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A young woman drifts through a series of one night stands and truncated love affairs. Finding herself in a series of increasingly bizarre situations, she turns her curious and savage eye out on the foibles of the world around her. The men of this world evade and simper, they prey, and preen, and fall hopelessly in love. Through these snapshots we get a biting psychopathology, not just of masculinity in its various masks, but of sex and desire in the early 1970s.
Features essays written by the author on different subjects, but often comes back to the questions what happens when men behave badly and when women behave too well.
"Mothercare represents an investigation of the question of duty, or conscience, what we owe or want to provide to the people in our lives. . . For a reader, there’s something bracing about Tillman’s honesty, which transforms “Mothercare” from a record or a logbook into a work of art." —David Ulin, Los Angeles Times From the brilliantly original novelist and cultural critic Lynne Tillman comes MOTHERCARE, an honest and beautifully written account of a sudden, drastically changed relationship to one’s mother, and of the time and labor spent navigating the American healthcare system. When a mother’s unusual health condition, normal pressure hydrocephalus, renders her entirely depe...
In This Is Not It, Lynne Tillman's collection of 20 years' worth of important and compelling short stories and novellas, the protagonists seduce you into their lives and thoughts. Engaging, funny, elegant and ironic, Tillman takes the reader to new heights of wit and meaning through staccato phrases, grammatical twists and sensuous language. Familiar worlds of honesty, deceit, dark humor, pleasure, pain, confusion, dependence, love and lust each play decisive roles in her believable fictions. In "Come and Go," three characters and an author collide. In "Pleasure Isn't a Pretty Picture," the reader is treated to a he/she meditation on the one-night stand. And "Dead Sleep" is truly an insomnia...
"From 1998 to 2005 Neil Drabble photographed an American teenager, Roy, as he grew from adolescence to early manhood. On one level this extensive body of work can be viewed as a fascinating document of an always-compelling transition. Closer scrutiny reveals further nuances; a collaboration, a partnership, a personal portrait and at the same time a universal picture of adolescence. Drabble chose not to depict significant events that might appear in a family album nor definitive moments associated with documentary photography. Instead, these photographs concentrate on the listless, off-scene periods, the 'in between moments' of everyday life. This focus on the marginal passages of disregarded time situates the viewer at the heart of adolescence, defined as the period between childhood and adulthood, suspended between longing (for the deferred promise of adulthood) and regret (for the loss of childhood as refuge). By photographing the same person repeatedly and intimately over their formative years, a sense of mirroring began to emerge, reawakening something of the artist's own adolescent self, blurring the line between portrait and self-portrait"--Provided by publisher.
For the narrator of "Motion Sickness," life is an unguided tour. Adrift in Europe, she improvises a life and a self. In London, she's befriended by an expatriate American Buddhist and her mysterious husband, or may or may not be stalking her. In Paris, she shacks up with Arlette, an art historian obsessed with Velazquez;s painting "Las Meinas." In Amsterdam, she teams up with a Belgian friend, who is studying prostitutes, and she tours Italy with deeply mismatched English brothers. And, as with an epic journey, the true trajectory is inwards, ever inwards, into her own dreams and desires...
Essays and stories on fashion, art, and culture in the New York of the 2010s. We were supposed to meet Rose McGowan at Café d'Alsace after the party, but she cancelled at the last minute. I saw on Twitter that she had been hit with a drug possession charge, which she insisted was a scheme to keep her Weinstein dirt quiet. I hadn't even read her Weinstein story… I still wanted to know that the articles were being published, and in large quantities, but reading stories of abuse and humiliation was as stupefying as a hangover. I didn't feel empowered; I only felt more hopeless. I wanted to watch the patriarchy go up in flames, but I wasn't excited about what was being pitched to replace it. ...
The first full biography of legendary East Village artist and gay activist David Wojnarowicz, whose work continues to provoke twenty years after his death 'Carr's biography is both sympathetic and compendious; it's also a many-angled account of the downtown art world of the 1980s . . . a vivid and peculiarly American story' New York Times 'A beautifully written, sympathetic, unsentimental portrait of one of the most lastingly influential late 20th century New York artists' LA Times ______________________ David Wojnarowicz was an abused child, a teen runaway who barely finished high school, but he emerged as one of the most important voices of his generation. He found his tribe in New York's ...
The story of, "one of the premier independent bookstores in the country."