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First printed edition, with facsimile and studies, of a significant manuscript from medieval England. The Thorney liber vitae (BL, MS Add. 40,000, fols 1-12v) consists of many hundreds of names written in the front of a tenth-century gospel book. This liber vitae is one of only three such compilations surviving frommedieval England, the others being the Durham liber vitae (BL, MS Cotton Domitian A vii) and the New Minster liber vitae (BL, MS Stowe 944). Begun at Thorney abbey (Cambridgeshire) in the late eleventh century and continued into the late twelfth, it purports to be a record of the names of confraters of the abbey, that is of those people who, through their friendship and gifts to t...
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This biography contains anecdotes and details about Gertrude Stein's exchanges on art, life, food and literature with luminaries such as Hemingway, Matisse, Juan Gris, Picasso, Virgil Thompson and many others. Incidents are retold and bolstered by primary sources. The author provides an understanding of the style and substances of Stein's works and life, emphasizing Stein's social genius. The book introduces familial and domestic detail, not only enhancing Stein's significance as an artist and cultural critic, but also presenting her anew. It contains previously unavailable material, from family papers, letters and archives.
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She was "the most peculiar common denominator that society, literature, art and radical revolutionaries ever found in New York and Europe." So claimed a Chicago newspaper reporter in the 1920s of Mabel Dodge Luhan, who attracted leading literary and intellectual figures to her circle for over four decades. Not only was she mistress of a grand salon, an American Madame de Stael, she was also a leading symbol of the New Woman: sexually emancipated, self-determining, and in control of her destiny. In many ways, her life is the story of America's emergence from the Victorian age. Lois Rudnick has written a unique and definitive biography that examines all aspects of Mabel Dodge Luhan's real and ...
Part of the self-image of Phoenix is that the city has no history and that anything of importance happened yesterday. Also that Phoenix, the Arizona state capital, is a "clean" city (despite a past of police corruption and social oppression). The "real" Phoenix, easygoing, sun-drenched, a place of ever-expanding development and economic growth, guarantees, it is said, an enviable lifestyle, low taxes, and unfettered personal freedom and opportunity. Little of this is true. Phoenix has been described as one of the least sustainable cities in the country. This sixth largest urban area of the United States has an alarmingly superficial and tourism-oriented discourse among its leaders. This book examines a series of narrative works (novels, theater, chronicles, investigative reporting, personal accounts, editorial cartooning, even a children's television program) that question this discourse in a frequently stinging fashion. The works examined are anchored in a critical understanding of the dominant urban myths of Greater Phoenix, and an awareness of how all the newness, modernity and fun-in-the-sun mentality mask a uniquely dystopian human experience.
Volume 4 contains the 848 letters collected here, written between June 1921 to March 1924.
Reprint of the original, first published in 1881.