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A History of Roman Literature (2 vols.)
Michael von Albrecht's A History of Roman Literature, originally published in German, can rightly be seen as the long awaited counterpart to Albin Lesky's Geschichte der Griechischen Literatur. In what will probably be the last survey made by a single scholar the whole of Latin literature from Livius Andronicus up to Boethius comes to the fore. 'Literature' is taken here in its broad, antique sense, and therefore also includes e.g. rhetoric, philosophy and history. Special attention has been given to the influence of Latin literature on subsequent centuries down to our own days. Extensive indices give access to this monument of learning. The introductions in Von Albrecht's texts, together with the large bibliographies make further study both more fruitful and easy.
Cicero's Style
Cicero was speaking like everybody, but better than anybody. Far from confining himself to the so-called 'periodic style', Cicero was a master of a thousand shades. This synopsis, followed by examples, shows in detail, why a study of Cicero's style might be rewarding even today.
Roman Epic
The author's approach to Roman epic is interpretative; the reader is invited to study a choice of typical texts, from the beginnings to the end of Antiquity. Famous poets are given the attention they deserve, but also some minor authors are discovered as precious 'missing links' between the ages. Special heed is paid to intertextual relationships between different epochs, cultures, literary genres, linguistic and literary patterns. The book is meant for students and teachers of classical and modern literatures, but also for all those interested in the history of literary genres and cultural ideas.
Aristoxenus of Tarentum
Aristoxenus of Tarentum was reported to have been bitterly disappointed when Theophrastus was chosen instead of him to succeed Aristotle as the head of the Peripatetic School. He had a truly phenomenal output of some 453 volumes, most of which survive only in fragments. He was the most famous music theorist in antiquity and came to be referred to simply as "the musician." In addition, he was a founder of Greek biography and wrote the life histories of Pythagoras, Archytas, Socrates, and Plato among others. This volume includes eleven selections, which are almost evenly divided between his work in music theory and biography. There is a chapter on his general biographical method as well as cha...
A Handbook of Latin Literature
First published in 1954, A Handbook of Latin Literature is an attempt to put together a cohesive account of classical and early post-classical writings in the Latin tongue, and is a companion to the Handbook of Greek Literature. The book traces the history of Latin literature from the earliest times down to the death of St. Augustine, and tackles both theological and non-theological interests of Christian authors. This book will be of interest to students of history and literature.
Cicero, "Philippics" 3-9
The Philippics form the climax of Cicero’s rhetorical achievement and political activity. Besides, these fourteen speeches are an important testimony to the critical final phase of the Roman Republic. Yet for a long time they have received little scholarly attention. This two-volume edition now provides a comprehensive scholarly commentary on Philippics 3-9, seven central speeches of the corpus. Full annotations explain the speeches in terms of linguistic, literary and historical issues (vol. 2); they are based on a revised Latin text with a facing translation into English as well as a detailed introduction dealing with problems relevant to the whole corpus; a bibliography and indices complete the edition (vol. 1). Besides a running commentary on each speech, the study shows these orations to be rhetorical constructs in a historical conflict; hence particular emphasis is placed on an analysis of Cicero’s rhetorical techniques and political strategies. The format of the commentary is also intended to present scholarly information to a wide and diverse readership.
Reading Fear in Flavian Epic
This book examines the textual representations of emotions, fear in particular, through the lens of Stoic thought and their impact on depictions of power, gender, and agency. It first draws attention to the role and significance of fear, and cognate emotions, in the tyrant's psyche, and then goes on to explore how these emotions, in turn, shape the wider narratives. The focus is on the lengthy epics of Valerius Flaccus' Argonautica, Statius' Thebaid, and Silius Italicus' Punica. All three poems are obsessed with men in power with no power over themselves, a marked concern that carries a strong Senecan fingerprint. Seneca's influence on post-Neronian epic can be felt beyond his plays. His Epistles and other prose works prove particularly illuminating for each of the poet's gendered treatment of the relationship between power and emotion. By adopting a Roman Stoic perspective, both philosophical and cultural, this study brings together a cluster of major ideas to draw meaningful connections and unlock new readings.
Euripides, "Alexandros"
This is the first full-scale commentary on Euripides’ Alexandros, which is one of the best preserved fragmentary tragedies. It yields insight into aspects of Euripidean style, ideology and dramatic technique (e.g. rhetoric, stagecraft and imagery) and addresses textual and philological matters, on the basis of a re-inspection of the papyrus fragments. This book offers a reconstruction of the play and an investigation of issues of characterization, staging, textual transmission and reception, not least because Alexandros has enjoyed a fascinating Nachleben in literary, dramaturgical and performative terms. It also contributes to the readers’ understanding of the trends of later Euripidean...
Silius Italicus
Vom 19. bis 21. Juni 2008 fand an der Universität Innsbruck erstmalig eine Tagung statt, die ausschließlich dem epischen Dichter Silius Italicus gewidmet war. Die einzelnen Beiträge, die in diesem Band versammelt und um einige vermehrt wurden, fassen einerseits die bisherigen Forschungen zu zentralen Fragen zusammen, skizzieren andererseits auch neue Wege und Sichtweisen auf einen Dichter, den die Klassische Philologie lange Zeit recht stiefmütterlich behandelt hat.
