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Surrealism and Women
These sixteen illustrated essays present an important revision of surrealism by focusing on the works of women surrealists and their strategies to assert positions as creative subjects within a movement that regarded woman primarily as an object of masculine desire or fear.While the male surrealists attacked aspects of the bourgeois order, they reinforced the traditional patriarchal image of woman. Their emphasis on dreams, automatic writing, and the unconscious reveal some of the least inhibited masculine fantasies. The first resistance to the male surrealists' projection of the female figure arose in the writings and paintings of marginalized woman artists and writers associated with Surre...
The Libertine Colony
Presenting incisive original readings of French writing about the Caribbean from the inception of colonization in the 1640s until the onset of the Haitian Revolution in the 1790s, Doris Garraway sheds new light on a significant chapter in French colonial history. At the same time, she makes a pathbreaking contribution to the study of the cultural contact, creolization, and social transformation that resulted in one of the most profitable yet brutal slave societies in history. Garraway’s readings highlight how French colonial writers characterized the Caribbean as a space of spiritual, social, and moral depravity. While tracing this critique in colonial accounts of Island Carib cultures, pi...
Creole Crossings
The character of the Creole woman—the descendant of settlers or slaves brought up on the colonial frontier—is a familiar one in nineteenth-century French, British, and American literature. In Creole Crossings, Carolyn Vellenga Berman examines the use of this recurring figure in such canonical novels as Jane Eyre, Uncle Tom's Cabin, and Indiana, as well as in the antislavery discourse of the period. "Creole" in its etymological sense means "brought up domestically," and Berman shows how the campaign to reform slavery in the colonies converged with literary depictions of family life. Illuminating a literary genealogy that crosses political, familial, and linguistic lines, Creole Crossings ...
Postcolonial Echoes and Evocations
This work is a sedulous enquiry into the intertextual practice of Maryse Condé in Moi, Tituba, sorcière... noire de Salem (1986), Traversée de la mangrove (1989) and La Migration des coeurs (1995), the texts of her oeuvre in which the practice is the most elaborate and discursively significant. Arguing that no satisfactory reading of these novels is possible without due intertextual reference and interpretation, the author analyses salient intertexts which flesh out and, in the case of Traversée de la mangrove, shed considerable new light on meaning and authorial discourse. Whether it be in respect of canonical (William Faulkner, Emily Brontë, Nathaniel Hawthorne), postcolonial (Aimé C...
Connecting Histories
The Francophone Caribbean boasts a trove of literary gems. Distinguished by innovative, elegant writing and thought-provoking questions of history and identity, this exciting body of work demands scholarly attention. Its authors treat the traumatic legacies of shared and personal histories pervading Caribbean experience in striking ways, delineating a path towards reconciliation and healing. The creation of diverse personal narratives—encompassing autobiography, autofiction (heavily autobiographical fiction), travel writing, and reflective essay—remains characteristic of many Caribbean writers and offers poignant illustrations of the complex interchange between shared and personal pasts ...
Everyday Life
A folklorist and ethnographer who has written about the Southern Appalachians, African American communities in the United States, and the West Indies, Roger D. Abrahams goes up against the triviality barrier. Here he takes on the systematics of his own culture. He traces forms of mundane experience and the substrate of mutual understandings carried around as part of our own cultural longings and belongings. Everyday Life explores the entire range of social gatherings, from chance encounters and casual conversations to well-rehearsed performances in theaters and stadiums. Abrahams ties the everyday to those more intense experiences of playful celebration and serious power displays and shows h...
Francophone Women Writers
This anthology seeks to introduce women writers in the "global" Francophone world by investigating the place of feminist, postcolonial and cross-cultural theories in interpreting women francophone literature. The book also allows the reader to examine the extent to which women writers reflect or negate the conventional archetypes of Francophone literature, how they reinvent the political, cultural and critical discourse of their time and place, and create their own identity from objectification to subjectivity. The ambition of this anthology is to explore these themes at a time when globalization is redefining the concepts of language, identity, space and history, and transforming the rappor...
Focus on African Films
'Focus on African Films' offers pluralistic perspectives on filmmaking across Africa, highlighting the distinct thematic, stylistic, and socioeconomic circumstances of African film production.
Postmodern Tales of Slavery in the Americas
Unlike 19th century slave narratives, many recent novel-like texts about slavery deploy ironic narrative strategies, innovative structural features, and playful cruelty. This study analyzes the postmodern aesthetics common to seven tales of slavery from the United States, Martinique, and Guadeloupe, Cuba, abd Colombia from authors including Alejo Carpentier, Miguel Barnet, Toni Morrison, and Charles Johnson.
Archival Dissonance in the U.S. Cuban Post-Exile Novel
Archival Dissonance in the U.S. Cuban Post-Exile Novel documents a body of emergent US Cuban literature published in Spanish and English beyond the scope and historicity of exile. Focusing on the work of Roberto G. Fernández, Ana Menéndez, and Antonio Benítez Rojo, the book proposes that, rather than reinforce US Cuban exile ethnic identity developed between 1960 and the 1980s, or demonstrate a tendency toward cultural assimilation (“Americanization”) over three generations of writers, the discussed historical novels incorporate Caribbean and Latin American archival sources and interpretive frameworks in order to develop a critical and investigative approach to the politics of Cuban e...
