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Distinguished translation of the major work by a figure of crucial importance to the Enlightenment.
Curt and William are identical twins, separated at the age of four, unaware of each other's existence and of the fact that they have been adopted. The suicide of Curt's adoptive mother unlocks the secret of their parentage. Called to a reunion in Hawaii, they finally meet their biological parents and learn of the tragic circumstances behind their separation. Some strong language. 2001.
Madeline Lennon's Shelley Niro: Seeing Through Memory is the first major book devoted to Niro, an internationally-acclaimed First Nations artist and filmmaker. Published as part of the Canadian Artist Monograph Series (CAMS), this illustrated study of the work of an important First Nations artist in Canada includes an interview with Niro conducted by the author.
"In this fascinating in-depth study of the impact of nostalgia on contemporary American cinema, Christine Sprengler unpicks the history of the concept and explores its significance in theory and practice. She offers a lucid analysis of the development of nostalgia in American society and culture, navigating a path through the key debates and aligning herself with recent attempts to recuperate its critical potential. This journey opens up the myriad permutations of nostalgia across visual and material culture and their interface with cinema, with the 1950s emerging as a privileged moment. Four case studies (Sin City, Far From Heaven, The Aviator and The Good German) analyse the ways in which aspects of visual design such as props, costume and colour contribute to the nostalgic aesthetic, allowing for both critical distance and emotion. Written with verve, style and impressive attention to detail, Screening Nostalgia is an invaluable addition to existing scholarship. It is also essential reading for anyone interested in the ways in which we access the past through cinema." · Pam Cook, Professor Emerita in Film, University of Southampton
Aganetha Dyck: The Power of the Small (2016) by Julian Jason Haladyn is the first major publication on the artistic practice of this important Canadian artist. This book considers the history of Dyck's engagement with the small throughout her career as an artist, most prominently in her long-term collaboration with the bees. In addition to the main text, this publication includes "A Note on Other-Than-Human Beings" by Miriam Jordan-Haladyn, a collaborative essay on Dyck's collaborative work with William Eakin and an extensive interview with the artist. This is the latest volume in the Canadian Artist Monograph Series (CAMS).
** An acclaimed educator presents hands-on advice on teaching that meets today’s emphasis on learning outcomes and assessment** Informed by the most up-to-date research on how people learn** For all instructors in higher education--as well as high school teachersLaurie Richlin has been running a workshop on course design for higher education for over fifteen years, modifying and improving it progressively from the feedback of participants, and from what they in turn have taught her.Her goals are to enable participants to appropriately select teaching strategies, to design and create the conditions and experiences that will enable their students to learn; and in the process to develop the s...
Mohawk Rebel is an in-depth exploration of one of North America's most important Indigenous artists. Claire Raymond's compelling and well-researched book connects Niro's lineage as a Turtle Clan woman to the artist's oeuvre that evokes and represents the Mohawk people's memory of and continuing relationship to the land now called New York State. With profound allegorical and metaphorical power, Niro's virtuosic photographic and filmic works create layered temporal tapestries that weave the past and present in a new vision. The book offers fresh interpretations of many of Niro's best-known works and brings into view some of her earlier lesser-known works. Raymond's sensitive and nuanced interpretations of Niro's art ultimately contend that Niro's work agitates subtly but unmistakably for the ethical rightness of the land-back movement. Raymond eloquently argues that this Mohawk artist's relationship to New York State is one of rightful claim.
Universities teach courses in ethics, but do they teach students how to be ethical in practice? Lisa Kretz’s Ethics, Emotion, Education, and Empowerment explores the ways that philosophical ethics are currently taught and argues that dominant approaches fail to adequately support ethical action, in part because emotions are all too often ignored or repressed in university classrooms. In isolation, abstract theoretical content fails to motivate. The ability to reason through an ethical dilemma does not, by itself, of necessity impact ethical action. Empowered action requires intentional emotional engagement. Kretz argues that part of the reason affective pedagogy fails to get sufficient upt...
She discusses the current state of comparative literary studies and the renewed role of comparative literature in a world that is at once more plural and more globalized, as well as some of the debates now taking place within literary criticism as a whole, including the interchange between comparative literature and cultural studies, the re-envisaging of the Renaissance, the work of Northrop Frye, myth and literature at the end of the twentieth century, modern drama, and post-colonialism. To play an important role in the human sciences, comparative literature had first to free itself of a number of restrictive habits, such as an insufficiently critical literary history. In order to do this, ...
Focusing on white Anglo-Protestant farm women in southern and southwestern Ontario, Monda Halpern argues that many Ontario farm women were indeed feminist, and that this feminism was more progressive than their conservative image has suggested. In And On That Farm He Had a Wife Halpern demonstrates that Ontario farm women adhered to social feminism - a feminism that focused on values and experiences associated with women and that emphasized the differences between women and men, promoting female specificity, solidarity, and separatism. These principles were informed by farm women's overlapping roles as wives and unpaid farm labourers.