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Laszlo Kovacs
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Lost Illusions
This volume examines the development of film and the film industry during the 1970s and the political and economic background that influenced it.
New Wave King
The first book published on Laszlo Kovacs, ASC, a cinematographer who changed the face of filmmaking by taking it out of the studios and on the road. With more than 60 feature films to his credit, Laszlo Kovacs, ASC is one of the top cinematographers in the motion picture industry. From the American Cinematographer magazine comes this definitive look at the work of one of the innovators in motion picture photography, whose films include such classics as Easy Rider, Five Easy Pieces, The King Of Marvin Gardens, Shampoo, Ghostbusters and New York, New York. This book features a new foreword by Vilmos Zsigmond, ASC, introductory essay by Ray Zone, Kovacs on the making of Easy Rider, working with Martin Scorsese on New York, New York, behind the scenes on Ghostbusters, filming the western The Lone Ranger, special effects for Multiplicity, and Jack Frost, Kovacs on lighting and a comprehensive filmography.
Masters of Light
Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. This reissue includes a new foreword by cinematographer John Bailey and a new preface by the authors, which bring this classic guide to cinematography, in print for more than twenty-five years, into the twenty-first century.
The Road Story and the Rebel
This cultural history reveals the unique qualities of road stories and follows the evolution from the Beats' postwar literary adventures to today's postmodern reality television shows. Tracing the road story as it moves to both LeRoi Jones's critique of the Beats' romanticization of blacks as well as to the mainstream in the 1960s with CBS's Route 66, Mills also documents the rebel subcultures of novelist Ken Kesey and the Merry Pranksters, who used film and LSD as inspiration on a cross-country bus trip, and she examines the sexualization of male mobility and biker mythology in the films Scorpio Rising, The Wild Angels, and Easy Rider. Mills addresses how the filmmakers of the 1970s - Coppola, Scorsese, and Bogdanovich - flourished in New Hollywood with road films that reflected mainstream audiences and how feminists Joan Didion and Betty Friedan subsequently critiqued them. A new generation of women and minority storytellers gain clout and bring genre remapping to the national consciousness, Mills explains, as the road story evolves from such novels as Song of Solomon to films like Thelma and Louise and television's Road Rules 2.
Laszlo Kovacs, ASC
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