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Catalogue
None
National Union Catalog
Includes entries for maps and atlases.
Rewriting Theatre
The Reception Theory orientation discusses how the recast was received in its time; performance reviews contemporary with the new versions of old plays indicate the controversy elicited between those who believed, on the one hand, that the "classics" should be preserved as they have been handed down, and on the other, that a work of art is never "finished" and is always open to new stagings and interpretations. Lope de Vega, Tirso de Molina, Pedro Calderon de la Barca, and others have been and continue to be reinterpreted in the light of new literary, social, and political orientations.
Iberian Books Volumes II & III / Libros Ibéricos Volúmenes II y III (2 vols)
Iberian Books II & III presents an indispensable foundational listing of everything known to have been published in Spain, Portugal and the New World, or of items printed in Spanish or Portuguese elsewhere, during the first half of the seventeenth century. Drawing on library catalogues, specialist bibliographies and studies, as well as auction catalogue records, Iberian Books lists 45,000 items, and the locations of some 215,000 copies surviving in 1,800 collections worldwide. These volumes offer a powerful research tool which will appeal to researchers, librarians and to the book selling and collecting communities. They will prove invaluable to anyone with a research interest in the literat...
Spain's Forgotten Novelist
At the turn of the century, Armando Palacio Valdes (1853-1938) enjoyed the reputation of being one of Spain's leading novelists. Widely translated into other languages, he was hailed enthusiastically by such foreign critics as Edmund Gosse and William Dean Howells. In the twentieth century, he was regarded as a "safe" novelist, the paladin of middle-class Catholic virtues. Recently, however, his novels are again attracting interest in Spain. In Spain's Forgotten Novelist, Brian J. Dendle critically examines Palacio Valdes's career and reputation, casting doubt on his benign image and veracity, and establishing that the sales of Palacio Valdes's books in translation were much less than the author claimed.
A Series Catalog
None
Golden Age Drama in Contemporary Spain
This is the first monograph on the performance and reception of sixteenth- and seventeenth- century national drama in contemporary Spain, which attempts to remedy the traditional absence of performance-based approaches in Golden Age studies. The book contextualises the socio-historical background to the modern-day performance of the country’s three major Spanish baroque playwrights (Calderón de la Barca, Lope de Vega and Tirso de Molina), whilst also providing detailed aesthetic analyses of individual stage and screen adaptations.
