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An insight into Filipino social psychology and philosophical outlook through popular songs, food, visual arts , short stories and radio and television drama. The six contributors to this book form the third volume of a project on Southeast Asian Worldview.
For Westerners and Americans in particular, Philippine culture is deceptively familiar. Vestiges of Spanish and American colonial culture, as well as contemporary American media, have created resonances for identifying American culture in Philippine culture. This book guides the reader in re-examining these assumptions of sameness. By taking an unfamiliar text of a noted writer of Tagalog fiction, this study restores the sense of wonder in experiencing Tagalog culture on its own terms rather than by tastes dictated from the outside. The book also examines the broader Tagalog traditions in which the writer, Amado Hernandez, wrote.
This is an exploration of Philippine cultural history. It presents a diverse range of texts including: the legend of a mountain goddess, Pigafetta's discovery account of the Philippines, the life of a 17th-century Christian convert and the foundation narrative of a Marian shrine.
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Balik-Tanaw: The Road Taken is the memoir of the distinguished Filipino critic, Soledad S. Reyes. This book is a record of Reyess journey of more than seven decades where personal narrative intertwines with people and events, with social and political movements with which the country sought to negotiate the treacherous shoals in the postwar years. The account carries a fair amount of biographical data (as lodged in the critics memory in the absence of diaries), from her childhood into her college years. But as the context becomes wider and more complex, the narrative takes on a more analytical frame as she tries to make sense of disparate experiences whirling about her in the tumult of the 1970s and beyond, and in the startling changes in the political landscape, local and global, that now grip the Filipino nation. This account, according to the author, is a story of an individual constructing a narrative that seeks to impose order upon chaos by retrieving aspects of the past and weaving a series of recalcitrant experiences into a coherent whole. Published in association with De La Salle University Publishing House
These essays by Philippine and U.S.-based scholars illustrate the dynamism and complexities of the discursive field of Philippine studies as a critique of vestiges of "universalist" (Western/hegemonic) paradigms; as an affirmation of "traditional" and "emergent" cultural practices; as a site for new readings of "old" texts and "new" popular forms brought into the ambit of serious scholarship; and as a liberative space for new art and literary genres.
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The book begins with a brief survey of the development of modern fiction in Southeast Asia. The fiction of five ASEAN countries - Indonesia, Malaysia, the Philippines, Singapore, and Thailand - is reviewed to analyze the major patterns in the relationship between the individual and his society as shown in the following themes: the individual and his identities, alienation and exile, social class and the individual, and commitment.