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A Zest for Life
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The Triumph of the Moon
A fully updated new edition of Ronald Hutton's classic history of modern pagan witchcraft, published to mark the twentieth anniversary of this landmark text. Triumph of the Moon presents an authoritative insight into an aspect of modern cultural history which has attracted sensational publicity but has hitherto been little understood.
Written on Stone
This collection of essays is not interested in the unresolved questions about the origin, original use, and authentic meaning of the prehistoric monuments of the British Isles. It is not concerned with their prehistory. Rather it deals with the history of barrows, standing stones, and stone circles: with the ways in which they have been viewed, the meanings that have been attributed to them, and the significant impact that they have had over the centuries on British life and culture – from motivating artists, authors, musicians and film-makers to inspiring ‘New Age’ religions. It is thus as interested in stones commonly believed to be megaliths – like the foundation stones of the cha...
Pictorial Archaeology
This book explores the expressly pictorial type of visual archaeology, the transcribing of three-dimensional materiality into two-dimensional depictions, and its influential history within the discipline. The picturing of ancient sites and artifacts to convey information links visual reporting with the workings of the imagination and indicates that the study of antiquity has always had a hybrid identity: part artistic and part scientific. In examining expressly pictorial forms of visual story-telling about the past, this book looks beyond certain supposed "creative turns" and focuses instead on creative continuities, answering key questions about the power of picturing and its ability to not...
Publication
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Keiller's of Dundee
James Keiller, born 30 Oct. 1775 in Dundee, Scotland, was married to Barbara Robertson, who was born c1789 and died 22 Nov. 1817. They had seven children. After Barbara died James married Margaret Spence. They had nine children. James Keiller was the founder of the company Keiller's which makes marmalade.
So Exotic, So Homemade
One of the key themes in this book is the relationship between the 'homely' and the 'exotic', in the innovative mix of poetry and ethnography in Mass-Observation for example, or the shadowed England constructed in the world of Bill Brandt.
The Bedbug
Klop Ustinov was Britain's most ingenious spy - but he was never licensed to kill. Instead, he was authorised to bemuse and beguile his enemies into revealing their deepest, darkest secrets. From the Russian Revolution to the Cold War, he bluffed and tricked his way into the confidence of everyone from Soviet commissars to Gestapo Gruppenführer. Although his official codename was U35, he was better known as 'Klop', meaning 'Bedbug' - a name given to him by a very understanding wife on account of his extraordinary capacity to hop from one woman's bed to another in the King's service. Frequenting the social gatherings of Europe under the guise of innocent bon viveur, he displayed a showman's talent for entertaining (a trait his son, the actor Peter Ustinov, undoubtedly inherited) and captivated unsuspecting audiences while scavenging their secrets. Using exciting anecdotes and first-hand accounts, Peter Day explores the fascinating life of one of espionage's most inventive and memorable characters. The Bedbug was a master of uncovering the truth through telling tales; now his own tale can be told.
Starlight Man
"Blackwood revealed that all of his stories were based on personal experiences or those of his close friends. This from the man whose stories take us to a lonely island in the river Danube where two travellers face the cosmic powers of the Earth in all their might; and deep into the deserts of Egypt where a lone man witnesses the spirit of the ancient past rise up like a gigantic wall of sand. H. P. Lovecraft said of him, 'Of the quality of Mr. Blackwood's genius there can be no dispute; for no one has even approached the skill, seriousness, and minute fidelity with which he records the overtones of strangeness in ordinary things and experiences ...'".
