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An Economic History of Film
The movie industry boomed in the twentieth century, and is still going strong today. However, the economics of movies has been curiously under explored until now. Innovative and informative, this accessible book, which includes contributions from some of the leading experts in the area, is a huge step forward in our understanding of this important topic.
Ceramic Production And Distribution
A book which presents the archaeologist with approaches for investigating the economics of pottery in pre-industrial societies. The contributors exemplify this in a wide variety of social and economic contexts, ranging from the tribal Iroquois to the imperial Romans and modern peasant societies.
Pop Culture Wars
Entertainment has long been a source of controversy in American life. On the one hand, American popular culture is enormously desired, captivating audiences around the world. On the other hand, more and more critics blame it for the breakdown of morals and even civilizations itself. Surely Christians and other religious citizens have something to contribute to what is, after all, a discussion of morality. But too often their contributions have been ill-informed, unreflective and reactionary. In this groudbreaking book, William Romanowski brings something desperately needed to the discussion: an informed, systematic and challenging Christian perspective. Comprehensive and historically revealing, Pop Culture Wars bids to accomplish nothing less than to reframe and render more constructive a crucial but angry cultural debate.
跨学科视野下的文化身份认同——批评与探索
本书的作者是来自欧洲，北美，中国台湾，香港和大陆具有不同学科背景的知名学者，书中所呈现的跨学科视野将进一步促进和深化文化身份认同的研究，包括以下几个主题：文化身份的多元理论视角；传媒、全球化与文化身份认同；文学和文化身份认同。
Cinema's Military Industrial Complex
The vast, and vastly influential, American military machine has been aided and abetted by cinema since the earliest days of the medium. The US military realized very quickly that film could be used in myriad ways: training, testing, surveying and mapping, surveillance, medical and psychological management of soldiers, and of course, propaganda. Bringing together a collection of new essays, based on archival research, Wasson and Grieveson seek to cover the complex history of how the military deployed cinema for varied purposes across the the long twentieth century, from the incipient wars of US imperialism in the late nineteenth century to the ongoing War on Terror. This engagement includes cinema created and used by and for the military itself (such as training films), the codevelopment of technologies (chemical, mechanical, and digital), and the use of film (and related mass media) as a key aspect of American "soft power," at home and around the world. A rich and timely set of essays, this volume will become a go-to for scholars interested in all aspects of how the military creates and uses moving-image media.
Advances in Cryogenic Engineering
The 1961 Cryogenic Engineering Conference Committee is pleased to present the papers of the 1961 Cryogenic Engineering Conference. We are grateful to have had the University of Michigan at Ann Arbor, Michigan as our host for the seventh annual meeting of this group. The Conference Committee in presenting the papers oftbis Conference takes this opportunity to acknowledge the assistance of an Editorial Committee in the selection of papers for the program. Since over one hundred and twenty papers were submitted, their task of screening and evaluating the papers was a dif ficult one. The Committee guided by G. j. V an Wylen, who also served as chair man of the Conference Committee, included R. W. Arnett, B. W. Birmingham, D. B. Chelton, R. j. Corruccini, C. j. Guntner, M. j. Hiza, R. B. jacobs, A. J. Kidnay, R. H. Kropschot, j. Macinko, D. B. Mann, R. P. Mikesell, R. L. Powell, J. R. Purcell, R. P. Reed, R. j. Richards, A. F. Schmidt, R. B. Stewart, and K. A. Warren.
The Documentary Film Reader
Bringing together an expansive range of writing by scholars, critics, historians, and filmmakers, The Documentary Film Reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary. Each of the book's seven sections covers a distinct period in the history of documentary, collecting both contemporary and retrospective views of filmmaking in the era. And each section is prefaced by an introductory essay that explains its design and provides critical context. Painstakingly selected from the archives of more than a hundred years of cinema practice and theory, the essays, reviews, interviews, manifestos, and ephemera gathered in this volume suit the needs and interests of the beginning student, the advanced scholar, the casual reader, and the working documentarian.
