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Mathematics and Art
This is a cultural history of mathematics and art, from antiquity to the present. Mathematicians and artists have long been on a quest to understand the physical world they see before them and the abstract objects they know by thought alone. Taking readers on a tour of the practice of mathematics and the philosophical ideas that drive the discipline, Lynn Gamwell points out the important ways mathematical concepts have been expressed by artists. Sumptuous illustrations of artworks and cogent math diagrams are featured in Gamwell's comprehensive exploration. Gamwell begins by describing mathematics from antiquity to the Enlightenment, including Greek, Islamic, and Asian mathematics. Then focu...
Exploring the Invisible
How science changed the way artists understand reality Exploring the Invisible shows how modern art expresses the first secular, scientific worldview in human history. Now fully revised and expanded, this richly illustrated book describes two hundred years of scientific discoveries that inspired French Impressionist painters and Art Nouveau architects, as well as Surrealists in Europe, Latin America, and Japan. Lynn Gamwell describes how the microscope and telescope expanded the artist's vision into realms unseen by the naked eye. In the nineteenth century, a strange and exciting world came into focus, one of microorganisms in a drop of water and spiral nebulas in the night sky. The world is...
Madness in America
"In this book, Lynn Gamwell and Nancy Tomes explore the historical roots of Americans' understanding of madness today. Drawing on a rich array of sources, the authors interweave the perceptions of medical practitioners, the mentally ill and their families, and journalists, poets, novelists, and artists. As they trace successive ways of explaining madness and treating those judged insane, Gamwell and Tomes vividly depict the political and cultural dimensions of American attitudes toward mental illness." "Gamwell and Tomes observe telling differences in the ways in which patients of different genders, races, and classes have been diagnosed and treated. The authors demonstrate how definitions of madness figured in national debates over abolitionism, women's rights, and alternative medicine. Madness in America also considers how the boundaries between sanity and insanity have been repeatedly redrawn in such areas as sexual behavior and criminality."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Sigmund Freud and Art
Sigmund Freud was a passionate collector of ancient art, ultimately amassing some 2000 works from Egypt, Greece, Rome and the near East and Asia. This book - originally published in conjunction with the Freud Museum in London and a touring exhibition of the finest pieces in the collection - examines what the works meant to Freud and the connections he made between art, antiquities, archaeology and psychoanalysis. The illustrations include colour plates of almost 90 antiquities, as well as documentary pictures of Freud's life and home.
Dreams 1900-2000
"Written to commemorate the centenary of Freud's classic work, this illustrated book examines the shifting roles that dreams have played in twentieth century art and science."--BOOK JACKET.
Dreams and History
Dreams and History contains important new scholarship on Freud's Interpretation of Dreams (1900) and subsequent psychoanalytical approaches from distinguished historians, psychoanalysts, historians of science and anthropologists.
Color and Form
The colorful geometric sculptures of Morton C. Bradley, Jr. (1912-2004), designed to be suspended from the ceiling, seem to float in the air like models of unknown, beautiful stars. As each sculpture slowly revolves, its intricate structure is transformed by a progression of colors that illuminate new aspects of its character. Bradley's creations embody the mathematical structure of nature and the beauty of pure mathematics. In this lavishly illustrated first publication of Bradley's remarkable body of work, bequeathed to Indiana University with which he had close ties, Lynn Gamwell explores the Harvard University milieu that gave rise to his artistic vision in the 1930s, his work as a painting conservator at the Fogg Museum, his study of music and mathematical patterning, and his founding of a workshop that fabricated these intricate handmade pieces, timelessly integrating pure color and form.
Agnes Denes: Absolutes and Intermediates
"Agnes Denes, the queen of land art, made one of New York's greatest public art projects ever in 1982. Now, the world might be catching up with her." -Karrie Jacobs, New York Times Agnes Denes: Absolutes and Intermediates accompanies the largest exhibition of the artist's work in New York to date, held at The Shed in fall 2019 as part of the arts space's opening season. Presenting more than 130 works, this comprehensive publication, presented in an embossed slipcase, spans the 50-year career of the path-breaking artist dubbed "the queen of land art" by the New York Times, famed for her iconic Wheatfield--A Confrontation (1982), for which she planted a two-acre wheatfield in Lower Manhattan o...
The Wonder Wall
Learn the four conditions most effective for fostering creativity Sometimes our attempts to foster creativity can stifle it. Gamwell, a former teacher and superintendent who has spent more than three decades studying creativity, shares a fresh perspective on how to nurture creativity, innovation, leadership, and engagement in a variety of settings. You’ll learn how to: Tap the creative and leadership potential in everyone Think bigger by moving from a deficit model of thinking to a strengths-based approach Develop the lost arts of listening and storytelling to optimize learning Handle the inevitable pushback and fear that transformational change can bring
Whirligigs
A breeze blows, a wheel turns, a soldier springs to life and spears a giant spider. Such fanciful woodcarvings are in the American Folk Art tradition of whirligigs, which is continued today by Peter Gelker in his twirling figures in the throws of myths, dreams, and nightmares. Gelker was introduced to whirligigs by his father, a machinist, who learned to carve growing up in the Depression-era Midwest near the Ozarks. Gelker left rural life and manual labor for an academic life in California, where he enrolled in medical school and studied psychiatry. But his rural roots kept sprouting and flowering in his passion for crafting metaphors for the human mind "and its neurological substrate "whic...
