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First Published in 1997. This book is intended as a resource for anyone interested in the artistic contributions and activities of women in nineteenth-century Britain. It is an index as well as an annotated bibliography and provides sources for information about women well known in their own time and about women who were little known then and are forgotten now
During the past two decades, the surge of religious fundamentalism in the United States and in the Muslim world has resulted in many studies of the status of women and other family issues. This volume is a cross-cultural study of women's social status in Iran, Egypt, and in the U.S. during different stages of religious fundamentalism. In each of these countries, women have been active participants in fundamentalist movements, and this study shows that such participation enables women to reexamine their relationship to power in the family and in society and increase their group solidarity and feminist consciousness. The author combined quantitative, historical, and interview techniques in her analysis, gathering data by administering a questionnaire to middle-class women in the three countries. In Iran, she interviewed selected women leaders about future gender roles in the Islamic Republic. Students in women's studies, Middle Eastern culture, religion, history, sociology, and psychology, and political science will be interested in this publication.
Imagining Rhetoric examines how womenÆs writing developed in the decades between the American Revolution and the Civil War, and how women imagined using their education to further the civic aims of an idealistic new nation. In the late eighteenth century, proponents of female education in the United States appropriated the language of the Revolution to advance the cause of womenÆs literacy. Schooling for women—along with abolition, suffrage, and temperance—became one of the four primary arenas of nineteenth-century womenÆs activism. Following the Revolution, textbooks and fictions about schooling materialized that revealed ideal curricula for women covering subjects from botany and ch...
Looks at choruses not only as a source of music, but as organizations that come together for aesthetic, social, political, and religious purposes. This volume discusses groups, including an East African chorus; groups from 19th century England, Germany, and America; early twentieth-century Russian Menonites; Soviet workers' clubs; and more.
Aldo Leopold was known to advocate a love of sport as a catalyst for conservation, and his own preference was the sport of fly fishing. But fly fishing is not just a religious or spiritual endeavour. It is also a sport essential to the conservation movement. No fly fisherman wishes to wade into rivers full of stormwater, to cast for invasive Asian carp. Freshwater anglers have been foundational to the preservation and management of freshwater fisheries and waters for centuries. To Leopold s land ethic, fly fishing adds an aquatic vitality. Surveys of fly fishing culture reveal that the sport ranks among the highest for experiences of nature and understanding of ecology. So, it s not surprising that fly fishing, and organizations like Trout Unlimited, has influenced fisheries management, conservation, and restoration in coldwater systems across the world. Backcasts reels these important topics in by exploring the intersection of conservation and fly fishing, in its history, present, and potential future."
First published in 1996. In what ways have women contributed to agriculture? To what extent have scholars addressed these contributions in the professional literature? What has been the impact of gender in agricultural policy and economic development? What is the status of gender equity in the division of farm labor and in agricultural education? Such questions are raised by students and researchers worldwide who seek documentation which focuses on these vital topics. The purpose of this bibliography is, therefore, to synthesize this unique widely dispersed information in one volume, to assist researchers, faculty, and students in expediting the research process.
First published in 2005. This volume documents women's 20th century wartime experiences from World War I through the recent conflicts in Bosnia. The articles cross national boundaries including France, China, Peru, Guatemala, Germany, Bosnia, the U.S. and Great Britain.. The contributors of these original essays trace the evolution of women's roles as victims of war while also showing how they have been increasingly incorporated into battle as actors and perpetrators. These comparative studies analyze war's disruptions of daily life, its effects on children, rape as a war crime, access to equal opportunity, and women's resistance to violence.
Illusive Identity is a transnational exploration of the evolution of working-class consciousness within modern Western culture. The work traces how the rise of popular culture blurred the definition and dulled the influence of class identity in Europe and the United States in the nineteenth and early twentieth centuries. Chapters tackling changing class consciousness in Britain, Germany, Italy, and the United States offer rich insight into the movement from a traditional community-based social identity to a modern consumer-based culture; a mass culture influenced by industrialization, new social institutions, and the powerful imagery of new media. Illusive Identity vividly demonstrates the transformative impact of modernity on the laboring classes, as advertising, entertainment, and the rise of the popular press replaced traditionally shared narratives about the nature of work with a new and liberating cultural paradigm.
Although historians over the past two decades have written extensively on the plantation mistress and the slave woman, they have largely neglected the world of the working woman. Neither Lady nor Slave pushes southern history beyond the plantation to examine the lives and labors of ordinary southern women--white, free black, and Indian. Contributors to this volume illuminate women's involvement in the southern market economy in all its diversity. Thirteen essays explore the working lives of a wide range of women--nuns and prostitutes, iron workers and basket weavers, teachers and domestic servants--in urban and rural settings across the antebellum South. By highlighting contrasts between pai...
Was there opera - and just what was it like - in New York City before the advent of the Metropolitan Opera Company? In exploring these questions, Karen Ahlquist describes the social, cultural, economic, and esthetic factors that led to the assimilation of Italian opera - a complex, expensive genre of elitist reputation - into New York's business oriented community, with its English cultural heritage and sacred republican traditions. In her lively description of opera as few today can imagine it, Ahlquist considers Jacksonian-era efforts to create a polite social setting, the influence of a socially based clash between respectability and broad public access, and the role of music in shaping, not just reflecting, social and cultural life.