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Maps for Migrants and Ghosts
Language as key and map to places, people, and histories lost For immigrants and migrants, the wounds of colonization, displacement, and exile remain unhealed. Crossing oceans and generations, from her childhood home in Baguio City, the Philippines, to her immigrant home in Virginia, poet Luisa A. Igloria demonstrates how even our most personal and intimate experiences are linked to the larger collective histories that came before. In this poetry collection, Igloria brings together personal and family histories, ruminates on the waxing and waning of family fortunes, and reminds us how immigration necessitates and compels transformations. Simultaneously at home and displaced in two different ...
Have Come, Am Here
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Ode to the Heart Smaller Than a Pencil Eraser
When Luisa Igloria cites Epictetus—‘as soon as a thing has been seen, it is carried away, and another comes in its place'—she introduces the crowded and contradictory world her poems portray: a realm of transience, yes, where the vulnerable come to harm and everything disappears, but also a scene of tremendous, unpredictable bounty, the gloriously hued density this poet loves to detail. ‘I was raised / to believe not only the beautiful can live on / Parnassus,’ she tells us, and she makes it true, by including in the cyclonic swirl of her poems practically everything: a gorgeous, troubling over-brimming universe." —:Mark Doty,Mark Doty, judge for the 2014 Swenson Award The May Swenson Poetry Award, an annual competition named for May Swenson, honors her as one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown.
Juan Luna's Revolver
The poems in Juan Luna' s Revolver both address history and attempt to transcend it through their exploration of the complexity of diaspora. Attending to the legacy of colonial and postcolonial encounters, Luisa A. Igloria has crafted poems that create links of sympathetic human understanding, even as they revisit difficult histories and pose necessary questions about place, power, displacement, nostalgia, beauty, and human resilience in conditions of alienation and duress. Igloria traces journeys made by Filipinos in the global diaspora that began since the encounter with European and American colonial power. Her poems allude to historical figures such as the Filipino painter Juan Luna and ...
Blood Sacrifice
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Encanto
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In the Garden of the Three Islands
The poems in this collection explore the past, present and future of the city of Baguio in the Philippines. As the author writes in her preface, "The older generation ... speak(s) of the rich heritage of folklore and tradition, of the pains of dislocation, and of their uniquely individual memories. All this and the desire to pass on to my children some of these memories (including my own) have occasioned the writing of these poems."
Cordillera Tales
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Night Willow
"In this shining and unsparing new collection of poems, Igloria draws from her own childhood memories, relationships, and keen sensory awareness to create a dreamlike series of pictures in which we, too, may see our growth through the experiences of joys, loss, and the poignant wisdom that comes with age. As poet Sean Thomas Dougherty puts it, Igloria's poems 'get to the heart of why poetry is written: the pure lyric impulse of trying to live.'" -- Publisher's description.
