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Since the day Rhoda Mummau was baptized into the Old Order Mennonite Church and became the head midwife of Hopen Haus, she’s been torn between the needs of the unwed mothers under her care and her desire to conceal the secrets of her past. Contact with the outside world could provide medical advantages, but remaining secluded in the community gives her the anonymity she craves. Graduate student Beth Winslow is on a path she never would have chosen. Heartbroken after surrendering a baby to adoption, she devotes herself to her studies until she becomes pregnant again, this time as a surrogate. But when early tests indicate possible abnormalities, Beth is unprepared for the parents’ decision to end the pregnancy—and for the fierce love she feels for this unborn child. Desperate, she flees the city and seeks refuge at Hopen House. Past and present collide when a young woman named Amelia arrives to the sweeping countryside bearing secrets of her own. As Amelia’s due date draws near, Rhoda must face her past and those she thought she had left behind in order for the healing power of love and forgiveness to set them all free.
Buried in the red soil of the Oklahoma prairie is a secret only Charlie McDonagh can fully reveal. Charlie is an ordinary man who is witness to extraordinary events and people. A stone statue of a striking young woman, broken into a hundred pieces is uncovered from the dirt of a remote location-a broken statue representing shattered lives and shattered dreams. The story of the statues is one of love, greed, betrayal, power, and crushed aspirations. The statue symbolizes what was and what could have been. A tale of a great oil empire betrayed, destroying the lives of the family who built it. An intriguing story based on the real-life legacy of the Marland Mansion and the statue still located within its walls.
THE STORY: Centering the opening action of the play on the Civil War, the author fills the stage with a swirl of people and events to capture the awful trauma of this cataclysmic happening. We meet the young Lydie Breeze, a Nantucket lass serving a
Thea Windsong, self-styled shaman, comes to affluent Wellesford, Connecticut, to buy a home, a middle-aged woman with long, black hair, a pickup truck, and no apparent connections to the town. The property that wins her heart is a rundown little house by the railroad tracks off Thornwood Road, across the pond from a Civil War cemetery, and saddled with the rumor that it is haunted by the spirit of an ancient witch. “This is a she-wood!” Thea says, sensing a “divine feminine energy” in the near-wilderness surrounding the old cottage and barn. When Thea vanishes shortly after becoming the property’s new owner, the only one who seems to care is Lydie Pretlove, the real estate agent who tried to talk her out of buying it. As the conventional Lydie probes into Thea’s bewildering world, she feels herself falling under the she-wood’s spell, until her newfound “feminine energy” recaptures the body and soul of her ex-husband John, still married to his beautiful, neurotic second wife, Isabel.But it will take a chain of horrific events before Lydie discovers the she-wood’s secret, and a struggle with her conscience over whether to reveal it.
DigiCat Publishing presents to you this special edition of "The Mandrake Root" by Martha Ostenso. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This book, the first full-length study of Guare's theater, will make his plays more accessible through an examination of the often unnerving type of black comedy that makes his plays work.".
“Two previously produced full-length plays . . . welded into a seamless whole . . . is wonderful theater and satisfying, compelling reading.” —Booklist From award winning playwright John Guare, an extensive reworking of his two 1981 plays about a nineteenth-century commune in Nantucket. Lydie Breeze is a two-play, six-hour cycle about four seekers who come to the island to create a special model for a better world in the ashes of the Civil War and end up as a model for the corruption of twentieth-century idealism. The result is an almost surreal saga of American life, with allegorical meditations on the contradictions and interconnectedness of all things and the chaotic nature of the universe.
When the Peace Corps sends Susana Herrera to teach English in northern Cameroon, she yearns to embrace her adopted village and its people, to drink deep from the spirit of Mother Africa—and to forget a bitter childhood and painful past. To the villagers, however, she’s a rich American tourist, a nasara (white person) who has never known pain or want. They stare at her in silence. The children giggle and run away. At first her only confidant is a miraculously communicative lizard. Susana fights back with every ounce of heart and humor she possesses, and slowly begins to make a difference. She ventures out to the village well and learns to carry water on her head. In a classroom crowded to...
The first book to examine the works of controversial film and video-maker, queer activist, and agent provocateur, John Greyson.