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We live in a digital age where the mediums of art are inextricably bound to the binary code, and painting and photography are redefined in their interconnected relationship through digital reconfiguration. As digitisation unmoors these mediums from their traditional supports, their modes of production, display and dissemination shift. These changes bring about new ways of creating, and engaging with, artworks. Through this, the innate qualities of the mediums, previously anchored in their analogue nature, are re-evaluated through their connection with “the digital”. Born out of the PaintingDigitalPhotography conference, held at QUAD Derby, UK, in May 2017, this anthology of essays investigates aspects of interconnectivity between painting, digital and photography in contemporary art practices. It contributes to critical discourses around networks of associations by examining where syntheses occur, and differences remain, between these mediums at the beginning of the twenty first century.
The World and a Very Small Place in Africa is a fascinating look at how contacts with the wider world have affected how people have lived in Niumi, a small and little-known region at the mouth of West Africa’s Gambia River, for over a thousand years. Drawing on archives, oral traditions and published works, Donald R. Wright connects world history with real people on a local level through an exploration of how global events have affected life in Niumi. Thoroughly revised and updated throughout, this new edition rests on recent thinking in globalization theory, reflects the latest historiography and has been extended to the present day through discussion of the final years of Gambian Preside...
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A historical analysis of the courageous military acts denied the highest award from the British honours system. The Victoria Cross is the most exclusive and prestigious of all gallantry awards. In order to retain this exclusivity, the standard of courage, endeavor or sacrifice required for a recommendation to be accepted for the award of the VC must be of the highest possible order. This has meant that many extremely courageous acts have failed to be rewarded with the VC, even though they appear to be just as remarkable in the level of danger and daring as some of those which were accepted for the medal. The reason for this, is that the awarding of the VC, indeed even the acknowledgment from...
An important new look at Cold War art on both sides of the Atlantic