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Thesaurus Cultus et Rituum Antiquorum (ThesCRA) is a major multi-volume reference on all known aspects of Greek, Etruscan, and Roman cults and rituals. Providing both a sweeping overview and in-depth investigation, ThesCRA covers the period from Homeric times (1000 B.C.) to late Roman times (A.D. 400). A definitive work on the topic, ThesCRA is the culmination of many years of research by scholars from across the United States and Europe and throughout the Mediterranean world. Each of their texts-either in English, French, German, or Italian-is followed by a catalogue entry listing the epigraphical and literary sources cited and referencing ancient iconographical documents related to the topic. Many of these iconographical items are depicted either in line drawings in the texts or in the plate sections of each volume.
In the dramatic and tragic years of World War II, the Hungarian poet Lajos Walder was probably looking for a broader expression of his philosophical beliefs than poetry seemed to allow. Following Huxley, Aragon and Celine, he turned to prose. Drawing on his education in Greek and his love of theatre he penned plays with '... insights so pertinent, that they seem universally valid some six and a half decades later'. Lajos Walder (1913-1945) was a well-known poet in 1930s Budapest, but his plays, written in the early 1940s, were not known until 1990 when they were first published in Hungarian and described by a major critic as '... uniquely beautiful creations of an original mind'. Lajos Walder died on 7 May 1945, the day of liberation and just four hours after walking out of the Death Camp of Gunskirchen: he was not yet 32 years of age. These plays should be staged. In the meantime, they may be read in Agnes Walder's fine translations which evoke the essence and mood of her father's time and capture his expressive literary style.
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The Works of Lucian of Samosata Lucian - The Works of Lucian of Samosata Volume 01,02,03 Complete. - The Vision, A Literary Prometheus, Nigrinus, Trial in the Court of Vowels, Timon the Misanthrope, Prometheus on Caucasus, Dialogues of the Gods, Dialogues of the Sea-Gods, Dialogues of the Dead, Menippus, Charon, Of Sacrifice, Sale of Creeds, The Fisher, Voyage to the Lower World, The Dependent Scholar, Apology for The Dependent Scholar, A Slip of the Tongue in Salutation, Hermotimus, or the Rival Philosophies, Herodotus and Aetion, Zeuxis and Antiochus, Harmonides, The Scythian, The Way to Write History, The True History, The Tyrannicide, The Disinherited, Phalaris, I, Phalaris, II, Alexande...
This is a unique collection of prose, verse and visual art in acknowledgment of the German-Australian writer Manfred Jurgensen and his prodigious literary work over the past 55 years.
The book examines the origins, development, and the role of the monastic movement in the capital of Byzantium. It was in the 5th century that a certain pattern of the functioning of monastic circles evolved within the specific framework of the ecclesiastical structures of Constantinople, which was a political and ecclesiastical centre of the Eastern Roman Empire. The bulk of the book is devoted to an analysis of the written accounts of the lives of the four Constantinopolitan holy men: Hypatios, Alexander Akoimetos, Daniel the Stylite, and Markellos Akoimetos. The analysis proves that the model of relationship between the holy man and the secular authority would change less than the one betw...
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Reproduction of the original.
Reproduction of the original.