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Narrative Sculpture and Literary Traditions in South and Southeast Asia
The question “how has ancient India’s incredibly rich literary heritage been visually represented” forms the centerpiece of this latest volume in Brill’s series Studies in Asian Art and Archaeology. Due to the overwhelming impression made by the texts themselves, the relationship between text and image has until now never received the attention it deserves. Numerous temples, though, not only in South Asia, but also in Southeast Asia carry the images of India’s great narratives. Special attention is given to those in Karnataka (India), Java (Indonesia), Angkor (Cambodia), and Tra Kieu (Vietnam). The work discusses theoretical aspects, provides new interpretations, and proposes innovative interpretations through advanced comparative and contextual approaches.
A View from the Highlands
This book analyses the rise of the settlement system in the heartland of the Minangkabau region in the highlands of West Sumatra, Indonesia. It explores the regional settlement pattern arising from Adityavarman’s highland interregnum (c. 1347–75), and provides the first attempt to place the archaeological remains and the landscape of Tanah Datar, a fertile plain in the highlands of West Sumatra, in a cultural historic synthesis. The core of this research consisted of excavations at Bukit Gombak and Bukit Kincir. Bukit Gombak was a central place in Adityavarman’s kingdom, and provides evidence of the organization and material development of this political entity. Surveys uncovered other settlements that could be examined in relation to each other and to sites from earlier and later periods, and used to sketch out the settlement history of Tanah Datar from prehistoric times to the colonial period. The book consists of detailed studies of metal, ceramics and glass finds by laboratory-based specialists as well as careful descriptions of stone, clay and other finds.
The Fighting Art of Pencak Silat and its Music
Fighting arts have their own beauty, internal philosophy, and are connected to cultural worlds in meaningful and important ways. Combining approaches from ethnomusicology, ethnochoreology, performance theory and anthropology, the distinguishing feature of this book is that it highlights the centrality of the pluripotent art form of pencak silat among Southeast Asian arts and its importance to a network of traditional and modern performing arts in Southeast Asia and beyond. By doing so, important layers of local concepts on performing arts, ethics, society, spirituality, and personal life conduct are de-mystified. With a distinct change in the way we view Southeast Asia, this book provides a wealth of information about a complex of performing arts related to the so-called 'world of silat'. An ancillary media companion website (www.bits4culture.org/pencaksilatandmusic/) is part of this work. Login authorisation information is included in the book. Contributors include: Bussakorn Binson, Jean-Marc de Grave, Gisa Jähnichen, Margaret Kartomi, Zahara Kamal, Indija Mahjoeddin, Ako Mashino, Paul H. Mason, Uwe U. Paetzold, Kirstin Pauka, Henry Spiller and Sean Williams.
Tantra, Magic, and Vernacular Religions in Monsoon Asia
This book explores the cross- and trans-cultural dialectic between Tantra and intersecting ‘magical’ and ‘shamanic’ practices associated with vernacular religions across Monsoon Asia. With a chronological frame going from the mediaeval Indic period up to the present, a wide geographical framework, and through the dialogue between various disciplines, it presents a coherent enquiry shedding light on practices and practitioners that have been frequently alienated in the elitist discourse of mainstream Indic religions and equally overlooked by modern scholarship. The book addresses three desiderata in the field of Tantric Studies: it fills a gap in the historical modelling of Tantra; it...
Interpreting Southeast Asia's Past
Interpreting Southeast Asia's Past: Monument, Image and Text features 31 papers read at the 10th International Conference of the European Association of Southeast Asian Archaeologists, held in London in September 2004. The volume covers monumental arts, sculpture and painting, epigraphy and heritage management across mainland Southeast Asia and as far south as Indonesia. New research on monumental arts includes chapters on the Bayon of Angkor and the great brick temple sites of Champa. There is an article discussing the purpose of making and erecting sacred sculptures in the ancient world and accounts of research on the sacred art of Burma, Thailand and southern China (including the first st...
From Majapahit and Sukuh to Megawati Sukarnoputri
The Central Thesis Of This Book Maintains That The Need To Preserve Pluralism In Indonesia, And The High Price Paid By Its People Anytime Pluralism Had Been Trampled Upon In The Past, Are The Two Essential Aspects Of Their Historical Experience. This Thesis Is Particularly Relevant For The People Of Indonesia Today As They Are Grappling With The Problems Of National Unity And Transition To A Modem Pluralistic Democracy. Two Parts Of This Book Articulate This Thesis. Part I Explains The Origin Of The Hindu-Buddhist Dualism During The Srivijaya And Sailendra Periods In The Viii- Ix Centuries Ad. The Process Of Javanization Then Extended This Dualism By Incorporating Into The New Synthesis The ...
Violence and Serenity
The mention of Buddhism in Indonesia calls to mind for many people the Central Javanese monument of Borobudur, one of the largest Buddhist monuments in the world and the subject of extensive scholarly scrutiny. The neglect of scholarship on Buddhist art from later periods might lead one to assume that after the tenth century Buddhism had been completely eclipsed by the predominantly Hindu Eastern Javanese dynasties. Yet, as the works discussed here illustrate, extraordinary Buddhist images were still being produced as late as the fourteenth century. Violence and Serenity offers a close examination of some of the impressive works from East Java and Sumatra and explores their political and rel...
Memahami Budaya Panji
Ande-ande Lumut adalah salah satu contoh Cerita Panji dalam bentuk dongeng. Ada ratusan versi cerita Panji, ditulis dalam berbagai aksara dan bahasa, tersebar ke seluruh nusantara, dibawakan dalam lakon-lakon seni pertunjukan, divisualkan di desain batik, dan diabadikan dalam belasan relief candi. Buku ini berisi pemahaman elementer apa itu Panji, Cerita Panji, Budaya Panji, kaitannya dengan seni pertunjukan, sastra, wayang, sejarah, arkeologi, lingkungan hidup dan sebagainya.
