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Luka Novak's The Golden Shower or What Men Want is a light-hearted but deadly serious romp through postmodern culture, mores and lifestyles. In turns, it is shallow, profound, didactic, moving and instructive. In its original Slovenian, it was a bestseller, capturing both the ailments and strengths of a world that seems to have turned upside down our normal desires and expectations.
"All at once, she remembers. The memories Audra had erased have returned. And now she knows why she did it--to save her daughter. Now she must find her archenemy, the Historian, and put an end to the centuries old Progeny/Scion war once and for all. But first she has to rescue her husband Luka, who is being held prisoner by the Scions, all while on the run from the law and struggling with her growing powers and their painful side effects"--
Emily Jacobs, descendant of history's most notorious woman serial killer, Elizabeth Bathory, finds herself hunted by one secret society, and protected by another, as she takes on a quest through the secret underworlds of Europe.
The intensification of contacts between cultures and languages has a major impact on all social spheres today. Multiculturalism and multilingualism are important elements of the local, regional, national and global community. Much of the world’s conflict stems from the contrast between globalization and nationalism, fuelled by religions, racial divisions, traditions and other cultural particularities. Focusing mainly on the situation in Central and South-eastern Europe, this book addresses how cultural identities develop through tourism, education, literature and other social fields, and how language and literature teaching should be planned in this context. It consists of the following sections: Language, Culture and Tourism; Interculturalism, Multilingualism and Approaches to Language Learning; and Culture in Literature and Translation. The volume will be of interest to teachers and researchers of cultural and tourism studies, linguistics and language learning, literary studies and translation, while also addressing wider readers interested in contemporary intercultural society.
This book discusses transformations in the construction of culinary taste, lifestyle and class through cookbook language style in post-socialist Slovenia. Using a critical discourse studies approach it demonstrates how the representation of culinary advice in standard and celebrity cookbooks has changed in recent decades as a result of general social transformations such as postmodernity and globalization. It argues that compared to the standard cookbooks, where nutritionist ideology is at the forefront, the celebrity cookbooks reflect the conversational, hybrid nature of the genre, through which they promote global foodie discourse, while at the same time localizing the global trends to the Slovene context. The book lays at the intersection of discourse analysis, sociology, food, cultural, communication and media studies and (post-) socialism and should be of interest to those interested in celebrities, food media, socialism and post-socialism, cookbooks, globalization and discourse change.
Jack Taylor, a retired U.S. Army MSgt now living in the British Overseas Territory of Gibraltar and working as a private investigator is called upon to investigate a kidnapping that has taken place on the Tunisian island of Djerba. As he tracks down the perpetrators he discovers the abduction of the young woman was not simply a local crime, but one involving a European criminal gang as well as persons linked to a foreign government. The complicated pursuit of the abducted woman leads Jack from the island of Djerba to the island of Malta and ultimately to Sicily. Jack is obliged to return to the island of Djerba almost immediately following the resolution of the kidnapping, but this time as part of a CIA-sponsored paramilitary force tasked with rescuing a U.S. Army covert signals team—a mission where his previous career as a special forces operator is once again put to the test. Then, back in Gibraltar, Jack is promptly recruited by Britain’s MI-5 to assist in exposing an espionage effort meant to weaken the Territory’s ties with Great Britain.
Standard surveys of 20th century visual art imply that there is a continuity between, say, Rembrandt and Koons, between Caravaggio and Hirst. Even the sharp critics of artists who dominate the contemporary art scene, such as Warhol, Hirst, Ai Weiwei and countless others, imply such a continuity. They are all wrong. There is no such continuity, or, more precisely, it is only very weak, at best. This book explains why and how the claims regarding this continuity are false, and how we arrived at this point of great confusion about the arts.