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Claude at the Palace
  • Language: en
  • Pages: 98

Claude at the Palace

  • Type: Book
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  • Published: 2020-10-15
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  • Publisher: Hachette UK

Come with Claude on a smashing adventure! These waggy tales are perfect for new readers, with illustrations on every page. As seen on TV - Claude is the star of his very own TV show! 'Illustrated with humour and elegance ...' The Sunday Times Claude and Sir Bobblysock just happen to wander accidentally into the royal palace on a very special day indeed - the Queen's birthday! Unfortunately the royal nanny, Nanny Stern-Bloomers, has had to take herself off for a lie-down and there's no one to make sure the royal children stay neat and tidy for the big party. But . . . Claude and Sir Bobblysock could step in to babysit, couldn't they? After all, princes and princesses are always on their best ...

TNT: The Power Within You
  • Language: en
  • Pages: 244

TNT: The Power Within You

From Simon & Schuster, TNT: The Power Within You is Claude Bristol and Harold Sherman's guide on how to release the forces inside you and get what you want! TNT: The Power With You is Claude Bristol and Harold Sherman's revolutionary book that includes chapters on such topics as "that something" within you that can profoundly impact others and help you take advantage of your inherent powers.

Paper Bullets
  • Language: en
  • Pages: 353

Paper Bullets

  • Categories: Art

"Originally published in hardcover by Algonquin Books of Chapel Hill in November 2020."--Title page verso.

After Claude
  • Language: en
  • Pages: 234

After Claude

Harriet is leaving her boyfriend Claude, “the French rat.” That at least is how Harriet sees things, even if it’s Claude who has just asked Harriet to leave his Greenwich Village apartment. Well, one way or another she has no intention of leaving. To the contrary, she will stay and exact revenge—or would have if Claude had not had her unceremoniously evicted. Still, though moved out, Harriet is not about to move on. Not in any way. Girlfriends circle around to patronize and advise, but Harriet only takes offense, and it’s easy to understand why. Because mad and maddening as she may be, Harriet sees past the polite platitudes that everyone else is content to spout and live by. She is an unblinkered, unbuttoned, unrelenting, and above all bitingly funny prophetess of all that is wrong with women’s lives and hearts—until, in a surprise twist, she finds a savior in a dark room at the Chelsea Hotel.

Miracles in Miniature
  • Language: en
  • Pages: 95

Miracles in Miniature

  • Type: Book
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  • Published: 2014-05
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  • Publisher: Unknown

The Master of Claude de France was an illuminator active in the French city of Tours during the first two decades of the sixteenth century. He is named after two jewel-like manuscripts he painted for Queen Claude de France (1499-1524), first wife of King François I: a tiny Book of Hours (today owned by Heribert Tenschert) and an even tinier Prayer Book (today owned by the Morgan Library & Museum). Although we find traces of him possibly as early as 1498, he does not emerge as an independent artist until around 1508. He flourished in the second decade of the century -- when he illuminated the majority of his work, including the two codices for the queen -- and disappeared shortly after 1520....

Catholic Spectator
  • Language: en
  • Pages: 512

Catholic Spectator

  • Type: Book
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  • Published: 1824
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  • Publisher: Unknown

None

Catalogus Librorum Impressorum Bibliothecae Bodleianae in Academia Oxoniensi
  • Language: en
  • Pages: 854

Catalogus Librorum Impressorum Bibliothecae Bodleianae in Academia Oxoniensi

  • Type: Book
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  • Published: 1843
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  • Publisher: Unknown

None

Catalogus Librorum Impressorum Bibliothecae Bodleianae in Academia Oxoniensi B. Bandinel
  • Language: en
  • Pages: 938
Monet, Narcissus, and Self-Reflection
  • Language: en
  • Pages: 470

Monet, Narcissus, and Self-Reflection

  • Categories: Art

Steven Z. Levine provides a new understanding of the life and work of Claude Monet and the myth of the modern artist. Levine analyzes the extensive critical reception of Monet and the artist's own prolific writings in the context of the story of Narcissus, popular in late nineteenth-century France. Through a careful blending of psychoanalytical theory and historical study, Levine identifies narcissism and obsession as driving forces in Monet's art and demonstrates how we derive meaning from the accumulated verbal responses to an artist's work.