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This original dual-language short story collection features 15 newly translated works by important 20th-century authors. Previously unavailable in English versions, contents include "L'ami et la femme" by Irène Némirovsky, "Pleure, Pleure!" by Andrée Maillet, and tales by Simone Schwarz-Bart, Sailesh Ramchurn, Fred Kassak, Yann Means, Marc Villard, and others.
We walked through the empty galleries and deserted rooms where spiders spin their cobwebs over the salamanders of Francis the First. One is overcome by a feeling of distress at the sight of this poverty which has no grandeur. It is not absolute ruin, with the luxury of blackened and mouldy débris, the delicate embroidery of flowers, and the drapery of waving vines undulating in the breeze, like pieces of damask. It is a conscious poverty, for it brushes its threadbare coat and endeavours to appear respectable. The floor has been repaired in one room, while in the next it has been allowed to rot. It shows the futile effort to preserve that which is dying and to bring back that which has fled. Strange to say, it is all very melancholy, but not at all imposing.
The Earth is in crisis. We know this. We have known this for a long time. In the throes of the unfolding nightmare we call “capitalism” it is not hard to see and hear the violence that is being enacted against the planet. If we are to move beyond the idea that humanity is tasked with expressing our dominion over nature and towards a renewed integral understanding of humanity as firmly located within the biosphere, as an anarchist political ecology demands, then we have to start interrogating the privileges, hierarchies, and human-centric frames that guide our ways of knowing and being in the world. This volume centers around the idea that anarchism, as a conceptual framework, encourages us to contend with the multiple lines of difference, the various iterations of privilege, and the manifold set of archies that undergird our understandings of the world, and crucially, our place within it.
This essay collection focuses on enclosure, deception and secrecy in three spatial areas – the body, clothing and furniture. It contributes to the study of private life and explores the micro-history of hidden spaces. The contents of pockets may prove a surer index to their owner’s real thoughts than anything they say; a piece of furniture with ingenious mechanisms created to conceal secrets may also reveal someone’s attempts to break in and thus give away as much as it holds. Though the book’s focus is on particular material or imagined objects, taken as a whole it exemplifies a range of interdisciplinary encounters between history, literary criticism, art history, philosophy, psychoanalysis, sociology, criminology, archival studies, museology and curating, and women’s studies.
In the archive of Verrazzano Castle in Greve in Chianti, Professor Stefaan Missinne, discoverer of the da Vinci Globe dating from 1504, stumbled upon the 500-year-old travel report by the Italian explorer Giovanni da Verrazzano. This led to Windsor Castle, where the only world map dating from c. 1515 portraying an open seaway between Florida, as an island, and Newfoundland, was found among the papers of Leonardo da Vinci. Verrazzano did meet with Magellan in Seville in 1517 prior to his historical departure, but did Leonardo, while living in France between 1516 and 1519, influence his young royal employer and his Tuscan compatriot in any way? Astonishingly, the families of Verrazzano and da Vinci had been neighbors in Florence. In this reassessment of Verrazzano´s travel report, the author offers new evidence on Leonardo and Verrazzano. The Codex Cèllere, at the Pierpont Morgan Library, now takes its rightful place as New York´s literary birth certificate.
Sporting Cultures, 1650-1850 is a collection of essays that charts important developments in the study of sport in the eighteenth century.
In 1929 French journalist Albert Londres (Inspiration for the cartoon character Tintin) set out to document the lives of Jews. In the East End of London, he is moved by their unswerving faith. In eastern Europe he is astounded by their miserable plight. With gentle humor and a sharp eye he draws unforgettable portraits of the exotic individuals he encounters along the way. He vividly depicts the birth of Zionism and the wave of anti-semitic pogroms that propelled Jewish Immigration to Palestine. There he discovers the proud "new Jew" while his on-site reporting of the horrific Arab massacres of the Jews of Hebron and Safed exposes an age-old animosity still very much alive today. Presciently, Londres foresees that the Jews, despite their small numbers, will pay the Arabs 'back in kind' and ultimately regain their homeland. This literary masterpiece transports readers back to a pivotal moment in history and offers invaluable insights on Jewish life in the early twentieth century, on the formative years that preceded the State of Israel, and on the strife that has engulfed the region ever since. The Wandering Jew Has Arrived is as relevant today as when first penned. Book jacket.
In July 1881, having established himself as a writer of great pedigree and potential and at the beginning of a ten-year period that would see him become one of the most popular authors of his age, Maupassant embarked on a dangerous journey to the troubled colony of Algeria, believed to be on the verge of an Arab insurrection. In To the Sun Maupassant describes a land and populace vanquished by the twin powers of the sun and French colonialism, he bows down before the former, finding a personal absolution in the light, heat and space of the desert. But he stands up to the latter, pointing out the faults and absurdities of French colonialism, all the while demonstrating his brilliance as a political reporter who came to understand Algeria and its problems in such a short space of time. This is the first complete English translation of Maupassant's travel book Au soleil (1884), including the three Fragments 'At the Spas'; 'In Brittany'; and 'Le Creusot', as well as full critical apparatus.
Né en 1888 au Havre, le peintre Jean Dufy est aujourd’hui beaucoup moins connu que son frère, Raoul Dufy, et son oeuvre est pourtant extrêmement riche et variée. Nombre de ses œuvres ont été exposées à Paris et New York durant les années 1920. Les thématiques qu'il aborde sont très diverses mais l'on constate un intérêt particulier pour les arts et plus particulièrement pour le cirque. Puisant son inspiration lors des représentations des cirques parisiens tel que le Cirque d'hiver ou le Cirque Medrano, il tente de saisir les spécificités de cet art et donne vie aux écuyers, aux acrobates et aux clowns. Il s'attache à peindre ce qu'il voit, tant les artistes que l'ambian...
TOOMAI OF THE ELEPHANTS - RUDYARD KIPLING - THE JUNGLE BOOK - THE GUNSTON TRUST, JUNGLE ADVENTURE ILLUSTRATED EDITIONBig Toomai is the boss driver of the elephants, but he takes little please from his work. His ten-year old son, Little Toomai, loves the elephants and they understand his kindness. Asking to go on a hunt, his father tells him he can go when he sees the elephants dance. . .which is never - for no man has ever seen them dance. Follow this exciting adventure and find out if Little Toomai sees the elephants dance. Jungle story by Rudyard Kipling from his original Jungle Book. Recommended by The Gunston Trust for Nonviolence in Children's Literature. Ages 6-12+