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The Encyclopedia of Jewish Prayer
Fifteen years in the making, The Encyclopedia of Jewish Prayer is a monumental achievement. Never before has such a comprehensive resource been available to those searching for answers to questions on Jewish prayer. Macy Nulman has provided, in one unique, accessible volume, information on each and every prayer recited in the Ashkenazic and Sephardic traditions, creating an invaluable tool for study or quick reference. Prayer books are essentially cumulative anthologies that evolved over time as new prayers were added. Study of these prayers reveals insights into the history of Judaism, providing a deeper appreciation of the heritage that has sustained the Jewish people throughout the centur...
The Idea of Biblical Interpretation
In this Festschrift, James Kugel's creative scholarship in biblical interpretation provides the inspiration for a wide-ranging collection of essays that treat the history of Jewish and Christian scriptural interpretation from antiquity to the present
Education Directory
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Bible and Cinema
Bible and Cinema: An Introduction is a comprehensive examination of how the Bible has been used and represented in mainstream cinema to develop its plots, characters, and themes. The book considers two general types of films: Bible movies that retell biblical stories, such as the Exodus and the life of Jesus, and Bible-related movies that make use of biblical books, stories, verses, and figures, and Bibles themselves to tell non-biblical, often fictional, narratives. Topics covered include: the contribution of Bible and Bible-related movies to the history of the Bible’s reception; the ways in which filmmakers make use of scripture to address and reflect their own time and place; the Bible ...
New Paths in Jewish and Religious Studies
The work of Elliot R. Wolfson has profoundly influenced the fields of Jewish studies as well as philosophy and religion more broadly. His radically new approaches have created pioneering ways of analyzing texts and thinking about religion through the lens of gender, sexuality, and feminist theory. The contributors to New Paths in Jewish and Religious Studies: Essays in Honor of Professor Elliot R. Wolfson, many of whom are internationally renowned scholars, hearken from diverse fields. Each has learned from and collaborated with Wolfson as student or colleague, and each has expanded the new scholarly directions initiated by Wolfson’s groundbreaking work. Wolfson’s scholarship gives us innovative ways to think about Judaism and a fresh understanding of religion. Not only a scholar, Wolfson is one of the most important Jewish thinkers of our day. Chapters are grouped according to the categories of religion, Jewish thought and philosophy, and a focused section on Kabbalah, Wolfson’s primary specialization. The volume concludes with a bibliography of Wolfson’s published work and a selection of his poetry.
Emotions in Jewish Music
Emotions in Jewish Music is an insider’s view of music’s impact on Jewish devotion and identity. Written by cantors who have devoted themselves to the study and execution of Jewish music, the book’s six chapters explore a wide range of musical contexts and encounters. Topics include the spiritual influence of secular Israeli tunes, the use and meaning of traditional synagogue modes, and the changing nature of Jewish worship. The approaches are both personal and scholarly, describing the experiential side of Jewish music in both practical and philosophical terms. Emotions in Jewish Music reveals much about the emotional aspects of Jewish musical expression.
Quotations on Jewish Sacred Music
Quotations on Jewish Sacred Music is a collection of over 700 quotations culled from an array of sources, including rabbinic and theological texts, sociological and anthropological studies, and historical and musicological examinations. The book isdivided into five chapters: What Is Jewish Music?; Spirituality and Prayer; Hazzan-Cantor; Cantillation-Biblical Chant; and Nusach ha-Tefillah-Liturgical Chant. Taken as a whole, these quotations demonstrate both the centrality of music in Jewish religious life and the diversity of thought on the subject. They can be used with profit in sermons, speeches, and papers, and may be read in order or selectively. This is a valuable and easy-to-use reference book for scholars, musicians, synagogue staff, and anyone else seeking concise thoughts on major aspects of Jewish sacred music.
Modeh Ani
To reference death as sleep is commonplace. Indeed, so usual is the use of the terminology of rest, repose, and slumber to denote the process of dying and, indeed, death itself, that such linguistic turns barely call attention to themselves at all: to wish aloud that a deceased individual rest in peace could hardly be more ordinary a prayer even for moderns little given to lyrical expression or to the use of metaphor in daily speech. But to approach the equation from the other direction—and so to assert that, no less than death is sleep, sleep is death, or at least death dialed down sufficiently to deprive it of its permanence and awful finality—is less common a thing to say...and it is even less common than that actually to believe. Indeed, although the Talmud, speaking with strange precision, asserted long centuries ago that sleep is precisely one-sixtieth of death, it is hard to find moderns who comfortably or naturally think of awakening from a night’s sleep as a kind of daily resurrection.1 Consider, for example, the undeservedly obscure prayer of Sir Thomas Browne, the seventeenth-century English polymath, who movingly wrote:
Chosen Voices
"Chosen Voices is the definitive survey of an often overlooked aspect of American Jewish history and ethnomusicology, and an insider's look at a profession that is also a vocation.Week after week, year after year, Jews turn to sacred singers for spiritual and emotional support. The job of the hazzan--much more than the traditional ""messenger to God""--is deeply embedded in cultural, social, and religious symbolism, negotiated between the congregation and its chosen voices. Drawing on archival sources, interviews with cantors, and photographs, Slobin traces the development of the American cantorate from the nebulous beginnings of the hazzan as a recognizable figure through the heyday of the ...
Music in the Hebrew Bible
Music in the Hebrew Bible investigates musical citations in the Hebrew Bible and their relevance for our times. Most biblical musical references are addressed, either alone or as a grouping, and each is considered from a modern perspective. The book consists of one hundred brief essays divided into four parts. Part one offers general overviews of musical contexts, recurring musical-biblical themes and discussions of basic attitudes and tendencies of the biblical authors and their society. Part two presents essays uncovering what the Torah (Pentateuch) has to say about music, both literally and allegorically. The third part includes studies on music's place in Nevi'im (Prophets) and the perceived link between musical expression and human-divine contact. Part four is comprised of essays on musical subjects derived from the disparate texts of Ketuvim (Writings).
