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In this "eloquent debut," a young Australian woman unable to find her footing in the world begins to break down when the emergencies she hears working as a 911 operator and the troubles within her own life gradually blur together, forcing her to grapple with how the past has shaped her present (Publishers Weekly). Drifting after her final year in college, a young writer begins working part-time as an emergency dispatch operator in Sydney. Over the course of an eight-hour shift, she is dropped into hundreds of crises, hearing only pieces of each. Callers report car accidents and violent spouses and homes caught up in flame. The work becomes monotonous: answer, transfer, repeat. And yet the st...
A fierce and beautiful novel about coming of age in a dying world As she faces the open wilderness of adulthood, our narrator finds that the world around her is coming undone. She works as an emergency dispatch operator, trapped in constant crisis as fires and floods rage across Australia. Her personal life is buckling under her self-destructive obsessions - she drinks heaily, sleeps with strangers, wanders the streets of Sydney at night, and pursues a disastrous affair with an ex-lover. Desperate and adrift, she yearns for change. Building to a tightly controlled bushfire of ecological and personal crisis, The Inland Sea is a fierce and beautiful novel about the search for refuge in a state of emergency. Madeleine Watts grew up in Sydney, Australia and has lived in New York since 2013. She has an MFA in creative writing from Columbia University, and her fiction has been published in The White Review and The Lifted Brow. Her essays have appeared in The Believer and the Los Angeles Review of Books. Her novella, Afraid of Waking It, was awarded the 2015 Griffith Review Novella Prize. The Inland Sea is her first novel.
A woman discovers something toxic at work in the isolated village where she is apprenticing as a pharmacist, in this fable-like novel about power, surveillance, prescriptions, and cures by a captivating debut voice. On a remote mountaintop somewhere in Europe, accessible only by an ancient funicular, a small pharmacy sits on a square. As if attending confession, townspeople carry their ailments and worries through its doors, in search of healing, reassurance, and a witness to their bodies and their lives. One day, a young woman arrives in the town to apprentice under its charismatic pharmacist, August Malone. She slowly begins to lose herself in her work, lulled by stories and secrets shared by customers and colleagues. But despite her best efforts to avoid thinking and feeling altogether, as her new boss rises to the position of mayor, she begins to realize that something sinister is going on around her. The Weak Spot is a fable about our longing for cures, answers, and an audience--and the ways it will be exploited by those who silently hold power in our world.
A raw, funny, and fiercely honest account of becoming a mother before feeling like a grown up. When Meaghan O'Connell got accidentally pregnant in her twenties and decided to keep the baby, she realized that the book she needed -- a brutally honest, agenda-free reckoning with the emotional and existential impact of motherhood -- didn't exist. So she decided to write it herself. And Now We Have Everything is O'Connell's exploration of the cataclysmic, impossible-to-prepare-for experience of becoming a mother. With her dark humor and hair-trigger B.S. detector, O'Connell addresses the pervasive imposter syndrome that comes with unplanned pregnancy, the fantasies of a "natural" birth experience...
'This is what literature is meant to be' Anthony Burgess 'O what we ben! And what we come to...' Wandering a desolate post-apocalyptic landscape, speaking a broken-down English lost after the end of civilization, Riddley Walker sets out to find out what brought humanity here. This is his story. 'Funny, terrible, haunting and unsettling, this book is a masterpiece' Observer 'A timeless portrayal of the human condition ... frightening and uncanny' Will Self 'A book that I could read every day forever and still be finding things' Max Porter
'Tremendously good' Observer 'The most vivid and compelling portrait of late Victorian London since The Crimson Petal and the White' Sarah Perry 'Part Wilkie Collins, part Conan Doyle' Guardian 'Huge fun' Daily Mail 'Has everything you could want in a novel' Stylist 'Dickens is whirling enviously in his grave ... Read by a fire on a cold winter evening' Irish Times 'Ladies and gentlemen, the darkness is complete.' It is the winter of 1893, and in London the snow is falling. It is falling as Gideon Bliss seeks shelter in a Soho church, where he finds Angie Tatton lying before the altar. His one-time love is at death's door, murmuring about brightness and black air, and about those she calls t...
Taking the literary world by storm, Eimear McBride’s internationally praised debut is one of the most acclaimed novels in recent years; it is “subversive, passionate, and darkly alchemical. Read it and be changed” (Eleanor Catton). Eimear McBride’s debut tells, with astonishing insight and in riveting detail, the story of a young woman’s relationship with her brother, the long shadow cast by his childhood brain tumour, and her harrowing sexual awakening. Not so much a stream-of-consciousness, as an unconscious railing against a life that makes little sense, and a shocking and intimate insight into the thoughts, feelings and chaotic sexuality of a vulnerable and isolated protagonist, A Girl Is a Half-formed Thing plunges inside its narrator’s head, exposing her world firsthand. This isn’t always comfortable—but it is always a revelation. Touching on everything from family violence to religion to addiction, and the personal struggle to remain intact in times of intense trauma, McBride writes with singular intensity, acute sensitivity, and mordant wit. A Girl Is a Half-formed Thing is moving, funny, and alarming. It is a book you will never forget.
A young and exciting new literary voice, emerging from one of Australia’s worst natural disasters
Three brothers run away from home to live like Robin Hood and his merry men, deep in the forest of Brendon Chase. They make their camp in an ancient oak tree and live like outlaws, loving the dangers and excitements of their wild surroundings. Their aim is never to be caught - but how can they avoid all the people who are searching for them, including the police?