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Gender and Memory
Gender and Memory brings together contributions from around the world and from a range of disciplines--history and sociology, socio-linguistics and family therapy, literature--to create a volume that confronts all those concerned with autobiographical testimony and narrative, both spoken and written. The fundamental theme is the shaping of memory by gender. This paperback edition includes a new introduction by Selma Leydesdorff, coeditor of the Memory and Narrative series of which this volume is a part. Are the different ways in which men and women are recalled in public and private memory and the differences in men's and women's own memories of similar experiences, simply reflections of une...
Memory and Totalitarianism
Understanding Europe's past became an urgent matter with the events of August 1991 in Moscow, in the former Soviet Union. The invasion of Moscow's streets by Russian people rejecting an attempted coup d'etat was the culmination of a process that had been initiated years before and raised crucial questions: To what extent can these events be considered the end of an era stretching from World War I to the 1980s, when Europe experienced many forms of dictatorship? To what extent can the various forms of dictatorship Europe experienced in the twentieth century be grouped together? Can any sort of affinity be established between them? The new introduction to the paperback edition of this volume i...
Borders, Conflict Zones, and Memory
This volume pays tribute to Luisa Passerini, whose scholarship has had a major impact on feminist and other scholars around the world. First known internationally for developing new conceptual approaches to oral history and memory studies based on the recognition of the subjective nature of memory, Passerini has more recently written about autobiography, the history of emotions and concepts of belonging in Europe, and reimagining a more inclusive Europe. In this book, scholars from North America, South America and Europe engage Passerini’s groundbreaking insights into the nature of subjectivity, intersubjectivity, autobiography, and love in relation to the themes of borders, emotions, and ...
Europe and Love in Cinema
Lisa Passerini is Professor of Cultural History at the University of Turin. --
New Dangerous Liaisons
In Europe, love has been given a prominent place in European self-representations from the Enlightenment onwards. The category of love, stemming from private and personal spheres, was given a public function and used to distinguish European civilisation from others. Contributors to this volume trace historical links and analyse specific connections between the two discourses on love and Europe over the course of the twentieth century, exploring the distinctions made between the public and private, the political and personal. In doing so, this volume develops an innovative historiography that includes such resources as autobiographies, love letters, and cinematic representations, and takes issue with the exclusivity of Eurocentrism. Its contributors put forth hypotheses about the historical pre-eminence of emotions and consider this history as a basis for a non-Eurocentric understanding of new possible European identities.
Women and Men in Love
It has often been assumed that Europeans invented and had the exclusive monopoly over courtly and romantic love, commonly considered to be the highest form of relations between men and women. This view was particularly prevalent between 1770 and the mid-twentieth century, but was challenged in the 1960s when romantic love came to be seen as a universal sentiment that can be found in all cultures in the world. However, there remains the historical problem that the Europeans used this concept of love as a fundamental part of their self-image over a long period (traces of it still remain) and it became very much caught up in the concept of marriage. This book challenges the underlying Eurocentrism of this notion while exploring in a more general sense the connection between identity and emotions.
Autobiography of a Generation
The year 1968 is symbolic in Italy of a decade of struggles by students, women, workers, intellectuals, and technicians. This work documents the intricate web of individual and communal experiences in the political movements of the 1960s. Passerini alternates chapters based on her diaries with interviews of other participants.
Dissonant Heritages and Memories in Contemporary Europe
This open access book discusses political, economic, social, and humanitarian challenges that influence both how people deal with their past and how they build their identities in contemporary Europe. Ongoing debates on migration, on local, national, inter- and transnational levels, prove that it is a divisive issue with regards to understanding European integration and identity. At the same time, the European Union increasingly invests in projects related to European heritage, museums, and cultural memory networks, while having to take dissonant heritages into account. These processes in their combination offer an interesting dynamic and form the complex puzzle that poses challenging questi...
Borders, Conflict Zones, and Memory
"This volume pays tribute to Luisa Passerini, whose scholarship has had a major impact on feminist and other scholars around the world. First known internationally for developing new conceptual approaches to oral history and memory studies based on the recognition of the subjective nature of memory, Passerini has more recently written about autobiography, the history of emotions and concepts of belonging in Europe, and reimagining a more inclusive Europe. In this book, scholars from North America, South America and Europe engage Passerini’s groundbreaking insights into the nature of subjectivity, intersubjectivity, autobiography, and love in relation to the themes of borders, emotions, and...
Europe in Love, Love in Europe
Combining the history of ideas and the history of emotions, this work explores the convergence between political and cultural ideas of Europe and the idea of love in the period between the two world wars. It investigates European unity from a political viewpoint, but also from cultural and symbolic ones, taking a critical stand towards Euro-centricism. Chapters focus on single texts, including bestselling novels, and artworks reviving the myth of Europa and the bull, set in the context of debates on marriage, sex and love in the western world. These alternate with chapters combining intellectual and cultural history with critical explorations of how historians, politicians and psychologists analyzed the crisis of European civilization.
