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The present volume brings to North American Native Studies – with its rich tradition and accumulated expertise in the Central European region – the new complexities and challenges of contemporary Native reality. The umbrella theme ‘Indigenous perspectives’ brings together researchers from a great variety of disciplines, focusing on issues such as democracy and human rights, international law, multiculturalism, peace and security, economic and scientific development, sustainability, literature, and arts and culture, as well as religion. The thirty-five topical and thought-provoking articles written in English, French and Spanish offer a solid platform for further critical investigations and a useful tool for classroom discussions in a wide variety of academic fields.
Girl of the Danube demonstrates the resilience and triumph of the human spirit. It is the true story of an orphan growing up during the turbulent 1940s and 1950s in Budapest, Hungary. She bore witness to the Nazi and Communist eras, her own life filled with twists and turns. A new family gave her hope, but outside was a world of deception, hardship, and tragedy. Would freedom ever prevail ...?
When Erwin Leichter played the Tiger Rag in the sealed-off ghetto, his situation was not for a moment less serious, but he was buoyant with youth. Pinball Games, illustrated by the author, tells a story of survival, sometimes through luck, sometimes by daring action, of a group of Hungarian friends through the darkest days of World War II, and later, as they escape from Communist Hungary to the free world. After a youth marked by golden days on the Danube, the author and many of his classmates are drafted into "the white armbands"- labor battalions of Christian Jews. They jump for their lives from a train bound for the death camps, and eventually make their way back to Budapest to live throu...
An accomplished poet and the author of Canadian Hungarian Literature (1897 - 2017), Frank Veszely brings to the English reader the rich treasure-house of folk, classical, and modern Hungarian poetry (1000 - 2020). The translations read as if they have been done by the original poets, preserving not only their original inspiration and content, but the form, the rhythm and the rhyme patterns of the originals, a feat thought to be impossible by many, but here they are: as fresh as the ink has not dried on them yet. From the poems emerges a nation’s love of freedom with the breath and depth of humanity impossible not to respond to.
"Laszlo Moholy-Nagy is the first monograph on Moholy to attend to the fraught but central role painting played in shaping his aesthetic project. His reputation has been that of an artist far more interested in exploring the possibilities offered by photography, film, and other new media than in working with what he once called the 'anachronistic' medium of painting. And yet, with the exception of the period between 1928 and 1930, Moholy painted throughout his career. Joyce Tsai argues that his investment in painting, especially after 1930, emerged not only out of pragmatic and aesthetic considerations, but also out of a growing recognition of the economic, political, and ethical compromises required by his large-scale, technologically mediated projects aimed at reforming human vision. Without abandoning his commitment to fostering what he called New Vision, Moholy came to understand painting as a particularly plastic field in which the progressive possibilities of photography, film and other emergent media could find provisional expression."--Provided by publisher.