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The Inland Sea
A fierce and beautiful novel about coming of age in a dying world As she faces the open wilderness of adulthood, our narrator finds that the world around her is coming undone. She works as an emergency dispatch operator, trapped in constant crisis as fires and floods rage across Australia. Her personal life is buckling under her self-destructive obsessions - she drinks heaily, sleeps with strangers, wanders the streets of Sydney at night, and pursues a disastrous affair with an ex-lover. Desperate and adrift, she yearns for change. Building to a tightly controlled bushfire of ecological and personal crisis, The Inland Sea is a fierce and beautiful novel about the search for refuge in a state of emergency. Madeleine Watts grew up in Sydney, Australia and has lived in New York since 2013. She has an MFA in creative writing from Columbia University, and her fiction has been published in The White Review and The Lifted Brow. Her essays have appeared in The Believer and the Los Angeles Review of Books. Her novella, Afraid of Waking It, was awarded the 2015 Griffith Review Novella Prize. The Inland Sea is her first novel.
The Weak Spot
A woman discovers something toxic at work in the isolated village where she is apprenticing as a pharmacist, in this fable-like novel about power, surveillance, prescriptions, and cures by a captivating debut voice. On a remote mountaintop somewhere in Europe, accessible only by an ancient funicular, a small pharmacy sits on a square. As if attending confession, townspeople carry their ailments and worries through its doors, in search of healing, reassurance, and a witness to their bodies and their lives. One day, a young woman arrives in the town to apprentice under its charismatic pharmacist, August Malone. She slowly begins to lose herself in her work, lulled by stories and secrets shared by customers and colleagues. But despite her best efforts to avoid thinking and feeling altogether, as her new boss rises to the position of mayor, she begins to realize that something sinister is going on around her. The Weak Spot is a fable about our longing for cures, answers, and an audience--and the ways it will be exploited by those who silently hold power in our world.
The House on Vesper Sands
'Tremendously good' Observer 'The most vivid and compelling portrait of late Victorian London since The Crimson Petal and the White' Sarah Perry 'Part Wilkie Collins, part Conan Doyle' Guardian 'Huge fun' Daily Mail 'Has everything you could want in a novel' Stylist 'Dickens is whirling enviously in his grave ... Read by a fire on a cold winter evening' Irish Times 'Ladies and gentlemen, the darkness is complete.' It is the winter of 1893, and in London the snow is falling. It is falling as Gideon Bliss seeks shelter in a Soho church, where he finds Angie Tatton lying before the altar. His one-time love is at death's door, murmuring about brightness and black air, and about those she calls t...
Future Sex
Emily Witt is single and in her thirties. She has slept with most of her male friends. Most of her male friends have slept with most of her female friends. Sexual promiscuity is the norm. But up until a few years ago, she still envisioned her sexual experience achieving a sense of finality, 'like a monorail gliding to a stop at Epcot Center'. Like many people, she imagined herself disembarking, finding herself face-to-face with another human being, 'and there we would remain in our permanent station in life: the future'.But, as we all know, things are more complicated than that. Love is rare and frequently unreciprocated. Sexual acquisitiveness is risky and can be hurtful. And generalizing a...
The Women in Black
“The book I most often give as a gift to cheer people up.” —Hilary Mantel “Tart, beguiling, witty and compassionate, Madeleine St. John’s novel is a literary boost for the spirits.” —Maureen Corrigan, Fresh Air “A deceptively smart comic gem.” –The New York Times Book Review “Witty and delicious.” –People The women in black, so named for the black frocks they wear while working at Goode’s department store, are busy selling ladies’ dresses during the holiday rush. But they somehow find time to pursue other goals… Patty, in her mid-thirties, has been working at Goode’s for years. Her husband, Frank, eats a steak for dinner every night, watches a few minutes of...
The Future of Seduction
Where and who do we want to be? How might we get there? What might happen if we stay on our current course? In The Future of Seduction, cultural and literary critic Mia Levitin explores the future of sex, asking powerful and necessary questions about the relationships of tomorrow. This brief but mighty book is one of five that comprise the first set of FUTURES essays. Each standalone book presents the author's original vision of a singular aspect of the future which inspires in them hope or reticence, optimism or fear. Read individually, these essays will inform, entertain and challenge. Together, they form a picture of what might lie ahead, and ask the reader to imagine how we might make the transition from here to there, from now to then.
The Secret Keeper
A cloth bag containing ten copies of the title.
A Constant Hum
A young and exciting new literary voice, emerging from one of Australia’s worst natural disasters
Exploded View
A fearless and masterful new novel from the Stella Prize-winning author of Mateship with Birds
Like a House on Fire
WINNER OF THE 2013 STEELE RUDD AWARD, QUEENSLAND LITERARY AWARDS SHORTLISTED FOR THE 2013 STELLA PRIZE SHORTLISTED FOR THE 2013 KIBBLE AWARD From prize-winning short-story writer Cate Kennedy comes a new collection to rival her highly acclaimed Dark Roots. In Like a House on Fire, Kennedy once again takes ordinary lives and dissects their ironies, injustices and pleasures with her humane eye and wry sense of humour. In ‘Laminex and Mirrors’, a young woman working as a cleaner in a hospital helps an elderly patient defy doctor’s orders. In ‘Cross-Country’, a jilted lover manages to misinterpret her ex’s new life. And in ‘Ashes’, a son accompanies his mother on a journey to sca...
