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The Crisp Day Closing on My Hand: The Poetry of M. Travis Lane is a collection of thirty-five of her best poems, selected with an introduction by Jeanette Lynes. An environmentalist, feminist, and peace activist, M. Travis Lane is known for witty and meticulously crafted poems that explore the elusive nature of “home” in both historical and present contexts and reflect on the identity of the woman poet and what it means to be a writer. Lane’s poems exhibit impressive range and variety—long poems, short lyrics, serial poems, poems inspired by visual art—and are richly attentive to the landscapes, both urban and wild, of her New Brunswick home. They voice a sense of urgency with resp...
Inspired by nature, science, topics in the news, art and music, New Brunswick poet M. Travis Lane is prolific yet eschews the spotlight. She has won the Atlantic Poetry Prize, the Alden Nowlan Prize for Excellence and the Banff Centre Bliss Carmen Poetry Award, among a host of others. The Essential Travis Lane celebrates her lilting, insightful work by bringing to the fore a selection of her shorter poems—many of them out of print—that demonstrate her signature clear-eyed perceptiveness and rhythmic formal technique. These poems are fine examples of her linguistic mastery, as well as the wisdom and heart that characterize her voice. The Essential Poets Series presents the works of Canada’s most celebrated poets in a package that is beautiful, accessible and affordable. The Essential Travis Lane is the 13th volume in the series.
Keeping Count, M. Travis Lane's 18th collection of poetry, begins in the poet's favourite terrain: short, condensed lyric that focuses on the natural world. "But pull a thread: music turns," Lane writes, and the book progressively defamiliarizes the reader, moving from ecopoetry to a longer poetry of interiority in the second section, concluding with a final section that focuses on issues of mortality. As George Elliott Clarke has written so aptly, "If you have not read Lane before, prepare to travel: Like T.S. Eliot, she wants you to have a transporting experience in your imagination. If you have read Lane before, prepare for fresh astonishment. She is Homeric breadth and Sapphic brevity."
M. Travis Lane's fourteenth poetry title is a meditation on loss and reorientation, continuity and memory. Widowhood and mortality are at the centre of this quiet collection, but fear and self-pity are not to be found here: only a clear-eyed coming-to-terms. Lane's metaphors are unforced, natural yet always surprising: a beggar sitting at the midpoint of a footbridge "like the small bubble balancing/ midway in a plumber's level," trees in a night plaza that "hold/ like dark peaches the late street lamps." Her acute powers of observation are entwined with historical and cultural awareness, attunement to the natural world, and a music that holds it all together.
Inspired by nature, science, topics in the news, art and music, New Brunswick poet M. Travis Lane is prolific yet eschews the spotlight. She has won the Atlantic Poetry Prize, the Alden Nowlan Prize for Excellence and the Banff Centre Bliss Carmen Poetry Award, among a host of others. The Essential Travis Lane celebrates her lilting, insightful work by bringing to the fore a selection of her shorter poems—many of them out of print—that demonstrate her signature clear-eyed perceptiveness and rhythmic formal technique. These poems are fine examples of her linguistic mastery, as well as the wisdom and heart that characterize her voice. The Essential Poets Series presents the works of Canada’s most celebrated poets in a package that is beautiful, accessible and affordable. The Essential Travis Lane is the 13th volume in the series.
Poetry. Women's Studies. In poems that could double as paintings, M. Travis Lane harnesses the brush strokes of language to form a bridge between the artist and natural world in A TENT, A LANTERN, AN EMPTY BOWL. This is work that sees "the reds/ that glitter in the shaggy firs,/ the yellow-mauves in shadowed snow,/ the orange-hatched pine tops quivering" and captures it all in vivid detail. A TENT, A LANTERN, AN EMPTY BOWL is a vital new collection from one of Canada's most important living poets.
We want to be healthy. We want to be lean. And we want to lose that annoying fat around our bellies. Now we can! The Lose Your Belly Diet is built around a very clear, research-based concept: eating food that nourishes and protects the microbes in your gut paves the way for weight loss and a slimmer middle. Most importantly, having great gut health is linked to good health and wellbeing throughout your body. Scientists in this rapidly growing field are finding connections between the gut microbiome and a healthy immune system and gastrointestinal system, as well as autoimmune diseases (such as rheumatoid arthritis and inflammatory bowel disease), allergies and asthma – even cancer. And with every study that is published, they are convinced that a healthy gut leads to a healthy body. Indeed, when your gut is happy, your skin glows with health and you look and feel younger. The Lose Your Belly Diet includes meal plans, diet recommendations and recipes, giving readers everything they need to make dramatic changes in their GI health, their weight, their belly fat, and their overall health.
“This is a book,” writes guest editor Souvankham Thammavongsa, “about what I saw and read and loved, and want you to see and read and love.” Selected from work published by Canadian poets in magazines and journals in 2020, Best Canadian Poetry 2021 gathers the poems Thammavongsa loved most over a year’s worth of reading, and draws together voices that “got in and out quickly, that said unusual things, that were clear, spare, and plain, that made [her] laugh out loud … the voices that barely ever survive to make it onto the page.” From new work by Canadian icons to thrilling emerging talents, this year’s anthology offers fifty poems for you to fall in love with as well. Feat...
"Highly recommended. I think it will make children wriggle with delight" – Stephen Fry If I ever find myself holding a gecko . . . I'll lecko. Forget what you think you know about poetry – this is something totally different. Chris Harris' I'm Just No Good At Rhyming combines wit, wordplay and nonsense with visual and verbal tricks to make you look at the world in a new and wonderfully upside-down way, reminiscent of Spike Milligan. I'm just no good at rhyming. It makes me feel so bad. I'm just no good at rhyming, And that's why I'm so blue. This entirely unique collection of wildly witty words offers a surprise around every corner, from the ongoing rivalry between the author and illustr...
Pots and Other Living Beings is made up of poems with paired photographs, each describing an aspect of living in the postmodern, neoliberal age, with its promised and failed utopia, ruin, and dispossessions. The work comes from a series of 4000 photographs and binders full of notes, created during a research trip to the American southwest regarding the founding, making, dreaming, and proliferation of the nuclear bomb; thinking of the food, family farms, arts, schools, hospitals, we could have had, if our resources, imagination, time, and energy had been directed towards life, in all of his/her forms.