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Klein's book provides the opportunity to read in English the innovative narratives of an illustrious woman author who played a prominent role on the literary scene in France during the reign of Louis XIV. Marie-Catherine de Desjardins de Villedieu produced over ten volumes of works that include plays, poetry, and narrative fictions. Today's critics attribute Villedieu with having created a new genre of literature, the nouvelle galante, in which the author recounts a series of gallant episodes, rather than the heroic actions so popular in the adventure stories of the first half of the 17th century.
This volume offers the first translation into English of two seminal works by the seventeenth-century French woman author, Marie-Catherine Desjardins, better known as Madame de Villedieu. The first of these works, Lettres et billets galants (Love Notes and Letters), was published in 1668 and contains her most intimate letters to her lover, Antoine de Villedieu. The second work, Le Portefeuille (The Letter Case), which appeared in 1674, is an epistolary novel composed of a series of ten letters from the Marquis de Naumanoir to a nobleman in the provinces. These letters recount in a delightfully playful manner the amorous misadventures and intrigues of a half-dozen Parisian socialites. This wo...
Analyse la modernité de la romancière Marie-Christine de Villedieu à travers de nouvelles orientations bibliographiques et de nouvelles perspectives critiques. Evoque le travail de l'auteure à travers d'autres oeuvres que "Les désordres de l'amour."
Known as Madame de Villedieu, Marie-Catherine Desjardins (ca. 1640-83) was a prolific writer who played an important role in the evolution of the early modern French novel. One of the earliest women to write for a living, she defied cultural convention by becoming an innovator and appealing to popular tastes through fiction, drama, and poetry. Memoirs of the Life of Henriette-Sylvie de Molière, a semi autobiographical novel, portrays an enterprising woman who writes the story of her life, a complex tale that runs counter to social expectations and novelistic conventions. A striking work, the story skillfully mixes real events from the author's life with fictional adventures. At a time when few women published, Villedieu's Memoirs is a significant achievement in creating a voice for the early modern woman writer. Produced while the French novel form was still in its infancy, it should be welcomed by any scholar of women's writing or the early development of the novel.
This volume offers the first translation into English of two seminal works by the seventeenth-century French woman author, Marie-Catherine Desjardins, better known as Madame de Villedieu. The first of these works, Lettres et billets galants [Love Notes and Letters], was published in 1668 and contains her most intimate letters to her lover, Antoine de Villedieu. The second work, Le Portefeuille [The Letter Case], which appeared in 1674, is an epistolary novel composed of a series of ten letters from the Marquis de Naumanoir to a nobleman in the provprovinces. These letters recount in a delightfully playful manner the amorous misadventures and intrigues of a half-dozen Parisian socialites. This work's close ties in terms of content and form to the publication of Villedieu's Lettres et billets gallants six years earlier make it a perfect complement. The author's introduction offers not only a critical interpretation of these works but stresses the importance of the publication of Desjardins' authentic correspondence as a turning point in her career and key to her later works.
"The purpose of this edition is to bring together for the first time a significant number of critical analyses on Marie-Catherine Desjardins by prominent scholars in a full-length study devoted to the full range of genres. The essays in this volume analyze a reasonable range of the author's works - novels, plays, letters, short stories - and demonstrate an impressive knowledge of the historical contexts - biographical, literary, social, and political - influencing Villedieu. The authors engage in textual analysis informed by relevant scholarship on Desjardins and on other seventeenth-century writers."--Jacket.
Although the themes of women's complicity in and resistance to war have been part of literature from early times, they have not been fully integrated into conventional conceptions of the war narrative. Combining feminist literary criticism with the emerging field of feminist war theory, this collection explores the role of gender as an organizing principle in the war system and reveals how literature perpetuates the ancient myth of "arms and the man." The volume shows how the gendered conception of war has both shaped literary texts and formed the literary canon. It identifies and interrogates the conventional war text, with its culturally determined split between warlike men and peaceful wo...
This book offers a major assessment of representative seventeenth-century nouvelles in France. The study shows how Mme de Villedieu (Marie-Catherine Desjardins), a popular and prolific writer at the time of Louis XIV, modified the genre creating a new form, the nouvelle galante. Dr. Klein traces changing concepts of form and at the same time changing modes of representing the female protagonists. One finds in Villedieu's narratives the emergence of a new image of the heroine who presents a new language and esthetic of love. Thoroughly researched, this well written book shows that Mme de Villedieu's influence as a writer was indeed far-reaching and long-lasting.