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The Nature and Growth of Modern Mathematics
Now available in a one-volume paperback, this book traces the development of the most important mathematical concepts, giving special attention to the lives and thoughts of such mathematical innovators as Pythagoras, Newton, Poincare, and Godel. Beginning with a Sumerian short story--ultimately linked to modern digital computers--the author clearly introduces concepts of binary operations; point-set topology; the nature of post-relativity geometries; optimization and decision processes; ergodic theorems; epsilon-delta arithmetization; integral equations; the beautiful "ideals" of Dedekind and Emmy Noether; and the importance of "purifying" mathematics. Organizing her material in a conceptual rather than a chronological manner, she integrates the traditional with the modern, enlivening her discussions with historical and biographical detail.
The Shroud at Court
The Shroud at the Court analyses, through various essays characterized by a multidisciplinary and diachronic perspective, the strict ties created between the Shroud and the Savoy court from the fifteenth to twentieth centuries. Presented as proof of the divine legitimacy of Savoy lineage, the Shroud (of which the Savoy dynasty came into possession in 1453, keeping it first in Chambéry and then from 1578 in Turin) was central to their propagandistic strategies. The court – its spaces, protagonists, and rituals – became the natural setting for a relationship reinforced over time through customs, ceremonies, and images intended to celebrate the excellence of the Savoy, both within their own state and in Europe’s “society of princes”. Contributors are Paola Caretta, Paolo Cornaglia, Paolo Cozzo, Davide De Franco, Bernard Dompnier, Laura Gaffuri, Pierangelo Gentile, Luisella Giachino, Andrea Merlotti, Frédéric Meyer, Andrea Nicolotti, Almudena Pérez de Tudela, Laurent Ripart, Alessandro Serra and Franca Varallo.
A Companion to Italian Constitutional History (1804-1938)
'This is the first account in English of the making of Italian nationhood from the perspective of constitutional history. It is also the first to consider the role that the House of Savoy played in this process. Bringing together influential experts in the field, the collection covers the evolution of the Italian constitution from Russian diplomacy’s little-known planning of the Risorgimento to the monarchy’s demise after its clashes with fascism. Combining systematic coverage with original research, the volume includes such varied themes as the king’s role in the Italian wars of independence, the Italian peninsula’s forgotten charters of 1848, and the story of the ephemeral building that housed the first Italian parliament. Contributors are: Carolina Armenteros, Andrea Ungari, Paolo Colombo, Frans Willem Lantink, Christian Satto, Giulio Stolfi, Valentina Villa, Tommaso Zerbi, and Romano Ferrari Zumbini.
Images of Royalty in the Nineteenth and Twentieth Centuries
This volume aims to contribute to the contemporary debate on the history of monarchy. The images of the Italian, Spanish and Portuguese crowns in the nineteenth and twentieth centuries are interpreted in accordance with classic historiographical interpretations and new methodological frontiers: roles, gender, interpretation; place, heritage and representation.
Federal Register
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The Brothers Le Nain
A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to...
Aphorisms 1561-1584
Taken from the homelies, letters and documents of Saint Charles Borromeo, these aphorisms share a truly extraordinary linguistic incisiveness. They portray an even greater intellectual than what the four centuries following his canonization would allow us to picture. The artworks chosen for this brief collection of aphorisms are creations by twentieth century artists such as: Ferdinando Ambrosino, Michail Anikushin, Salvatore D’Addario, Alfonso Frasnedi, Donatella Lanzeni, Alekseij Lazykin, Roberto Panichi, Valentin Tereshenko, Saverio Ungheri, Antonio Vacca. Each of these artists pays a special artistic tribute to Saint Charles Borromeo. Edited by Fabiola Giancotti. English translation by Benjamin Ginsborg.
The Alpine Journal
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Charles Albert
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House documents
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