of the difficult questions addressed by John Osborne in Gerhart Hauptmann and the Naturalist Drama, a revised and updated version of his The Naturalist Drama in Germany, now widely acknowledged as the standard introduction to the subject. The debates to which he contributed, and in some cases initiated, on Naturalism in the German theatre, Naturalist theory in Germany, and the development of the Naturalist movement to the contemporary Social Democrat movement, have remained central issues. This revised edition preserves the structure and approach of the original, including its emphasis on the early dramas of Hauptmann, while taking full account of subsequent scholarship which provides the context in which this Naturalist playwright's work can be placed.
This work—which is a reprint of the Sixteenth Book of the History of Protestantism—is exclusively occupied with the subject of the Waldenses. It describes succinctly the conflicts they waged and the martyrdoms they endured in defence of their faith and their liberty, and is published in the present form to meet the requirements of those who take a special interest in this remarkable people. Recent events in Europe have brought the Waldenses into prominence, and thrown a new light upon the grandeur of their struggle and the important and enduring issues which have flowed from it. To them, in a very particular manner, are we to trace the constitutional liberties which Italy at this hour en...
A unique insight into the relationship between Brahms's music and his philosophical and literary context from a modernist perspective.
"Wittgenstein in Vienna" documents Wittgenstein's life in the city: the places he, his family and those with whom he was in contact, lived, worked, entertained and socialized. The book will be a source of enrichment to the cultural tourist in Vienna. Its authors are authorities on Wittgenstein's philosophy especially in relation to Viennese culture and popular culture, in particular the world of the coffee house and cabaret.
When the second volume of de La Grange's monumental study of Mahler appeared, it was hailed in The New Yorker, The Washington Post, The Los Angeles Times, and many other publications as an indispensable portrait of the great composer. Here at last is the third volume of this magisterial work. Ranging from 1904 to 1907, it explores Mahler's final years as administrator, producer, and conductor of the Vienna Opera. It was a time of intense inner struggle, with Mahler's energy and creative powers drained by the competing demands of running the Hofoper and struggling for recognition as a composer. And they were tragic years as well, especially 1907, Mahler's last year in Vienna, when the death o...
Originally presented as the author's thesis (doctoral)--University of Limerick, Ireland, 2007.