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The first – and long-awaited – major biography of Brazilian president Luiz Inácio Lula da Silva Lula is among the greatest political figures in Brazilian history. The only president in the country with a working-class background, combined with a party that was profoundly original in its roots, he exercised charismatic power and influence in a more lasting way than any other public figure in the republican period. Since 2011, Fernando Morais, one of Brazil's leading writers, has gained direct, frank and frequent access to Lula. To these dozens of hours of testimonies, he has added a reporter's flair and captivating prose to compose a biography that paints a picture in all its grandeur and complexity. In a narrative that makes use of flashforwards and flashbacks to maintain an electrifying pace, Morais goes from Lula's childhood to the annulment of his convictions, in 2021, passing through the new unionism, the ABC strikes, the foundation of the PT and the first election campaign.
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Out in the Periphery explores how Latin America, a region known for its Catholic heritage and machismo culture, came to embrace gay rights. At the heart of this analysis is the activism of Latin America's gay rights organizations, a long-neglected social movement even by students of Latin American social movements.
-- Scott L. Althaus, Harvard International Journal of Press/Politics
Crossing Racial Borders: The Epistemic Empowerment of the Subaltern explores critically the racial, socioeconomic, historical, and political contemporary conditions of the lived experiences of the subaltern, the oppressed. Through the lens of the decolonial school of thought developed by Latin American thinkers and scholars, this text focuses on the identification and analysis of the subalterns’ praxis of living, thinking, knowing, and doing. The contributors delve into the subalterns’ agency at work and how their [inter]subjective/reflective actions, gestures, and thoughts are deep-seated in subverting and resisting the material and symbolic coloniality of power's exploitation, categorization, and oppression. Drawing from sociological, anthropological, literary, and historical approaches, a new set of ideas and rationalities uncovers and challenges the complicities of modernity/coloniality (power-pattern-matrix) through new narratives and discursive epistemic-frames of empowerment and agency.
This book constitutes a first-of-its-kind synthesis of the development of journalism in Brazil, considering both its mediations with national social and political life and its relationships of influence and dependence on international economic centers. The author suggests that Brazilian journalism has so far known four phases: doctrinal political journalism, narrative literary journalism, industrial news journalism, and multimedia infotainment journalism. Devoting a chapter to each phase, Daros presents a critical map of the genesis and metamorphosis of journalistic practices in the country. The analysis goes beyond a mere study of national history to mark the points of connection between th...
This book examines the emergence of alternative forms of news reporting in Brazil with a focus on progressive not-for-profit initiatives. In combining different genres of non-commercial journalism, this study allows us to better understand the potential of alternative news producers in times of continuing technological shifts and their efforts to diversify the news production. Sarmento explores a range of significant questions, including: what does it mean to practice “alternative” journalism? To what extent do non-mainstream practices subvert the taxonomy of news values? Do alternative journalists adhere to or reject journalism’s core values? And, more specifically, as more and more j...
This book examines Brazil's position in the global ecological crisis and how social, political, ethical, scientific and economic issues affect its environmental performance.
How did Brazilian theater survive under the military dictatorship of 1964-1985? How did it change once the regime was over? This collection of new essays is the first to cover Brazilian theater during this period. Brazilian scholars and artists discuss the history of a theater community that not only resisted the regime but reinvented itself and continued to develop more sophisticated forms of expression even in the face of competition from television and other media. The contributors recount the struggle to stage meaningful plays at a time when some artists and intellectuals were exiled, others imprisoned, tortured or killed. With the return of democracy other important issues arose: how to ensure space for different practices and for regional theater, and how to continue producing international plays that could be meaningful for a Brazilian audience.