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Introduction to Film Studies
Introduction to Film Studies is a comprehensive textbook for students of cinema. This completely revised and updated fifth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas. A range of theories and theorists are presented from Formalism to Feminism, from Eisenstein to Deleuze. Each chapter is written by a subject specialist, including two new authors for the fifth edition. A wide range of films are analysed and discussed. It is lavishly illustrated with 150 film stills and production shots, in full colour throughout. Reviewed widely by teachers in the field and with a f...
Amarna Personal Names
The Amarna letters are foundational documents for the study of Late Bronze Age history and language in the ancient Near East. One of the most significant aspects of these letters has been the discovery of Canaanite influence in the Akkadian language of these letters. This discovery has provided a wealth of linguistic knowledge concerning that period and its influence on subsequent ages. Though much has been written about the Amarna letters, until now there has been no comprehensive study of the personal names found in the cuneiform texts from El-Amarna. Dr. Hess fills the void with this comprehensive reference tool. The main part of the book catalogs the Amarna personal names, providing nece...
Landscapes of Death: Early Bronze Age Tombs and Mortuary Rituals on the Oman Peninsula
This book provides a comprehensive and detailed review of the evidence for Early Bronze Age mortuary rituals on the Oman Peninsula, describing the research conducted, synthesizing the resulting data, and presenting a complete view of the state of knowledge on the topic.
The Amorite Dynasty of Ugarit
In The Amorite Dynasty of Ugarit Mary Buck pursues a nuanced view of populations in the Bronze Age Levant, with the objective of understanding the ancient polity of Ugarit as a kin-based culture that shares close ties with neighbouring Amorite populations.
The Origins of Yahwism
This compendium examines the origins of the God Yahweh, his place in the Syrian-Palestinian and Northern Arabian pantheon during the bronze and iron ages, and the beginnings of the cultic veneration of Yahweh. Contributors analyze the epigraphic and archeological evidence, apply fundamental considerations from the cultural and religious sciences, and analyze the relevant Old Testament texts.
Materializing Memory in Art and Popular Culture
Memory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or hate) function not only as aide-mémoire but are integral to memory. Drawing on previous scholarship on the interrelation of memory and materiality, this book applies recent theories of new materialism to explore the material dimension of memory in art and popular culture. The book’s underlying premise is twofold: on the one hand, memory is performed, mediated, and stored through the material world that surrounds us; on the other hand, inanimate objects and things also have agency on their own, which affects practices of memory, as well as forgetting. Chapters 1, 4, and 5 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 3.0 license.
The Moon That Fell from Heaven
Ehli-nikkalu, eldest daughter of the Hittite emperor, is married to a mere vassal of her father's. But despite her status, her foreignness and inability to produce an heir drive a wedge between her and the court that surrounds her. When her secretary is mysteriously murdered while carrying the emperor a message that would indict the loyalty of his vassal, Ehli-nikkalu adopts the dead man’s orphaned children out of a guilty sense of responsibility. A young cousin she has never met becomes a pretender to the throne and mobilizes roving armies of the poor and dispossessed, which causes the priority of her loyalties to become even more suspect. However, Ehli-nikkalu discovers a terrible secret that could destabilize the present regime if the pretender ever learns of it. With the help of a kindly scribe, her brave young ward, and an embittered former soldier trapped in debt and self-doubt, Ehli-nikkalu sets out to save the kingdom and prove herself to her father. And along the way, she learns something about love.
Semitic Words in Egyptian Texts of the New Kingdom and Third Intermediate Period
Semitic words and names appear in unprecedented numbers in texts of the New Kingdom, the period when the Egyptian empire extended into Syria-Palestine. In his book, James Hoch provides a comprehensive account of these words--their likely origins, their contexts, and their implications for the study of Egyptian and Semitic linguistics and Late-Bronze and Iron-Age culture in the eastern Mediterranean. Unlike previous word catalogs, this work consists of concise word studies and contains a wealth of linguistic, lexical, and cultural information. Hoch considers some five hundred Semitic words found in Egyptian texts from about 1500 to 650 b.c.e. Building on previous scholarship, he proposes new ...
Revolution and Rebellion in Mexican Film
Revolution and Rebellion in Mexican Film examines Mexican films of political conflict from the early studio Revolutionary films of the 1930-50s up to the campaigning Zapatista films of the 2000s. Mapping this evolution out for the first time, the author takes three key events under consideration: the Mexican Revolution (1910-1920); the student movement and massacre in 1968; and, finally, the more recent Zapatista Rebellion (1994-present). Analyzing films such as Vamanos con Pancho Villa (1936), El Grito (1968), and Corazon del Tiempo (2008), the author uses the term 'political conflict' to refer to those violent disturbances, dramatic periods of confrontation, injury and death, which characterize particular historical events involving state and non-state actors that may have a finite duration, but have a long-lasting legacy on the nation. These conflicts have been an important component of Mexican film since its inception and include studio productions, documentaries, and independent films.
