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Mark Wallinger
Edited by Janneke de Vries, Madeleine Schuppli. Text by Michael Diers, Richard Grayson, Mark Wallinger.
Mona Hatoum
None
Yesterday Will Be Better
In recent years, the theme of memory in the sense of 'mnemonics' has been the subject of many discourses and projects. Yesterday Will Be Better tackles interfaces between past and future that have scarcely been addressed. The starting point for this project is a contradiction: George Brecht's impossible prediction that 'Yesterday Will Be Better', distorts the old platitude that 'everything was better in the old days' into the paradox that 'yesterday will be better'. Published on the occasion of the exhibition Yesterday Will Be Better, 21 August to 7 November 2010, Aargauer Kunsthaus, Aarau. English and German text.
Fiona Tan, Vox Populi: Switzerland
"The fourth publication in the Vox Populi series, presents a social portrait of Switzerland selected from personal and private family photo albums. Often intimate and individual, these pictures when presented as a collection, reveal shared intimacies and humour, and shared Swiss traditions such as Fasnacht and pictures of dining tables laden with food. On one hand these appear culturally specific, but when seen in the context of the whole project, shared and comparable traditions appear to cross borders, nations, and cultures." -- from Book Works website.
Cinéma Mon Amour
'Cinéma Mon Amour' focuses on the mutual fascination that art and film have for one another. It features work by international artists, including Martin Arnold, John Baldessari, Fiona Banner, Marc Bauer, Pierre Bismuth, Candice Breitz, Janet Cardiff & George Bures Miller, Tacita Dean, Stan Douglas, Thomas Galler, Douglas Gordon, Samson Kambalu, Daniela Keiser, Philippe Parreno, Julian Rosefeldt, Hiroshi Sugimoto, Sam Taylor-Johnson, and Mark Wallinger. All of them have engaged with different themes surrounding cinema and filmmaking. The well-founded essays discuss topics such as cinema as space, the film industry, found footage, specific movies and genres, the mechanisms of film, as well as the filmmakers' gaze at art.
Action
"The volume includes essays by Allen S. Weiss, Curator and Professor at New York University, and Gilda Williams, art critic and lecturer at Goldsmith College, London, and an introduction by Madeleine Schuppli, as well as a conversation between Christian Marclay, Olivier Mosset and Steven Parrino from 1991." from publisher's website.
Vidya Gastaldon
Vidya Gastaldon ISBN 3-905701-69-3 / 978-3-905701-69-2 Hardcover, 8 x 11.25 in. / 64 pgs / 40 color. / U.S. $29.00 CDN $35.00 August / Art
Anna Amadio
None
Miriam Cahn
The Swiss artist Miriam Cahn (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn's career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications. WRITING IN RAGE is the first compilation of her writing by itself, and incl...
