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Women's Pool
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Scribbling Sisters
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The Women's Pool
The history of Coogee's McIver's Ladies Baths - Australia's only ocean pool reserved for women - is eloquently told in these stories from women who have found friendship, sanctuary and sheer pleasure as they have gathered and swum at 'the Women's Pool'. Humorously told tales of encounters at the pool sit together with stories of sorrow and regret. Older women tell of the history of the pool and the famed 'Thursday Married Ladies Club'; younger women detail their delight at the natural beauty, the safety and the sense of freedom that the pool offers. No aquatic manspreading here. In this book, women from a diverse range of cultures reveal the role that the women's pool has played in their lives. From the '365ers' who brave the elements all year round to the younger women who seek summer sun on the rocks, a picture emerges of a place of natural beauty and a space for women to simply be themselves. The ancient seasonal cycles find their own rhythm at our pool, at our place of 'women's business'. In the vastness of the largest Continent on Earth, it is a tiny space of companionship if wanted, or solitude if needed.--Mary Goslett
Her Selection
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With Love & Fury
This wide range of letters reminds us of Judith Wright's deep engagement with life, her love of the world (and of friends), and the fine fury that led her to battle so courageously on the world's behalf.
Feminist Literary Studies
K. K. Ruthven looks at the impact of Marxism, structuralism, and post-structuralism on feminist critical practice.
Peripheral Fear
This is a pioneering work published here for the first time in its complete form. At a time when Gothic studies still concentrated on traditional European and American Gothic, the author laid the foundations for the exploration of how Gothic conventions were transported and transformed in places remote from Europe. Through a detailed reading of 19th- and 20th-century examples of Canadian and Australian Gothic fiction, this work demonstrates the transformative potential of a once much-maligned mode in what were arguably neglected national literatures.
New Contexts of Canadian Criticism
Times change, lives change, and the terms we need to describe our literature or society or condition—what Raymond Williams calls “keywords”—change with them. Perhaps the most significant development in the quarter-century since Eli Mandel edited his anthology Contexts of Canadian Criticism has been the growing recognition that not only do different people need different terms, but the same terms have different meanings for different people and in different contexts. Nation, history, culture, art, identity—the positions we take discussing these and other issues can lead to conflict, but also hold the promise of a new sort of community. Speaking of First Nations people and their literature, Beth Brant observes that “Our connections … are like the threads of a weaving. … While the colour and beauty of each thread is unique and important, together they make a communal material of strength and durability.” New Contexts of Canadian Criticism is designed to be read, to work, in much the same manner.
