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Dramatist in America
From the 1920s through the 1950s Maxwell Anderson was one of the most important playwrights in America. His thirty-three produced plays make him a leader among these playwrights of America's most creative era in the theater, and a number of his plays have shown a lasting vitality and importance. What Price Glory (1924) dramatized the disillusionment and horror of World War I . With Elizabeth the Queen (1929), Winterset (1935), and High Tor (1936), Anderson revived poetic drama in the modern theater. His versatility as a playwright was further reflected in the satire Both Your Houses (1933), the historical parable Joan of Lorraine (1946), and the musical play Lost in the Stars (1949). This ed...
A Critical Introduction to Twentieth-Century American Drama: Volume 1, 1900-1940
Eugene O'Neill - Clifford Odets - Left-wing theatre - Black drama - Thornton Wilder - Lillian Hellman - Luigi Pirandello - Arthur Miller.
Classical Vertigo
Alfred Hitchcock’s Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock’s Film, Mark William Padilla analyzes antecedents including: (1) the film’s source novel, D’entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach’s Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock’s project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.
The Elusive Prominence of Maxwell Anderson in the American Theater
Instructivo, ameno y documentado de manera soberbia, este libro constituye el primer estudio relevante sobre Maxwell Anderson publicado en España. El trabajo de DiNapoli ofrece una excelente introducción a este interesante aunque controvertido dramaturgo
Prophetically Incorrect
The Bible includes prophetic speech and at times the church and its representatives are called to speak prophetically. But in our media-saturated age when many claim to speak for God, how can we evaluate the avalanche of supposedly prophetic speech? What does it mean to truly be prophetic? And when Christians should speak prophetically, how can they do so in a biblical and effective way? Using vivid examples, this book offers clear guidelines for creating, critiquing, and consuming popular media, as well as practical suggestions for faithful communication. It also helps readers think critically about communication technology. The book includes a foreword by Quentin Schultze and a preface by Clifford Christians.
A Study Guide for Maxwell Anderson's "Both your Houses"
A Study Guide for Maxwell Anderson's "Both your Houses," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Maxwell Anderson and the Marriage Crisis
This book focuses on the re-evaluation of four Maxwell Anderson plays within the context of the emergence of the New Woman and the perception of a marriage crisis in the United States during the 1920s. The four plays under consideration are White Desert (1923), Sea-Wife (1924), Saturday’s Children (1927), and Gypsy (1929). These plays are largely forgotten and, even when the titles appear in Anderson scholarship, coverage has tended to be cursory and dismissive. This work represents a fresh approach and re-assessment of an American playwright who bore a significant impact on the drama of his time, serving not only to place Anderson’s work more effectively within the context of American theatre during the 1920s, but also to bridge the gap between his work and the marriage-related plays of the late twentieth and early twenty-first centuries.
Stage Left
"Reynolds's work focuses our attention on a significant period in American drama, raising our consciousness of these writers and their plays. . . . Disturbed that the social dramatists of the Depression are either ignored or relegated to a separate shelf, Reynolds reminds us of the vitality of their work and offers a compelling way to view their contributions to our modern drama."South Central Review
Catalog of Copyright Entries. Third Series
Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)
