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Wagner
Father Lee traces some of Wagner's extraordinary influence for good and ill on a century of art and politicsand argues that Wagner's ambivalent art is indispensable to us, life-enhancing and ultimately healing.
Wagner and the Wonder of Art
Richard Wagner's Die Meistersinger has always called forth superlatives from those who have fallen under its spell. Toscanini wanted to lay his baton down for the last time only after he had conducted a performance of it. Paderewski called it 'the greatest work of genius ever achieved by any artist in any field of human endeavour.' H.L. Mencken declared, 'It took more skill to plan and write it than it took to plan and write the whole canon of Shakespeare.' And yet Wagner's many-splendoured comedy has come under severe criticism in recent years for what has been called its 'dark underside,' its 'fascist brutality,' and its 'ugly anti-Semitism.' In Wagner and the Wonder of Art, renowned opera...
A Season of Opera
Father Lee is internationally known for his commentaries on opera. This book gathers his best commentaries and articles on 23 works for the musical stage, from the pioneering Orpheus of Monteverdi to the forward-looking Ariadne of Richard Strauss.
Virgil as Orpheus
Presents a popular introduction to Virgil's Georgics for the general reader.
Athena Sings
Richard Wagner's knowledge of and passion for Greek drama was so profound that for Friedrich Nietzsche, Wagner was Aeschylus come alive again. Surprisingly little has been written about the pervasive influence of classical Greece on the quintessentially German master. In this elegant and masterfully argued book, renowned opera critic Father Owen Lee describes for the contemporary reader what it might have been like to witness a dramatic performance of Aeschylus in the theatre of Dionysus in Athens in the fifth century B.C. something that Wagner himself undertook to do on several occasions, imagining a performance of The Oresteia in his mind, reading it aloud to his friends, providing his ...
Fathers and Sons in Virgil's Aeneid
In this book, M. Owen Lee provides a comprehensive narrative summary of Virgil's Aeneid and a personal account of his experience with the epic poem. Noting that Virgil is the writer most Latinists read early, live with, and often come to love late, Lee expresses a clear devotion to the poet's work and relates how it has touched him throughout his life. While most criticism of the Aeneid makes a distinction between what critics say and what an individual may respond to, Lee takes a unique approach by analyzing the epic story from his own point of view. He not only explores the extensive Virgilian tradition, but also looks at the work of other poets, as well as philosophers, artists, composers, and filmmakers in order to better understand the Aeneid. Lee concludes that Virgil's poem, with its unavailing fathers and dutiful sons, its ineffably sad view of a failed humanity and a flawed universe, still touches hearts and, in ways Virgil could not have foreseen, still affects human lives.
Wagner's Ring
Following brief plot summaries of the four music dramas comprising the 'Ring', Lee explores the music, myths and meaning of Wagner's controversial masterwork.
Father Lee's Opera Quiz Book
Join quizmaster Father Lee for forty-five opera related puzzles. Brain teasers include straight forward quizzes, anagrams, vertical patterns, crostics, and crossword puzzles in categories such as opera and baseball or opera at the movies.
Fools Fall in Love
Dean Darlamb is a rarity: a high school optimist. He has self-confidence, motivation, and a sense of purpose. All of that comes into question, however, when he is thrust into the whirlwind of Highland High's Social System as a rising junior. He must come to terms with Olivianah, a new girl in his life, Don Valli, the mysterious football transfer, and many other unknown fears. In an accurate portrayal of the modern-day high school world, teen author Patrick Lee takes the reader for a draining expedition into the life of a naive sixteen-year-old, where you will realize, hopefully, what Dean cannot.
Francis Poulenc
Defining a composer's style and artistic development is an imposing task. A composer's style is what makes his music his. A definition of that style would determine all the features common to individual works, separating those specific to the composer from those common to his contemporaries. An account of his artistic development would add to the definition of his style the sources and changing nature of that style. This is the central concern of this book, the first complete survey of the music of Poulenc. Considering both the diversity of sources for Poulenc's style and the size and diversity of his output, the author set himself a sizable undertaking. While the resulting study does not reach any great depth in dealing with individual works or with Poulenc's style as a whole, the book is a good introduction to the composer's life and works. The author's method of analysis and discussion raises some questions about our assumptions in dealing with the music of a 20th-century composer who is viewed as basically conservative and traditional. The author has raised many issues worthy of further investigation.
