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Architecture in Italy, 1400-1500
  • Language: en
  • Pages: 198

Architecture in Italy, 1400-1500

Brunelleschi - Ghiberti and Donatello - Alberti - Florence 1450-1480 - Urbino - Venice - Lombardy - Leonardo da Vinci.

Studien zur toskanischen Kunst
  • Language: de
  • Pages: 330

Studien zur toskanischen Kunst

  • Categories: Art
  • Type: Book
  • -
  • Published: 1964
  • -
  • Publisher: Unknown

None

Leonardo
  • Language: en
  • Pages: 136

Leonardo

  • Categories: Art

None

Leonardo Da Vinci: Text.- 2. Plates
  • Language: en
  • Pages: 230

Leonardo Da Vinci: Text.- 2. Plates

  • Type: Book
  • -
  • Published: 1954
  • -
  • Publisher: Unknown

None

Leonardo Da Vinci: Plates
  • Language: en
  • Pages: 220

Leonardo Da Vinci: Plates

  • Type: Book
  • -
  • Published: 1954
  • -
  • Publisher: Unknown

None

Leonardo Da Vinci
  • Language: en

Leonardo Da Vinci

  • Type: Book
  • -
  • Published: 1954
  • -
  • Publisher: Unknown

None

Architecture in Italy, 1400 to 1600
  • Language: en
  • Pages: 698

Architecture in Italy, 1400 to 1600

In 15th-century Florence, Brunelleschi's buildings and Alberti's treatise first established the principles of Italian Renaissance architecture in practice and theory. This survey ranges from Brunelleschi's dome for the Florence Cathedral to the works of Bramante and Leonardo in the Quattrocento.

Leonardo Da Vinci
  • Language: en
  • Pages: 32

Leonardo Da Vinci

  • Type: Book
  • -
  • Published: 1951
  • -
  • Publisher: Unknown

None

Leonardo the Inventor
  • Language: en
  • Pages: 198

Leonardo the Inventor

  • Categories: Art
  • Type: Book
  • -
  • Published: 1980
  • -
  • Publisher: Unknown

None

Central Collecting Point in Munich, The
  • Language: en
  • Pages: 324

Central Collecting Point in Munich, The

  • Categories: Art

A compelling exploration of the many issues surrounding the restoration and restitution of Nazi-stolen art at the end of World War II At the end of World War II, the US Office of Military Government for Germany and Bavaria, through its Monuments, Fine Arts, and Archives division, was responsible for the repatriation of most of the tens of thousands of artwork looted by the Nazis in the countries they had occupied. With the help of the US Army’s Monuments Men—the name given to a hand-picked group of art historians and museum professionals commissioned for this important duty—massive numbers of objects were retrieved from their wartime hiding places and inventoried for repatriation. Iris...