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The Furies
SHORTLISTED FOR THE MUD LITERARY PRIZE 2023 'beautiful and lyrical' The Conversation Cynthia was just about to turn sixteen when the unthinkable happened. Her mother was taken away by the police, and her father left without a word three months later. After that night, Cynthia began to walk in slow circles outside the family home looking for traces of her sister Mallory - she's sure that she must be somewhere else now, wherever that is. Cynthia knows that she doesn't belong here. Her mother never belonged here either. This is the place of violence. Despair. The long dry. Blood caked under the nails. Desperate men. Long silences. The place where mothers go mad in locked bedrooms, where women l...
His Unknown Wife
"Prisoner, attention! His excellency the President has permitted Senor Steinbaum to visit you." The "prisoner" was lying on his back on a plank bed, with his hands tucked beneath his head to obtain some measure of protection from the roll of rough fiber matting which formed a pillow. He did not pay the slightest heed to the half-caste Spanish jailer's gruff command. But the visitor's name stirred him. He turned his head, apparently to make sure that he was not being deceived, and rose on an elbow. " Hello, Steinbaum!" he said in English. "What's the swindle? Excuse this terseness, but I have to die in an hour, or even less, if a sunbeam hasn't misled me." "There's no swindle this time, Mr. Maseden," came the guttural answer. "I'm sorry I cannot help you, but I want you to do a good turn for a lady."
Vertigo
Released in 1958, Vertigo is widely regarded as Alfred Hitchcock’s masterpiece and one of the greatest films of all time. This is the first book devoted to exploring the philosophical aspects of Vertigo. Following an introduction by the editor that places the film in context, each chapter reflects upon Hitchcock’s film from a philosophical perspective. Topics discussed include: memory, loss, memorialisation, and creativity mimetic or representational art and art as magic the nature of romantic love gender, sexual objectification, and identity looking, "the gaze", and voyeurism film and psychoanalysis fantasy, illusion, and reality the phenomenology of colour. Including annotated further reading at the end of each chapter, this collection is essential reading for anyone interested in Vertigo, and an ideal resource for students of film and philosophy.
Green Dot
A BEST BOOK OF 2024 IN STYLIST, DAILY MAIL, THE I, IRISH TIMES, SUNDAY TIMES AND RED 'One of the best books you will read all year' ELIZABETH DAY 'Incredibly funny. Every sentence sparkles' CAITLIN MORAN 'This year's Sorrow and Bliss' DAILY MAIL 'Witty as Fleabag, psychologically insightful as Sally Rooney' LUCIE WHITEHOUSE Hera is in her mid-twenties, which seems young to everyone except people in their mid-twenties. Since leaving school, she has been trying to kick and scream into existence a life she cares about, but with little success so far. Until she meets Arthur. He works with her, he is older than her, he is also married. But in her soulless office - the large cold room she feels de...
Chapters from the Agrarian History of England and Wales: Volume 2, Rural Society: Landowners, Peasants and Labourers, 1500-1750
Material from The Agrarian History of England and Wales, in paperback with new introductions.
Images of Piety
Religious imagery was used to both stimulate what was already known and to communicate new, and often complex theological ideas. Madeleine Gray examines the imagery of medieval Wales found in parish churches, cathedrals and public areas of monastic buildings and explores the dichotomous role in which images held different levels of meaning for an audience with different literacy capabilities. She looks at images of maidenhood, motherhood, sanctity, pity, vice and virtue, and at liturgy and literacy, and the destruction of images.
The Philosophical Hitchcock
On the surface, The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness, is a close reading of Alfred Hitchcock’s 1958 masterpiece Vertigo. This, however, is a book by Robert B. Pippin, one of our most penetrating and creative philosophers, and so it is also much more. Even as he provides detailed readings of each scene in the film, and its story of obsession and fantasy, Pippin reflects more broadly on the modern world depicted in Hitchcock’s films. Hitchcock’s characters, Pippin shows us, repeatedly face problems and dangers rooted in our general failure to understand others—or even ourselves—very well, or to make effective use of what little we do understand. Ver...
Attraction
Winner of the inaugural Michael Gifkins Prize for an Unpublished Novel, Ruby Porter is an exciting new voice in New Zealand literature.
The Visual Culture of Baptism in the Middle Ages
Under the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the world?s only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The ?visual? is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, the settings and contexts, the rituals and th...
