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Lynette Yiadom-Boakye: Fly in League with the Night
Dramatically reinventing the lineage of Goya, Sargent and Manet, Lynette Yiadom-Boakye imbues the Black subjects in her paintings with atmospheric grace and elegance Taking inspiration from the techniques of historic European portraiture, Lynette Yiadom-Boakye's oil paintings could almost be from a much older era if it were not for the contemporary details of the Black subjects that populate her work. Though her subjects are people conjured in her imagination, Yiadom-Boakye imbues her portraits with a near-tangible spirit through her deliberate brush strokes and rich dark tones. The result is paintings that seem to exist outside of time while still remaining grounded in reality. This lavishl...
Lynette Yiadom-Boakye
Lynette Yiadom-Boakye is a figurative painter whose oil paintings focus on fictional figures that exist outside of a specific time and place.Typically, her works are completed in one day, a methodical approach that allows her to maintain neutral narratives and lends her paintings an indeterminate feel.At the heart of her work is an exploration of the mechanics of painting where she reconstructs the meaning that contemporary painting could hold, in all its unexpected beauty and idiosyncratic details.Lynette Yiadom-Boakye, born 1977 in London and now lives and works in London. She was a Turner Prize 2013 nominee.Published on the occasion of the exhibition at Serpentine Gallery, London, 2 June - 13 September 2015.
Lynette Yiadom-Boakye
"The British-Ghanaian artist creates compelling character studies of people who don't exist, reflecting her twin talents as a writer and a painter" -Zadie Smith, the New Yorker This volume gathers around 60 works by British artist and writer Lynette Yiadom-Boakye, internationally celebrated for her paintings of timeless subjects in everyday moments of happiness, comradery and solitude. The publication includes texts by Yiadom-Boakye herself, writer and filmmaker Kodwo Eshun, and curator Lekha Hileman Waitoller. Yiadom-Boakye's lush oils on canvas or coarse linen portray fictitious characters rendered in loose brushwork and set against dramatic backgrounds. The figures are composites drawn fr...
Lynette Yiadom-Boakye
Lynette Yiadom-Boakye's exhibition at Kunsthalle Basel marked the artist's first institutional solo in Switzerland, and filled the Kunsthalle's upstairs galleries with twenty-four new paintings, initiating what was her largest show of new work to date. For her New Museum exhibition, Yiadom-Boakye is debuting a new body of work, all created in the first months of 2017. As part of an ongoing series of exhibitions that provide a focused look at artist's practices by presenting new bodies of work, this exhibition also takes part in the New Museum's long history of giving artists major solo museum exhibitions at pivotal points in their careers.
Natures, Natural and Unnatural
Known for her striking figurative paintings of imagined characters, Lynette Yiadom-Boakye celebrates the arrival of spring in a display that uses nature as inspiration in different ways - as still life, in the abstract, as a feeling or as an environment.
Kerry James Marshall: History of Painting
Kerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself. In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life. Essays by Teju Cole and Hal Foster help readers navigate the artist’s masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London, in 2018.
