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This is a unique work filled with passion and violence, with humanity and inhumanity. It is the story of the Northern Ireland troubles told through the lives of those who have suffered and the deaths which have resulted from the conflict.
'A fearless investigative journalist and author.' PATTI SMITH'Determined, tenacious, intelligent, and honest in her approach.' ANNA BURNS'A fierce light, a formidable voice.' SINÉAD GLEESONA memorial collection of writings by the murdered young journalist Lyra McKee - from viral articles to unpublished material - that celebrates her life, work and creative legacy: one that will live on.When Northern Irish writer Lyra McKee was murdered in Derry in April 2019, aged just twenty-nine, she was survived by writings that had been read and loved by thousands worldwide. Compiled by those who knew her best, Lost, Found, Remembered weaves together the words that defined her reputation as one of the most deeply empathetic, politically urgent journalists of her generation.Showcasing the range of her voice by bringing together unpublished material alongside both her celebrated and lesser-known pieces, it reveals the sheer scope of McKee's intellectual and radically humane engagement with the world - and lets her spirit live on in her own words.
This edited collection from leading scholars in the fields of media, communications, cultural studies and a number of aligned areas looks to the intersection of capitalism, crime and the media. The text is founded on the principles of cultural criminology – that how we determine and understand crime lies in the social world and that the determination of crime and its mediation in popular culture have a political basis. The book consists of eleven chapters and is divided into three sections. Section one considers the intersection of crime and capitalism in a range of contemporary cultural texts. Section two examines how various power systems influence the operation of the media in its role of reporting crime and holding the powerful to account. Section three considers how texts in a variety of formats are used to conduct politics, communicate politics and enact political decision making.
We read because we want to experience lives and emotions beyond our own, to learn, to see with others’ eyes. The 32 is a celebration of working-class voices from the island of Ireland. Edited by award-winning novelist Paul McVeigh, this intimate and illuminating collection features memoir and essays from established and emerging Irish voices including Kevin Barry, Dermot Bolger, Roddy Doyle, Lisa McInerney, Lyra McKee and many more. Too often, working-class writers find that the hurdles they come up against are higher and harder to leap over than those faced by writers from more affluent backgrounds. As in Common People – an anthology of working-class writers edited by Kit de Waal and the inspiration behind this collection – The 32 sees writers who have made that leap reach back to give a helping hand to those coming up behind. Without these working-class voices, without the vital reflection of real lives or role models for working-class readers and writers, literature will be poorer. We will all be poorer.
The Irish do death differently. Funeral attendance is a solemn duty - but it can also be a big day out, requiring sophisticated crowd control, creative parking solutions and a high-end sound system. Despite having the same basic end-of-life infrastructure as other Western countries, Irish culture handles death with a unique blend of dignified ritual and warm sociability. In Sorry for Your Trouble, Ann Marie Hourihane holds up a mirror to the Irish way of death: the funny bits, the sad bits, and the hard-to-explain bits that tell us so much about who we are. She follows the last weeks of a woman's life in hospice; she witnesses an embalming; she attends inquests; she talks to people working t...
In 1969, an eruption of armed violence traumatized Northern Ireland and transformed a period of street protest over civil rights into decades of paramilitary warfare by republicans and loyalists. In this evocative memoir, Malachi O'Doherty not only recounts his experiences of living through the Troubles, but also recalls a revolution in his lifetime. However, it wasn't the bloody revolution that was shown on TV but rather the slow reshaping of the culture of Northern Ireland - a real revolution that was entirely overshadowed by the conflict. Incorporating interviews with political, professional and paramilitary figures, O'Doherty draws a profile of an era that produced real social change, comparing and contrasting it with today, and asks how frail is the current peace as Brexit approaches, protest is back on the streets and violence is simmering in both republican and loyalist camps.
Following the success of the acclaimed Reporting the Troubles (2018), this book brings together new contributions from over sixty journalists writing about the events and people they could never forget from their time reporting in Northern Ireland.
Nuanced interconnections of poverty and educational attainment around the UK are surveyed in this unique analysis. Across the four jurisdictions of England, Scotland, Wales and Northern Ireland, experts consider the impact of curriculum reforms and devolved policy making on the lives of children and young people in poverty. They investigate differences in educational ideologies and structures, and question whether they help or hinder schools seeking to support disadvantaged and marginalised groups. For academics and students engaged in education and social justice, this is a vital exploration of poverty’s profound effects on inequalities in educational attainment and the opportunities to improve school responses.
Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. When Ray turns up to visit his old university friends Charlie and Emily, he's given a special task: to be so much his useless self that he makes Charlie look good by comparison.But Ray has his own buried feelings to contend with. Decades earlier, he and Emily would listen to jazz when they were alone, and now, as Sarah Vaughan sings through the speakers, he struggles to control everything the sound brings with it.In Kazuo Ishiguro's hands, a snapshot of domestic realism becomes a miniature masterpiece of memory and forgetting.
In the early evening of Saturday 4th December 1971, British extremists of the Ulster Volunteer Force planted a no-warning bomb on the doorstep of a family-run bar in north Belfast. They killed 15 men, women and children - the country's most devastating massacre of civilians since the Nazi Blitz. Nevertheless, the innocent victims were to become the fogotten victims of a dirty war.