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The first large-scale exhibition exploring contemporary abstract painting. In a major exhibition at the Museum of Contemporary Art, Los Angeles, director Jeffrey Deitch considers the reemergence of abstract painting among a broad range of artists whose work is as diverse conceptually as it is aesthetically. Looking back to Andy Warhol’s seminal Shadow, Oxidation, and Rorschach paintings as among the many touchstones that underwrite the contemporary impulse to abstraction, the show features artists such as Julie Mehretu, whose large-scale works densely layer maplike markings; Josh Smith, whose lush canvases often explore a single theme repeatedly, such as his signature; and Tauba Auerbach, whose highly formal explorations of materials challenge conventional modes of perception. Additional artists include Rudolf Stingel, Christopher Wool, Glenn Ligon, Urs Fischer, Mark Bradford, Wade Guyton, Kelley Walker, Seth Price, Kerstin Brätsch and Adele Röder, and Sterling Ruby. The exhibition catalogue features a roundtable discussion between Jeffrey Deitch, art historian Johanna Burton, and curators James Meyer and Scott Rothkopf.
Essay by Ralph Rugoff In this journey through the last 30 years of Condo's distinguished career as an artist, early sketches and studies accompany their now classic transformations into paintings, offering readers a glimpse into condo's wickedly trippy world. Whether it's visions of Lucy Ricardo and Gomer Pyle, visual interpretations of the melodies of John Coltrane and Thelonious Monk, or a sci-fi universe inhabited by his iconic pod people, this work represents his distinctive and widely renowned style. 100 full-colour reproductions.
Here, then from an expert hand, is a pictorial account of what TV-screen light does to rooms and to the things in them.
Photographs by Christopher Wool.
This volume chronicles Gregory Crewdson's Twilight series, elaborate tableaux that capture bizarre surrealities behind deceptively familiar suburban facades. The images are accompanied by an essay from Rick Moody, a novelist renowned for exposing the underbelly of small-town, middle-class America.
"Consisting of photographs taken over the last decade in a majority of the fifty states, [book title] is a vast compendium of the country's eccentricities and obsessions documented at the beginning of the twenty-first century. ... they reveal the photographer's lifelong preoccupation with America's distinctive landscape and his humorous, often revelatory view of the nation from the driver's seat"--Book jacket.
A concise retrospective, this publication contains previously unpublished written and visual material, as well as pertinent literature on the oeuvre of Janet Cardiff and George Bures Miller. SPECIALIST
On a summer morning in 1833, Thomas Cole, a British-born, American landscape painter climbed to the top of Mount Holyoke in central Massachusetts and made a sketch of the Connecticut River where it bends and resembles an ox yoke. Three years later the sketch he made that morning became View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow). The four by six foot painting, now a key work of American art has been described as Coles attempt to create a moving time/space panorama within a single frame the passage of time is represented by the ongoing fury of the storm on the mountain as sunshine returns to the meadow below. Cole was skeptical about progress and the ...
This timely publication, accompanying a brand new survey exhibition at Whitechapel Gallery, presents key works by some of the most exciting practitioners in current figurative painting.0After a long period dominated by abstraction and conceptual approaches, painting saw a revival of figuration in the 1990s by artists whose work updated portraiture and history painting but remained rooted in the conventions of realism. However a new generation, coming to prominence in the new millennium, are distinguished by a radically different approach to the figure, in which bodies are fragmented, morphed, merged and remade but never completely cohesive.0'Radical Figures' highlights the renewed interest i...
An artist's book of work from 1962 to 2010 published on the occasion with the exhibition "Larry Clark Kiss the past hello" at the Musee d'Art Moderne de la Ville de Paris/ARC, 8 October 2010 to 2 January 2011.