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Lynda Morris
CHELSEA space proudly presents Dear Lynda... celebrating the work of curator, art historian, writer, patron and muse Lynda Morris. The exhibition covers over 40 years through an impressive personal archive consisting of catalogues, articles, posters, artworks and ephemera that embody a life in art.
Picasso
This text presents an in-depth examination of Picasso as a politically and socially engaged artist, from the 1940s, when he defiantly remained in Paris during the Nazi occupation, throughout the subsequent Cold War period.
Vanley Burke
Published to accompany the exhibition of the same name held at MAC Birmingham, Sept. 22-Nov. 18, 2012.
Celebrity Bake Book
A sensational collection of cake, cookie, tart and pudding recipes, this is a must-have book for any baking fan. Celebrities, chefs and politicians share their favourite bakes to raise money for The Ben Kinsella Trust. Celebrities include TV cook Mary Berry who is one of UK's best-known and respected cookery writers. Other well known contributors include HRH Duchess of Cornwall, Paul Hollywood, Lorraine Pascal, Jamie Oliver, Nigella Lawson, Jane Asher, and many, many more. The book is the idea of Linda Morris and the members of her Cake Club the Baking Belles, a small group of friends who get together, share recipes, bake and eat cake. A keen baker, Linda's son is Ed Shaerf, Chef Patron at One Blenheim Terrace.
Genuine Conceptualism
With Genuine Conceptualism, the Herbert Foundation invites Lynda Morris to provide a contemporary reflection on the artistic avant-garde of the 1960s and 1970s, based on her personal archive. As a protagonist, Morris wrote for Studio International in those years and, in cooperation with Nigel Greenwood, Germano Celant and Konrad Fischer, built on close ties with such artists as Art & Language, Carl Andre, Joseph Beuys, André Cadere, Gilbert & George, David Lamelas and Mario Merz.00Exhibition: Herbert Foundation, Ghent, Belgium (04.07-08.11.2014).
‘I didn’t want to float; I wanted to belong to something’
This volume fills an important gap in research on the refugees from Nazism who settled in Britain, by giving a full and wide-ranging account of the organizations that they established. The contributions cover these organizations chronologically, from those that did not outlast the war to those still active today, and in terms of their function, as cultural or religious institutions, as historical resources for the study of Nazism and the refugees, or as all-purpose representative refugee associations. Any scholar or student working in this field needs to have an understanding of the organizations that were and are so characteristic of the refugee community.
Postscript
Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves
Not for the Telling
A minor road accident led to a chance meeting of two new undergraduates, whose origins, study paths, and potential employment proved to be so contrasting. War was out of the question at the time, but when it arrived it enabled both women to devote their interests to a common objective. One found her metier in the air. Though discouraged by the exclusion of women from flying in the air force, nevertheless she seized a golden opportunity to fly in the service of her country. Her wartime record was distinguished and record breaking. Meanwhile, the other was recruited into an anti-espionage service designed to curb the activities of those citizens who were bent on crippling the national effort, if and when war actually came. The ensuing wartime enabled both women to excel in their respective duties, one in the physical sense, the other surreptitiously. On leaving university their ways had taken them apart, through unexpected adventures, trials, tribulations and various love matches, but a second sheer chance in their lives brought them together again, after losing each other and forgetting their former friendship.
Cruising World
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