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Politics of Practice
This book discusses affective practices in performance through the study of four contemporary performers – Keith Hennessy, Ilya Noé, Caro Novella, and duskin drum – to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox – hendiadys, enthymeme, anecdote, allegory – that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.
The Apothecary's Wife
A groundbreaking genealogy of for-profit healthcare and an urgent reminder that centering women's history offers vital opportunities for shaping the future. The running joke in Europe for centuries was that anyone in a hurry to die should call the doctor. As far back as ancient Greece, physicians were notorious for administering painful and often fatal treatments—and charging for the privilege. For the most effective treatment, the ill and injured went to the women in their lives. This system lasted hundreds of years. It was gone in less than a century. Contrary to the familiar story, medication did not improve during the Scientific Revolution. Yet somehow, between 1650 and 1740, the domes...
Oratory in Action
This book examines the power and possibilities of public speaking, ranging from the oratory of the Athenian law courts to the political oratory of New Labour. A distinctive feature of the book is its conception of the orator as a performer and practitioner, and of oratory itself as a form of action. Historically, the power of eloquence to rouse and influence an audience made the orator a controversial figure whose rhetorical skills provoked suspicion and awe in almost equal measure. These essays show how orators exploit those skills in their attempts to shape the external world of opinion and fact. They also show how the speech itself may be considered as a linguistic event or "way of happening" which seeks to bind the orator and the audience in prized moments of connection.
Critiques of Knowing
Critiques of Knowing explores what happens to science and computing when we think of them as texts. Lynette Hunter elegantly weaves together vast areas of thought: rhetoric, politics, AI, computing, feminism, science studies, aesthetics and epistemology. Critiques of Knowing shows us that what we need is a radical shake-up of approaches to the arts if the critiques of science and computing are to come to any fruition.
Humanism, Capitalism, and Rhetoric in Early Modern England
This book offers an interdisciplinary approach to concepts of the self associated with the development of humanism in England, and to strategies for both inclusion and exclusion in structuring the early modern nation state. It addresses writings about rhetoric and behavior from 1495–1660, beginning with Erasmus’ work on sermo or the conversational rhetoric between friends, which considers the reader as an ‘absent audience’, and following the transference of this stance to a politics whose broadening democratic constituency needed a legitimate structure for governance-at-a-distance. Unusually, the book brings together the impact on behavior of these new concepts about rhetoric, with t...
Sentient Performativities of Embodiment
This collection offers writings on the body with a focus on performance, defined as both staged performance and everyday performance. Traditionally, theorizations of the body have either analyzed its impact on its socio-historical environment or treated the body as a self-enclosed semiotic and affective system. This collection makes a conscious effort to merge these two approaches. It is interested in interactions between bodies and other bodies, bodies and environments, and bodies and objects.
Disunified Aesthetics
Aesthetics is a field still rooted in an understanding of a unified process where small numbers of people produce, commodify, and consume objects called "art." Disunified Aesthetics deconstructs the literary object by invoking the critic's stance toward the written works with which they engage. Lynette Hunter's performative explorations provide a distinctly different way of understanding contemporary creative processes. Disunified Aesthetics takes up twenty-first-century aesthetics through an investigation of recent Canadian writing. The book is both a series of insights into literature and poetics of the last two decades and a story about moving from a traditional view of the relation between the artist, art, and its reception, to a more radically democratic view of aesthetics and ethics. Hunter addresses a range of Canadian women's writing, as well as close studies of the work of Robert Kroetsch, Lee Maracle, Nicole Brossard, Frank Davey, Alice Munro, Daphne Marlatt, and bpNichol. Disunified Aesthetics is a creative, challenging, and original investigation of textuality, performance, and aesthetics by a leading and innovative scholar.
Women and Science
From Maria Winkelman's discovery of the comet of 1702 to the Nobel Prize-winning work of twentieth-century scientist Barbara McClintock, women have played a central role in modern science. Their successes have not come easily, nor have they been consistently recognized. This book examines the challenges and barriers women scientists have faced and chronicles their achievements as they struggled to attain recognition for their work in the male-dominated world of modern science.
Critiques of Knowing
''An exploration of what happens to science and computing when we think of them as texts. Lynette Hunter weaves together such vast areas of thought as: rhetoric, politics, AI, computing, feminism, science studies, aesthetics and epistemology.''--
Popularizing Learned Medicine in Late-17th-Century England
This book offers an overview of the vernacularization and popularization of learned medical knowledge in the late seventeenth century, a particularly significant moment in English history on account of the social and cultural transformations in progress at the time. Starting with a survey of the medical texts that were translated from Latin into English in such a pivotal period, the book provides an insight into their context of production and an analysis of the actual translation strategies and procedures that were exploited at the macro- and micro-textual levels in order to disseminate the specialized subject and language of learned medicine to a wider, non-specialized audience. In addition to some very popular texts, including Nicholas Culpeper’s 1649 unauthorized translation of the Royal College of Physicians’s Pharmacopoeia Londinensis, the volume also discusses more obscure and previously neglected publications, which nonetheless played a fundamental role in the popularization of learned medicine.
