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Leaving Faith, Finding Meaning
Lynne Renoir was born into a fundamentalist Christian family where the Bible was the central focus. She was not allowed to make mistakes or to challenge her father's opinions. Such behavior, in his view, was the work of Satan. As God's representative in the family, her father believed it was his duty to belt the devil out of his daughter, and he did so regularly and severely. When the beatings continued into her twenties, Lynne finally broke free. Convinced she was a failure as a believer, she left home, and for several decades she endeavored to live by the tenets of the faith in which she had been raised.A problem she faced was that she lacked the spiritual transformation that is promised t...
God Interrogated
Lynne Renoir began life as a devout Christian, but after many years, she realized that her faith was not working. She sought an explanation for her situation by completing postgraduate degrees in psychology and philosophy and carrying out research in quantum theory. Drawing on the insights that the universe is multidimensional and that everything is ultimately one, Renoir proposes that we, too, are multidimensional beings. She points out that what we believe about anything is generally deemed to be either true or false. This approach in her view is applicable to our everyday three-dimensional reality, but that transformation occurs when what we consciously accept as fact resonates with the oneness that lies at the deepest level of our being.
The Abuse of Men
Lynne Renoir suffered physical abuse at the hands of her judgmental father. The pain she endured led her to investigate how other abused people suffer, particularly men in their relationships with destructive women.In her Master's thesis Lynne interviewed forty-eight men from Australia and New Zealand. They told her about severe physical, psychological and sexual abuse. This led her to the view that men, as a whole, have been disempowered. She points to the fact that society sees only women as victims of abuse, with men inevitably portrayed as perpetrators. Her call is for governmental authorities to recognize the plight of men in abusive relationships and to take action to remedy the wrong that has been done to them.
African Literature and Its Times
This volume focuses on major fiction, poetry and non-fiction from Africa. Organized by title, it discusses 50 works through detailed essays.
Basics Film-Making 03: Directing Fiction
Basics Film-Making: Directing Fiction introduces the essential aspects of the directorial process, focusing on the requirements of short films while also drawing on classic examples from the world of feature films. It looks at the tricky balancing act of art and business, offering guidelines and basic principles rather than instructions. Divided into the three key stages of the film-making process - pre-production, production and postproduction, the book provides students with a framework to begin directing their own productions. The chapters are interspersed with case studies investigating the working practices of leading professionals such as Robert Rodriguez, and Mike Leigh.
A Passion for Renoir
Strong-willed, gritty, opinionated, emotional, irreverent, he always followed his credo, "Look, look and look again.".
Clowns, Fools and Picaros
By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears - fiction, drama, film, photography or fine art - it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around its status and image of being "other." Frequently a marginalized figure, it provides the foil for the shortcomings of dominant discourse or the absurdities of human behaviour. Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the "clownesque" from these various continents and genres, and above all, to examine the role of the clown in our cultures today. This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology.
Abortion and the Christian Tradition
Abortion remains the most contested political issue in American life. Poll results have remained surprisingly constant over the years, with roughly equal numbers supporting and opposing it. A common perception is that abortion is contrary to Christian teaching and values. While some have challenged that perception, few have attempted a comprehensive critique and constructive counterargument on Christian ethical and theological grounds.Margaret Kamitsuka begins with a careful examination of the churchs biblical and historical record, refuting the assumption that Christianity has always condemned abortion or that it considered personhood as beginning at the moment of conception. She then offers carefully crafted ethical arguments about the pregnant womans authority to make reproductive decisions and builds a theological rationale for seeing abortion as something other than a sin.
The Annenberg Collection
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
Fine Cuts: The Art of European Film Editing
Roger Crittenden reveals the experiences of many of the greatest living European film editors through his warm and perceptive interviews which offer a unique insight into the art of editing - direct from masters of the craft. In their interviews the editors relate their experience to the directors they have worked with, including: Agnes Guillemot- (Godard, Truffaut, Catherine Breillat) Roberto Perpignani- (Welles, Bertolucci, Tavianni Brothers) Sylvia Ingemarsson- (Ingmar Bergman) Michal Leszczylowski- (Andrei Tarkovsky, Lukas Moodysson) Tony Lawson (Nic Roeg, Stanley Kubrick, Neil Jordan) and many more. Foreword by Walter Murch - three-time Oscar-winning Editor of 'Apocalypse Now', 'The English Patient', 'American Graffiti', 'The Conversation' and 'The Godfather Part II and III'.
