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Eddie Hapgood Footballer
Eddie Hapgood, Footballer is the extraordinary story of a young unknown from Bristol who became Arsenal and England captain and a national hero, in the dark days of the 1930s. His impact is so enduring that when the millennium dawned, the public voted him one of the greatest sportsmen of the century. That glorious legacy was painfully achieved. Hapgood considered football an art and played it joyously as part of a team, but he struggled when politics, class and money threatened to undermine him and corrupt football. By the late 1930s, the ugly shadows of fascism, Nazism and looming war were bearing down on the beautiful game. Hapgood found himself in a public fight for justice and respect, while behind the scenes he protected his family with dedication, love and humour. In this gripping memoir, his daughter Lynne Hapgood pulls together the various threads - success, celebrity, tragedy and vindication - to reveal the real Eddie Hapgood. She examines the nature of sporting greatness and its impact on fans and family.
International Football as Cultural Diplomacy
Drawing on wide-ranging archival research, this authoritative new history examines the cultural diplomatic role played by British football in international affairs, British foreign policy, and international football during the 1930s. For British governments, soccer diplomacy emerged as a favoured instrument of soft power when facing Hitler’s Germany, Mussolini’s Italy, Hirohito’s Japan, and Stalin’s Russia on and off the field. Examining the evolving relationship between successive governments and the Football Association, this book records how governments, though publicly espousing the distinctive autonomy of British sport, pursued privately a progressively interventionist role rega...
The Queer Cultures of 1930s Prose
Offering a radical reassessment of 1930s British literature, this volume questions the temporal limits of the literary decade, and broadens the scope of queer literary studies to consider literary-historical responses to a variety of behaviours encompassed by the term ‘queer’ in its many senses. Whilst it is informed by the history of sexuality in twentieth-century Europe, it is also profoundly concerned with what Christopher Isherwood termed ‘the market value of the Odd.’ Drawing, for its methodology, on the work of Raymond Williams, it traces the impact of the Great War on the development of language, examining the use of ten ‘keywords’ in the prose of Christopher Isherwood, Evelyn Waugh and Patrick Hamilton, and that of their respective literary milieux, in order to establish how queer lives and modern sub-cultural identities were forged collaboratively within the fictional realm. By utilizing contemporary perspectives on performativity in conjunction with detailed close readings it repositions these authors as self-conscious agents actively producing their own queer masculinities through calculated acts of linguistic transgression.
Margins of Desire
Who said that the suburbs are boring? The suburban trick is to look ordinary and be extraordinary, as Lynne Hapgood's absorbing discussion of the suburbs in fiction from 1880-1925 reveals.
Women's Experience of Modernity, 1875–1945
A collection of essays on women’s history and literary production at the turn of the twentieth century that centers the feminine phenomena. Analyzing such cultural practices as selling and shopping, political and social activism, urban field work and rural labor, radical discourses on feminine sexuality, and literary and artistic experimentation, this volume contributes to the rich vein of current feminist scholarship on the “gender of modernism” and challenges the assumption that modernism rose naturally or inevitably to the forefront of the cultural landscape at the turn of the twentieth century. During this period, “women’s experience” was a rallying cry for feminists, a unify...
The Single Woman, Modernity, and Literary Culture
This book situates the single woman within the evolving landscape of modernity, examining how she negotiated rural and urban worlds, explored domestic and bohemian roles, and traversed public and private spheres. In the modern era, the single woman was both celebrated and derided for refusing to conform to societal expectations regarding femininity and sexuality. The different versions of single women presented in cultural narratives of this period—including the old maid, odd woman, New Woman, spinster, and flapper—were all sexually suspicious. The single woman, however, was really an amorphous figure who defied straightforward categorization. Emma Sterry explores depictions of such single women in transatlantic women’s fiction of the 1920s to 1940s. Including a diverse selection of renowned and forgotten writers, such as Djuna Barnes, Rosamond Lehmann, Ngaio Marsh, and Eliot Bliss, this book argues that the single woman embodies the tensions between tradition and progress in both middlebrow and modernist literary culture.
Rumer Godden
From 1929 to 1997, Rumer Godden published more than 60 books, including novels, biographies, children's books, and poetry; this is the first collection devoted to this important transnational writer. Focusing on Godden's writing from the 1930s onward, the contributors uncover the breadth and variety of the literary landscape on display in works such as Black Narcissus, The Lady and the Unicorn, A Fugue in Time, and The River. Often drawing on her own experiences living in India and Britain, Godden establishes a diverse narrative topography that allows her to engage with issues related to her own uncertain position as an author representing such nomadic Others as gypsies, or taking up the dis...
Semi-Detached Empire
In the first book to consider British suburban literature from the vantage point of imperial and postcolonial studies, Todd Kuchta argues that suburban identity is tied to the empire's rise and fall. Like the semi-detached house, which joins separate dwellings under one roof, suburbia and empire were geographically distinct but imaginatively linked. Yet just as the "semi" conceals two homes behind a single façade, suburbia's apparent uniformity masks its defining oppositions--between country and city, "civilization" and "savagery," master and slave.
Diplomacy in Postwar British Literature and Culture
In Diplomacy in Postwar British Literature and Culture, Krzakowski shows how matters of international relations--refugee crises, tribunals, espionage, and diplomatic practice--have influenced the thematic and formal concerns of twentieth-century cultural production.
The Culture of Piracy, 1580–1630
Listening to what she terms 'unruly pirate voices' in early modern English literature, in this study Claire Jowitt offers an original and compelling analysis of the cultural meanings of 'piracy'. By examining the often marginal figure of the pirate (and also the sometimes hard-to-distinguish privateer) Jowitt shows how flexibly these figures served to comment on English nationalism, international relations, and contemporary politics. She considers the ways in which piracy can, sometimes in surprising and resourceful ways, overlap and connect with, rather than simply challenge, some of the foundations underpinning Renaissance orthodoxies-absolutism, patriarchy, hierarchy of birth, and the sup...
