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Magdalene Odundo
Features photographs of selected works, with an introduction by David Queensferry.
Magdalene Odundo
The publishers have provided no further information on this title.
Magdalene Odundo
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Magdalene Odundo
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Magdalene Odundo
A beautifully illustrated look at how the acclaimed ceramicist draws on the postcolonial experience in her work Magdalene Odundo (b. 1950) is a Kenyan-born British ceramicist whose extraordinary works have been widely celebrated for their beauty and universality. Her studies of classical forms across many global traditions—from Greek and Chinese to Aztec and African—are evident in her intimate, evocative shapes. Sequoia Miller sheds light on the colonial and material traditions that inform Odundo's ceramics, showing how the artist deftly blends cultural and ethnographic sources to give expression to the postcolonial experience. This beautifully illustrated book discusses Odundo’s innov...
Michael Armitage
The young British-Kenyan painter Michael Armitage (born 1984 in Nairobi, Kenya) has quickly become one of the most exciting voices in contemporary painting. In his large-format, nuanced oil paintings, he combines East African and European motifs and painting traditions. He draws inspiration from political events, pop culture, folklore and personal memories, weaving these into mythically charged and dreamlike images. With ?Paradise Edict? Michael Armitage, who will be awarded the renowned Ruth Baumgarte Art Award in the fall, celebrates his first major presentation in a museum setting and his first show in Germany.0Texts by: Don Handa, Imraan Coovadia, Elsbeth Court, Anna Schneider, Dimona Stöckle00Exhibition: Haus der Kunst, München, Germany (04.09.2020 - 14.02.2021).
Smoke Firing
This handsomely illustrated survey of contemporary international artists and their approaches to smoke-fired pottery is an inspirational resource for ceramics devotees, from seasoned practitioners to curious collectors.
Things of Beauty Growing
For nearly a century British potters have invigorated traditional ceramic forms by developing or reinventing techniques, materials, and means of display. Things of Beauty Growing explores major typologies of the vessel--such as bowl, vase, and charger--that have defined studio ceramics since the early 20th century. It places British studio pottery within the context of objects from Europe, Japan, and Korea and presents essays by an international team of scholars and experts. The book highlights the objects themselves, including new works by Adam Buick, Halima Cassell, and Nao Matsunago, featured alongside works by William Staite Murray, Lucie Rie, Edmund de Waal, and others, many published here for the first time. Rounding out the beautifully illustrated volume is an interview with renowned collector John Driscoll and approximately fifty illustrated short biographies of significant makers. Published in association with the Yale Center for British Art and the Fitzwilliam Museum, Cambridge Exhibition Schedule: Yale Center for British Art, New Haven (09/14/17-12/03/17) The Fitzwilliam Museum, Cambridge (03/20/18-06/18/18)
Black Artists Shaping the World
Dedicated to the work of contemporary Black artists from around the world, this book is an exuberant introduction to artists from Africa and of African descent for young readers. Written by award-winning Black children’s author Sharna Jackson, this engaging book introduces young readers to twenty-six contemporary artists from Africa and of the African diaspora, working in everything from painting, sculpture, and drawing to ceramics, installation art, and sound art. These include prominent American artists Kerry James Marshall, Faith Ringgold, portraitist to Michelle Obama Amy Sherald, and Kehinde Wiley; British Turner Prize–winning painters Lubaina Himid and Chris Ofili; renowned South A...
Between Worlds
"Bill Traylor (ca. 1853-1949) is regarded today as one of the most important American artists of the twentieth century. A black man born into slavery in Alabama, he was an eyewitness to history--the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American urban culture in the South. Traylor would not live to see the civil rights movement, but he was among those who laid its foundation. Starting around 1939, Traylor--by then in his late eighties and living on the streets of Montgomery--took up pencil and paintbrush to attest to his existence and point of view. In keeping with this radical step, the paintings and drawings he ma...
