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Narrative Sculpture and Literary Traditions in South and Southeast Asia
The question “how has ancient India’s incredibly rich literary heritage been visually represented” forms the centerpiece of this latest volume in Brill’s series Studies in Asian Art and Archaeology. Due to the overwhelming impression made by the texts themselves, the relationship between text and image has until now never received the attention it deserves. Numerous temples, though, not only in South Asia, but also in Southeast Asia carry the images of India’s great narratives. Special attention is given to those in Karnataka (India), Java (Indonesia), Angkor (Cambodia), and Tra Kieu (Vietnam). The work discusses theoretical aspects, provides new interpretations, and proposes innovative interpretations through advanced comparative and contextual approaches.
Materializing Southeast Asia's Past
The latest historical and anthropological archaeology, epigraphy, and art history on Southeast Asia, these articles offer new understandings of classical Hindu and Buddhist cultures of Southeast Asia and their relationship to the regionÍs medieval cultures. The articles are presented under four headings: Art, religion and politics (Buddhist monuments in Java and Cambodia); Southeast Asian transformations (cultural exchange with South Asia); Technology (workmanship in art and material culture); and Southeast Asia between past and present.
Worshiping Siva and Buddha
The Temple Art of East Java, a study of the temples created in East Java between the tenth and sixteenth centuries, fills an important scholarly lacuna. The arts of Central Java, home of the great Buddhist monument, Borobudur, and Hindu Prambanan, have been given thorough scholarly attention. The architectural and sculptural treasures of the East Javanese kingdoms of Kadiri, Singasari, and Majapahit, are little known in comparison, yet beautiful and significant in Indonesian history. The author presents the major sites of these three historical periods, and discusses their architecture and sculpture. The many narrative reliefs illustrating sacred and secular literature have been painstakingl...
History of Padang Lawas 2
For the last century and a half, the name of Padang Lawas, in the present province of North Sumatra, Indonesia, has been associated with a number of isolated Hindu-Buddhist remains located in the interior of the island. These remains are all the more remarkable because they form the largest Indianised archaeological complex known so far in the northern half of Sumatra, This book follows the recently published volume on archaeological researches conducted at the Si Pamutung site from 2006 until 2010. Its two main purposes are ?rstly to present and reappraise all the available sources for the ancient history of the region and, secondly, to provide an initial synthesis of the history of Padang ...
Fruits of Inspiration
A rich collection of lengthy and thorough articles about such a broad field as the history, art and archeology of South and Southeast Asia, this volume is a worthy tribute to a great scholar. Professor J. G. de Casparis has lectured and published widely both at the School of African and Oriental Studies in London and at the Departments of South and Southeast Asian Studies in Leiden. Inspired by his lifelong devotion to this field, his former colleagues and students, now spread over many countries in Asia and the West, present the selected fruits of their research as a token of friendship and admiration. Epigraphy is the main theme in most of the thirty articles contained in this volume, but ...
Archaeology
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Following the Cap-Figure in Majapahit Temple Reliefs
This title is available online in its entirety in Open Access. This publication provides a new understanding of the religious function of the East Javanese temples. The study of the cap-figures and their symbolism yields an outstanding contribution to the uniqueness of Majapahit culture.
What's the Use of Art?
Post-Enlightenment notions of culture, which have been naturalized in the West for centuries, require that art be autonomously beautiful, universal, and devoid of any practical purpose. The authors of this multidisciplinary volume seek to complicate this understanding of art by examining art objects from across Asia with attention to their functional, ritual, and everyday contexts. From tea bowls used in the Japanese tea ceremony to television broadcasts of Javanese puppet theater; from Indian wedding chamber paintings to art looted by the British army from the Chinese emperor’s palace; from the adventures of a Balinese magical dagger to the political functions of classical Khmer images—...
Portraiture in Early India
This book highlights the specificities of Indian portraiture in sculpted and painted images, its relationship with divine images and aims, with the help of textual and epigraphical references, to understand the development of Indian imagery. It questions also the social and religious implications related to this issue.
Figuring History
In the past half-century the writing of history has been the object of much critical scrutiny by literary scholars, philosophers, and historians. History painting has traditionally been an important topic in art history. The illustration of history books, in contrast, has not attracted much attention. This study is a preliminary inquiry into the changing ways in which graphics, ranging from representational images to statistical charts, have been used to enhance or illuminate historical texts. Lionel Gossman, M. Taylor Pyne Professor of Romance Languages Emeritus at Princeton University, is the author of many books and journal articles on historians and the writing of history. Illustrations.
