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This history of Monroe, Louisiana, spans from 1530 to the 1930s. It includes the settlement of Fort Miro, the Civil War, Reconstruction, and downtown development.
In the decades leading up to the Civil War, abolitionists crafted a variety of visual messages about the plight of enslaved people, portraying the violence, familial separation, and dehumanization that they faced. In response, proslavery southerners attempted to counter these messages either through idealization or outright erasure of enslaved life. In Hidden in Plain Sight: Concealing Enslavement in American Visual Culture, Rachel Stephens addresses an enormous body of material by tracing themes of concealment and silence through paintings, photographs, and ephemera, connecting long overlooked artworks with both the abolitionist materials to which they were responding and archival research ...
The dreams of abundance, choice, and novelty that have fueled the growth of consumer culture in the United States would seem to have little place in the history of Mississippi--a state long associated with poverty, inequality, and rural life. But as Ted Ownby demonstrates in this innovative study, consumer goods and shopping have played important roles in the development of class, race, and gender relations in Mississippi from the antebellum era to the present. After examining the general and plantation stores of the nineteenth century, a period when shopping habits were stratified according to racial and class hierarchies, Ownby traces the development of new types of stores and buying patterns in the twentieth century, when women and African Americans began to wield new forms of economic power. Using sources as diverse as store ledgers, blues lyrics, and the writings of William Faulkner, Eudora Welty, Richard Wright, and Will Percy, he illuminates the changing relationships among race, rural life, and consumer goods and, in the process, offers a new way to understand the connection between power and culture in the American South.
The Myth of Aunt Jemima is a bold and exciting look at the way three centuries of white women writers have tackled the subject of race in both Britain and America. Diane Roberts challenges the widely-held belief that white women writers have simply acquiesed in majority cultural inscriptions of race. The Myth of Aunt Jemima shows how 'the mythic spheres of race, of the separation of black and white into low and high, other and originary, tainted and pure, remain to trouble a society struggling still to free itself from debilitating racial representations.' Beautifully written with a powerful series of textual readings, The Myth of Aunt Jemima pushes at the boundaries of thought around the issues of race and gender. An important and innovative book.
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