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This is a completely revised and updated edition of The [Oxford] Illustrated Companion to South Indian Classical Music, which includes the latest available information on the subject. Acclaimed as the most authoritative reference work on South Indian classical music, the Companion:* provides an overview of the historical and cultural contexts of the music, its instruments, composers, leading practitioners, and schools* contains more than 120 line drawings and photographs of all the instruments discussed, as well as of major composers; includes a special colour plates section* includes detailed biographical notes on musicians and composers* contains Guide to Pronunciation and Transliteration, Select bibliography and Further Reading, Glossary-cum-Index* includes Alphabetical Index of Ragas and Scales, Index of NamesAn indispensable and enriching reference work for the connoisseur, practicing musician, interested amateur, impresario, teacher, and student, the Companion will be of interest to anybody keen to learn about Indian culture.
This Is An Indispensable And Enriching Reference Work For The Connoisseur, Practising Musician, Interested Amateur, Impresario Teacher And Student.
Aquinas’ theology can be understood only if one comes to grips with his metaphysics of being. The relevance of this perspective is exhibited in his treatment of topics like creation, goodness, happiness, truth, freedom of the will, the unity of the human being, prayer and providence, God’s personhood, divine love, God and violence, God’s unknowablility, the Incarnation, the Trinity, God’s existence, theological language and even laughter. This book endeavors to treat these questions in a clear and convincing language. Is there a better method for improving one’s own theology than by grappling with the arguments of Thomas Aquinas?
The first thorough study in English of the reception of Döblin's novels, written by one of the foremost Döblin scholars. Alfred Döblin (1878-1957) is one of the major German writers of the twentieth century. His experimental, ever-changing, avant-garde style kept both readers and critics off guard, and although he won the acclaim of critics and hada clear impact on German writers after the Second World War (Günter Grass called him "my teacher"), he is still largely unknown to the reading public, and under-researched by literary scholars. He was a prolific writer, with thirteen novels alongside a great many other shorter fiction works and non-fiction writings to his credit, and yet, parad...
Modern military history, inspired by social and cultural historical approaches, increasingly puts the national histories of the Second World War to the test. New questions and methods are focusing on aspects of war and violence that have long been neglected. What shaped people’s experiences and memories? What differences and what similarities existed in Eastern and Western Europe? How did the political framework influence the individual and the collective interpretations of the war? Finally, what are the benefits of Europeanizing the history of the Second World War? Experts from Belgium, Germany, France, Great Britain, Italy, Luxembourg, Poland, and Russia discuss these and other questions in this comprehensive volume.
The Echo of Die Blechtrommel in Europe presents an overview and analysis of the critical reception of Günter Grass’s classic novel throughout Europe. Starting from the reviews on its first publication in Germany in 1959, it follows the reception of its translations in Poland, Italy, the UK, The Netherlands, Belgium, France, Finland and Sweden. Press reviews for the general public form the main object of research in this volume. The articles reveal the different roles played by religious, political and ideological matters in the reception of the novel in the respective European countries. The articles, written by specialists from the countries under study, also reveal national differences and resemblances in the institutions of literary life in Europe.
Recent scholarship has begun to unveil the culturally rich and dynamic landscape of southwest Iran during the first half of the first millennium BCE (aka the Neo-Elamite period) and its significance as the incubation ground for the Persian Empire. In Profiling Death. Neo-Elamite Mortuary Practices, Afterlife Beliefs, and Entanglements with Ancestors, Yasmina Wicks continues the investigation of this critical epoch from the perspective of the mortuary record, bringing forth fascinating clues as to the ritual practices, beliefs, social structures and individual identities of Elam’s lowland and highland inhabitants. Enmeshed with its neighbours, yet in many ways culturally distinct, Elam receives its due treatment here as a core component of the ancient Near East. “This is an important contribution to the study of Neo-Elamite culture.” -Lester L. Grabbe, Journal for the Study of the Old Testament 44.5 (2020)
The Book Of Prayer Is A Multi-Faith Collection Of Prayers, Sayings And Devotional Poems, Brought Together As Inspirations And Reflections For Each Day Of The Year. Represented Here Are All The World Major Faiths And Traditions: Buddhism, Christianity, Hinduism, Islam, Jainism, Judaism, Sikhism And Zoroastrianism. Prophets, Saints, And Ordinary Seekers, Some Known, Many Anonymous, Show Us The Way To A Celebration Of The Divine And A Sacred Connection With All Life. Contained In These Pages Is The Wisdom Of The Great Religious Texts, Among Them The Upanishads, The Bible, The Quran, The Dhammapada And The Adi Granth. There Are Verses By Mystics And Saints-Poets Like Kabir, Bulle Shah, Lal Ded, Meera Bai, Jnaneshwar, Aandal, Mahadeviakka And St. Francis Of Assisi, And Poems By Famous Literary Figures Like John Donne, Christina Rossetti And Gerard Manley Hopkins. Also Included Are Songs Of Hope Composed By People Coping With The Compulsions Of Everyday Life?Farmers, Sailors, Doctors And Students.
Music always mirrors and acts as a focal point for social paradigms and discourses surrounding political and national identity. The essays in this volume combine contributions on historical and present-day questions about the relationship between politics and musical creativity. The first part concentrates on musical identity and political reality, discussing ideological values in musical discourses.The second part deals with (musical) constructions, drawing on diverse national connections within our own and foreign identity.
Combining the approaches of ethnomusicology and music theory, Analytical Studies in World Music offers fresh perspectives for thinking about how musical sounds are shaped, arranged, and composed by their diverse makers worldwide. Eleven inspired, insightful, and in-depth explanations of Iranian sung poetry, Javanese and Balinese gamelan music, Afro-Cuban drumming, flamenco, modern American chamber music, and a wealth of other genres create a border-erasing compendium of ingenious music analyses. Selections on the companion website are carefully matched with extensive transcriptions and illuminating diagrams in every chapter. Opening rich cross-cultural perspectives on music, this volume addresses the practical needs of students and scholars in the contemporary world of fusions, contact, borrowing, and curiosity about music everywhere.